The show is structured into eight distinct acts in which Beyoncé performs the track list of
Cowboy Carter, interspersed with songs from throughout her catalogue, especially from the first act of the trilogy,
Renaissance. Lasting between two and three quarters hours, the screen showcases an American flag
test card as the audience enters the stadium. As the screen goes dark and horse galloping is heard, the show begins with the first act. Dancers emerge in red and form a triangle formation at the head of the stage for "
Ameriican Requiem". The dancers then retreat and Beyoncé emerges solo, singing as the dancers reappear in white and surround her. She then dedicates the "
Blackbiird" to black country pioneers that came before her. The screen changes to a visual of Beyoncé draped in white with an American flag behind and glitches out to all red as she sings
Jimi Hendrix's rendition of "
The Star-Spangled Banner" before going into "
Freedom", with the screen displaying “Never ask permission for something that already belongs to you”. The stage opens and the band is rolled out on a platform and "
Ya Ya" begins, with choreography similar to her Beyoncé Bowl show. The LED floor changes to flashing dots as she interpolates "
Why Don't You Love Me”, then returns to a gold-plated piano on stage that immediately bursts into flames, engaging in a call-and-response with the audience. While retreating as "Oh Louisiana" plays, a robotic arm pours a cup of
SirDavis. "
America Has a Problem" begins with similar stock market ticker visuals as
Renaissance, and Beyoncé emerges behind a transparent podium with microphones with dancers. The screen flashes red with a
Spaghetti Western intertitle as she begins "Spaghettii" with a thousand-arm dance routine, continuing into "
Formation" with cowboy hats. A giant inflatable red house emerges behind her and the dancers for "
My House", which promptly collapses in on itself as the song ends. Beyoncé then dances at the end of the runway for "
Diva" with her dancers. A video interlude featuring an old Western town fleeing from
Cowboy Carter opens the third act, with Beyoncé go-go dancing and getting into a bar fight, and as multiple identities at a peep show. She then transforms into a golden statue of an alligator, emerging onstage solo for "Alliigator Tears" and with male dancers for "Just For Fun". Female dancers appear in a triangle formation as she sings "Protector" with appearances by
Blue Ivy, and later, Rumi. After an interlude featuring neon signage for a bar named Jolene's, the fifth act begins with Beyoncé singing her rendition of "
Jolene", where she rides on a flying neon horseshoe above the audience. A violinist starts off the sixth act and Beyoncé reappears with an LED dress for "Daughter" delivering an opera coda. The visuals change to red curtains and intergalactic travel for a redux of the first act from the Renaissance World Tour, featuring a gold-plated version of the robot dress for "I'm That Girl", golden frames for "Cozy", a golden mattress for "
Alien Superstar", and a ballroom dance routine featuring individual dancers with solos on Beyoncé's songs "
Countdown", "
Top Off" and "Pure/Honey", including Blue Ivy with a "
Déjà Vu" dance routine. The penultimate act interlude shows different versions of Beyoncé as a giant across multiple cities, and leads into "
Texas Hold 'Em" then the
Homecoming: The Live Album version of "
Crazy in Love", followed by "
Heated (with elements of "
Boots on the Ground") and "
Before I Let Go" with all her dancers. A final interlude is a retrospective of Beyoncé’s entire life and career from childhood until present day, and "
16 Carriages" starts with Beyoncé in an American flag dress, seated in a car flying above the audience. The levitating car was eventually replaced by a golden mechanical horse after it got stuck in the first night of the Houston stop. The concert ends as dancers appear in American flag-inspired costumes for "Amen" and a bust of the
Statue of Liberty's face concealed with a bandana. ==Commercial performance==