The church of St. Francis The church is in the late
Gothic or ogival style and was declared a historical and artistic monument in 1896. It corresponds to the model of the
mendicant churches and has a
Latin cross plan, with a single
nave, a wood-covered crossing and a chevet with three polygonal apses, covered with
ribbed vaults. The central nave, 100 metres long and 10 metres wide, is the highest of all the Franciscan churches in Galicia. Inside the church are the
sarcophagi of Paio Gomez Charino, Juan Feijóo de Soutomaior and Pelayo de Montenegro. The church has several
chapels dedicated to: the Sorrows or
Annunciation (1590) on the
Epistle side, the Good Success or
Sacred Heart (1670), the
Third Order, the
Immaculate Conception and Mercy (1677), St. Anthony, St. Elizabeth or the
Visitation. At the entrance to the church, on the Epistle side, there is a mural, from around 1500, depicting the
Mass of St Gregory. On the outside, the main façade has a
pointed arch and
moulded Archivolts. The
Stained glass windows in the church have a deeply
Franciscan iconographic programme: in the main chapel, the themes of Christ and Mary are represented in the centre with the images of the
Ecce homo and
our Lady of Sorrows. To their right are St.
Matthew,
St. John,
St. Peter and
St. Francis, and to the left
St. Anthony of Padua,
St. Paul,
St. Mark and
St. Luke. Thus, the central position of Jesus and Mary is completed and highlighted on each side by two saints of the Franciscan Order,
Francis and
Anthony of Padua, then by the apostles,
Peter and
Paul, and at the ends, on each side, two by two, by the
four Evangelists. of Paio Gomez Charino
The convent The convent was rebuilt in the 18th century in the Baroque style. The construction was completed in 1800. When the
walls of Pontevedra were demolished, the ''St. Dominic's Gate
or City Gate'' was incorporated into its façade, at the main entrance. It is a sober building of large dimensions with three floors and a stone plinth. The lintelled doors and windows are plain. Above the central window of the balcony on the façade, above a small pediment, there is a Pontevedra stone coat of arms. The convent has a rectangular plan with a cloister on the south-east side and two courtyards of different sizes on the north-west side. The exterior has many elongated, symmetrical windows, with balconies on the main façade and a large balcony above the entrance door. Access to the church is through a door in the left wing of the transept. The building is 100 metres long, 30 metres wide and 24 metres high. The
cloister has a square floor plan and a central
transept. It is much more sober than the Gothic cloister it replaced in the 18th century, but it has some plaque decoration. On the left side of the conventual church are the doors that connect the church with the cloister and which communicates with the Franciscan conventual quarters. The interior of the Baroque convent was designed with three noble rooms dedicated to the dining room, the prayer area and the monks' meeting space. == Culture ==