Clara Elsene Peck

Clara Elsene Peck was born in Allegan, Michigan on April 18, 1883. Peck spent her youth in St. Paul, Minnesota and later studied art at the Minneapolis School of Fine Arts. She took classes at the Pennsylvania Academy of Fine Arts where she studied under American Impressionist painter and teacher William Merritt Chase. Reminiscing about her early years, Peck said: "With me the desire to become an artist has been strong since childhood. Other members of the family in previous generations were artists, making the love and joy in creative expression a natural one to me." ==Marriage and later life==

In 1906, Peck married British-born illustrator John Scott Williams (1877–1975), and they produced two children together, Aynard and Conway. Peck and Williams shared similar styles, leading the two to occasionally collaborate on illustrations together. These works were signed with the first initials of their last names, "P W". Some of Peck's works are also credited as Clara Elsene Williams and the press sometimes referred to her as "Mrs. John Scott Williams". After illustrator Harvey Dunn founded the Leonia School of Illustration in Leonia, New Jersey in 1915, Peck and Williams moved to an artist colony in Leonia, joining a group of about 90 professional artists. They lived in a house originally built by artist Charles Harry Eaton (American, 1850–1901) on Crescent Avenue and were neighbors with artist-couple John Rutherford Boyd (1882–1951) and Harriet Repplier Boyd. The Boyds' house became a community center of artistic gatherings where many of Leonia's artists exhibited their works. The marriage between Peck and Williams came to an end, and J. Scott Williams remarried in 1930. Peck died in Gettysburg in February 1968. ==Career==

Illustration Peck's career in illustration began in the early 1900s with her work for publisher George W. Jacobs in Philadelphia, Pennsylvania. This was a period when technological innovations in halftone and color printing engendered the "Golden Age of Illustration". In addition to illustrations, Peck created decorations and lettering designs for books. Notable works from this period include illustrations for Sara Hawks Sterling's ''Shakespeare's Sweetheart (1905) and A Lady of King Arthur's Court'' (1907), and Josephine Daskam Bacon's In the Border Country (1909). By 1908, Peck had designed her first cover for ''Collier's''. Peck began illustrating women's magazines during the 1910s and 1920s, contributing to Cosmopolitan, Good Housekeeping, Ladies Home Journal, ''Today's Housewife, and Household Magazine''. Peck's magazine illustrations appeared in St. Nicholas Magazine, The Century Magazine, The Delineator, the Pictorial Review, and ''The Youth's Companion. She contributed several cover illustrations to Theatre Magazine'' in the early 1920s and worked as a commercial artist on advertising campaigns for companies such as Procter & Gamble, Metropolitan Life, the Aeolian Company, and Ivory Soap. Peck also illustrated educational books, educational certificates, sheet music, fiction, and fairy tales. Women and children in Peck's work were depicted with great sensitivity in a wide variety of roles and responsibilities. According to Elizabeth H. Hawkes, curator emeritus of the Delaware Art Museum, the style consisted of "using flat, brightly colored figures boldly outlined and placed against a patterned background. They incorporated elements of the popular 1890s poster style and borrowed motifs from Walter Crane, Kate Greenaway, and the English Arts and Crafts movement style of illustration." Peck's career in illustration was active from the "Golden Age of American Illustration" through the onset of the Great Depression when the careers of illustrators suffered due to the poor economy. The output of magazine illustrations from Peck continued until at least 1935. Cartooning In the 1940s, Peck worked as a cartoonist for Topix Comics and Treasure Chest, a series of Catholic-themed comic books. Topix Comics was launched in 1942 and produced in St. Paul, Minnesota. The comic book featured stories of courageous Christians, Saints, and Biblical narratives, and by 1946, it had a circulation of over 600,000. Peck's work was distributed exclusively in parochial schools and appeared throughout most of the title's nine-year run. She also provided material for early issues of the similarly themed Treasure Chest title, including a few episodes of "The Robinson's Rumpus Room" feature and the cover for Volume 2, Number 9 in 1946. Painting Peck participated in several exhibitions in the 1950s, beginning with the American Watercolor Society. From 1956 to 1957, Peck was part of the Metropolitan Museum of Art's European traveling exhibition; In 1958, Peck's work appeared at the Washington County Museum of Art, in a solo exhibition at Gettysburg College, at the York Art Center, and in New Canaan, Connecticut. The Brandywine River Museum and the Delaware Art Museum host her paintings. Since 2000, a few landscape and portrait oil paintings sales have been recorded at various auction houses. ==Awards and distinctions==

Peck was a member of several art associations, including the American Watercolor Society (1931–1967), the National Association of Women Painters and Sculptors, National Association of Women Artists, the New York Watercolor Society and the Society of Illustrators. In 1913, Peck's work was featured in exhibitions at the Art Institute of Chicago and the Pennsylvania Academy of Fine Arts, and at the National Association of Women Artists and the New York Association of Women Painters and Sculptors where she won awards in 1920 and 1921. In 1985 at the ''America's Great Women Illustrators 1850–1950 exhibition in New York; And, in 1986, at the American Illustration 1890–1925'' exhibition held in Calgary. ==Selected illustrated books==

• Phases, Mazes and crazes of love. By Minna Thomas Antrim. Philadelphia: George W. Jacobs and Company, 1904. • Knocks, Witty Wise and ____. By Minna Thomas Antrim. Philadelphia: George W. Jacobs and Company, 1905. • ''Shakespeare's Sweetheart''. By Sara Hawks Sterling. Philadelphia: George W. Jacobs & Co, 1905. • ''A Lady of King Arthur's Court''. By Sara Hawks Sterling. Philadelphia: George W Jacobs and Co., 1907. • In the Border Country. By Josephine Daskam Bacon. New York: Doubleday Page, 1909. • The Hallowell Partnership. By Katharine Holland Brown. New York: Charles Scribner's Sons, 1912. • The Prince of Mercuria. By Atkinson Kimball. New York: Heart's International Library Co., 1914. • The Diary of an Expectant Mother. By Charlotte Hirsch. Chicago: A.C. McClurg, 1917. ==Gallery==