Contemporary Jewish Museum

The Contemporary Jewish Museum was founded in 1984 and was housed in a small gallery space near San Francisco's waterfront for over two decades. In 1989, the museum initiated a planning process to address the growing community need for its programs. The result was the decision to create a more expansive and centrally located facility with increased exhibitions, an area dedicated to education, and added program areas including live music, theater, dance, literary events, and film. During the 2000s, negotiations were held to potentially merge the CJM with the Judah L. Magnes Museum in Berkeley (now the Magnes Collection of Jewish Art and Life). However, the talks failed to produce an agreement to combine the two institutions. In March 2026, the museum announced it was selling its building, with no mention of a new physical location. The announcement also mentioned the museum would be "hiring for a curatorial position, collaborating on exhibitions and programming with other institutions, and planning for forums at which audience and supporters can provide feedback on the museum’s future." == Exhibitions==

The CJM is neither a history museum, nor one with a permanent collection. It curates and hosts a broad array of exhibitions each year in collaboration with other institutions, with the intent of making "the diversity of the Jewish experience relevant for a 21st-century audience." The museum does have one commissioned object on permanent display, the 90-foot long, 12,000-pound Lamp of the Covenant by Sacramento artist David Lane, a massive, arc-shaped sculpture made of recycled steel, numerous globes of the world, animal figurines, Jewish letters, and Edison bulbs, suspended above the museum's lobby. Lane, who calls himself an outsider artist and is not Jewish, says the work is meant to evoke time, space and the dialogue between man and God. the place of Jews and Jewish artists in San Francisco and California; and the profound impact of Jewish artists, writers, photographers, filmmakers, designers, musicians, performers, and entrepreneurs on the broader culture. , The Haggadah: The Four Questions (1935), exhibited at the CJM in 2014. : A History of American Style'' at the CJM in 2021. Some notable and popular past exhibitions include: • The Jim Henson Exhibition: Imagination Unlimited, 2022 • Experience Leonard Cohen, 2022 • Levi Strauss: A History of American Style, 2021 • Lew the Jew and His Circle: Origins of American Tattoo, 2019 • The Art of Rube Goldberg, 2018 • Roz Chast: Cartoon Memoirs, 2017 • Cary Leibowitz: Museum Show, 2017 • Stanley Kubrick: The Exhibition, 2016 • Bill Graham and the Rock & Roll Revolution, 2016 • Roman Vishniac Rediscovered, 2016 • Amy Winehouse: A Family Portrait, 2015 • Arnold Newman: Masterclass, 2015 • Project Mah Jongg, 2014 • Arthur Szyk and the Art of the Haggadah, 2014 • Beat Memories: The Photographs of Allen Ginsberg, 2013 • Kehinde Wiley, The World Stage: Israel, 2013 • Houdini: Art and Magic, 2012 • Black Sabbath: The Secret Musical History of Black-Jewish Relations, 2011 • ''There's a Mystery There: Sendak on Sendak'', 2011 • Seeing Gertrude Stein: Five Stories, 2011 • Chagall and the Artists of the Russian Jewish Theater, 1919–1949, 2009 • From The New Yorker to Shrek: The Art of William Steig, 2009 == Programs and events==

"The museum's education programs include public tours, classes and workshops, film screenings, lectures and gallery talks, performances, teacher training, school visits, family tours and art making, and a teen internship program. The Helen Diller Institute at the CJM is a collaborative work space where distinguished visiting scholars and project teams of CJM staff work together to create dynamic Jewish content and programs for the museum’s diverse audiences. Its centerpiece is a Beit Midrash ("study hall" in Hebrew) for ongoing trainings that enhance exhibitions and programs in development. == Architecture ==

addition by Daniel Libeskind (2017) The museum's main building is the former Pacific Gas & Electric Jessie Street Substation, which was originally built in 1881 and was rebuilt in 1907 by Willis Polk after the 1906 San Francisco earthquake. The building was listed on the National Register of Historic Places on September 6, 1974. Daniel Libeskind designed the new 63,000 square foot (5,900 square meter) interior of the substation, plus a new deconstructivist cubical addition which extends it. The new museum was completed in 2008 at the cost of $47.5 million. slices into the old substation's brick, making visible the relationship between the new and the old. Libeskind's design preserves the defining features of Polk's old building, including its brick façade, trusses, and skylights. 36 diamond-shaped windows light the top floor of the metal cube, known as the "Yud", which hosts sound and performance based exhibitions. The museum's other section, a slanting rectangle known as the "Chet", holds the narrow lobby, an education center, and part of an upstairs gallery. Similar to Libeskind's Danish Jewish Museum in Copenhagen, the Contemporary Jewish Museum incorporates text into its design. Inspired by the phrase "''L'chaim''", meaning "To Life", Libeskind let the Hebrew letters that spell "chai" —"chet" and "yud", inspire the form of the building. Libeskind himself explains how he used the letters: "The chet provides an overall continuity for the exhibition and educational spaces, and the yud with its 36 windows, serves as special exhibition, performance and event space." "To Life", also a traditional Jewish drinking toast, refers both "to the role the substation played in restoring energy to the city after the 1906 earthquake and the Museum's mission to be a lively center for engaging audiences with Jewish culture." The Hebrew word pardes, meaning "orchard", is embedded in the wall of the lobby. File:CJM-SF-Yud-with-tinted-windows-2024-by-Steven-Saylor.jpg|Interior of the "Yud" with windows tinted in various colors for the 2024 exhibition/installation When One Sees a Rainbow by Leah Rosenberg. Photos by Steven Saylor. Reception Critic Christopher Hawthorne of the Los Angeles Times praised Libeskind for a "careful balance of explosive and well-behaved forms" and gallery designs that abandon the architect's characteristic slanted walls. Likewise, David D'Arcy of The Wall Street Journal saw the museum as a laudable departure from Libeskind's previous work, finding a "lightness to this [museum] that is rare in the architect's work" and that "relieves the surrounding district's glass and steel tourist-mall monotony." Gallery File:AerialCJM.jpg File:Contemporary Jewish Museum (5686827073).jpg File:Contemporary Jewish Museum, San Francisco (16870725773).jpg File:2017 Contemprary Jewish Museum Jessie Street Substation.jpg File:Architectural detail from the Contemporary Jewish Museum in San Francisco, California LCCN2013630086.tif File:Contemporary Jewish Museum, San Francisco (2013).JPG ==Management==

Kerry King currently serves as the museum's Executive Director. Previous directors include Chad Coerver (2021-2023), Lori Starr (2013–2020) and Constance Wolf (1999–2012). In 2018, the museum hired Heidi Rabben as Senior Curator. Renny Pritikin was formerly Chief Curator (2014–2018). == See also ==