The permanent collection of the
Zaans Museum currently comprises five exhibitions: ‘De Zaanstreek maakt het’ (The Zaan region really makes it), ‘Typisch Zaans’ (Typical of the Zaan region), ‘Monet en het Zaanse Landschap’ (Monet and the Zaan landscape), 'Monumenten Spreken' (Monuments Speak - The Zaan region in the Second World War), and the ‘Verkade Experience’. A new introduction for the permanent collection - in which ‘Old Holland’ is explained as an important reason for tourists to visit the Zaanse Schans - is currently being prepared and is expected to open in 2017/2018. At the Zaans Schans, the Zaans Museum manages three external locations: the Weaver's House, the Cooperage, and the Jisper House.
De Zaanstreek maakt het The permanent exhibition ‘De Zaanstreek maakt het’ (The Zaan region really makes it) presents the history of industry in the Zaan region. In the seventeenth and eighteenth centuries, the Zaan region was well known for its large number of windmills and shipyards. In the nineteenth century, the appearance of the Zaan region changed as numerous factories were built along the banks of the River Zaan. The construction of the
North Sea Canal (1876), a seaport, a lock, and railway lines at the beginning of the twentieth century allowed the Zaan factories and food industry to develop between 1918 and 1965 into the most important and best-known sector of Dutch industry. The Zaan region is also known as 'the larder of the Netherlands'.
Verkade Experience The collection in the Verkade Experience is made up of the company collection of the Verkade family. This collection comprises photos, displays, packaging, posters, and three working production lines for chocolate, biscuits, and tea light candles. There is also a 'treasury' where the original watercolours for the Verkade picture-card albums are on display.
Monet and the Zaan scenery In 2015, the museum acquired a painting from the Zaan period (4 June – 8 October 1871) of the French impressionist painter
Claude Monet, entitled 'The Voorzaan and the Westerhem'. The scene shows a view of the Voorzaan, the section of the river to the south of the locks in the centre of Zaandam. Ships are sailing around the island Westerhem. On the island we see the sawmills turning: de Bakker, de Roode Leeuw and De Notenboom. Monet painted three different versions of this scene. Later, this type of 'series painting' came to be known as one of the hallmarks of
Impressionism, a style with which Monet was experimenting in the Zaan region. He wrote the following in a letter to his friend, the painter
Camille Pissarro: ‘Zaandam is quite remarkable and there is enough to paint for a lifetime. Houses in all colours, hundreds of mills, and delightful boats.’ 'The Voorzaan and the Westerhem' by Monet has been included in the presentation at the Zaans Museum on the Zaan landscape as a source of inspiration for artists. In addition, all 25 paintings and nine sketches that Monet produced in Zaandam in 1871 can be seen in full-size in an interactive presentation. The painting has been included in the permanent paintings exhibition and portrait gallery of Zaan residents. (The painting does not really fit into this category but takes pride of place beside this presentation.) The collection of portraits comprises pictures of members of Zaan families who were successful in one of the typical local industries of the Zaan region, as well as mayors, manufacturers, and artists. In addition, the museum has a few unusual pieces by famous and less well-known Zaan residents.
Typical Zaans The permanent exhibition ‘Typisch Zaans’ (Typical of the Zaan region) shows a reconstruction of an exhibition from 1874, which forms the basis for the current collection of the Zaans Museum. Local historians and collectors recorded the history of the Zaan region in books and collections in order to preserve the region's heritage. The original exhibition of ‘Zaanlandsche Oudheden en Merkwaardigheden’ (Zaan antiquities and curiosities) was held at the Zaandam city hall in August and September 1874. A modern reconstruction of this nineteenth-century exhibition shows what the people of the time considered to be typical of the Zaan region.
Monuments Speak The exhibition ‘Monumenten spreken’ (Monuments speak) tells the story of the
Second World War in the Zaan region. It is the story behind the 28 war memorials and resistance memorials found in the Zaan region. The monuments refer to events from the Second World War. Here you can see 28 mini-documentaries, featuring eyewitnesses talking about these events. The documentaries have been produced by Stichting Monumenten Spreken (the Monuments Speak Foundation).
The Weaver's House The Weavers House is one of the locations of the Zaans Museum at the Zaanse Schans. The focus at the Weaver's House is on the craft of weaving sailcloth in the nineteenth century. Two families lived here in the eighteenth century and there were five looms. The current exhibition shows the residential situation of one family with two looms. The Weaver's House served as a weaving mill until the start of the twentieth century. At that time, the house stood on Dorpsstraat in nearby
Assendelft. In 2015, the house was reconstructed at the Zaanse Schans.
The Cooperage The Cooperage is one of the locations of the Zaans Museum at the Zaanse Schans. The focus at the Cooperage is on the craft of
coopery, or
barrel making, circa 1960. The interior of the Cooperage came from the cooper's and barrel trading company S.R. Tiemstra & Sons from Oostzanerwerf in the north of Amsterdam. Upon his death, the last cooper - Jaap Tiemstra - bequeathed the entire cooperage and its contents to the Zaans Museum. The barrels produced served as packaging material for butter, milk, vinegar, oil, fish, fruit, vegetables,
jenever (Dutch gin), rum, and all kinds of beer and wine.
The Jisper House The Jisper House is one of the locations of the Zaans Museum at the Zaanse Schans. At the Jisper House, a fisherman's cottage originating from the village of
Jisp, the Zaans Museum gives an impression of the life of a fisherman's wife before the
Industrial Revolution midway through the nineteenth century. Children and adults alike can take a step back in time by dressing up in traditional Zaan costumes from that period. The cottage is a replica. The original dates from 1860 and can be seen at the
Zuiderzeemuseum in
Enkhuizen.
Honig Breet House Part of the collection of the Zaans Museum is on display at the Honig Breet House. At the Honig Breet House, visitors can experience how a family of merchants and paper makers lived in the Zaan region in 1830. The museum is situated on Lagedijk in
Zaandijk.
Czar Peter House The
Czar Peter House (Netherlands) in the centre of
Zaandam is one of the oldest wooden houses in the Netherlands. It was built as a labourer's cottage in 1632 using old ship wood. The Russian Tsar
Peter the Great lodged in this little wooden house in 1697 when he came to learn the shipwright's trade. In 1823, a shell was built around the house to protect it. The current stone shell dates from 1895. Many people, including Russian Tsars, Dutch monarchs, and even
Napoleon, have paid a visit to the Tsar Peter House. The countless names that have been written on and scratched into the windows and wooden walls are reminders of these visitors. The Czar Peter House is an annex of the Zaans Museum. ==Building and situation==