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The Gods Must Be Crazy

The Gods Must Be Crazy is a 1980 comedy film written, produced, edited and directed by Jamie Uys. An international co-production of South Africa and Botswana, it is the first film in The Gods Must Be Crazy series. Set in Southern Africa, the film stars South West African San farmer Nǃxau ǂToma as Xi, a hunter-gatherer of the Kalahari Desert whose tribe discovers a glass Coca-Cola bottle dropped from an aeroplane, and believes it to be a gift from their gods. When Xi sets out to return the bottle to the gods, his journey becomes intertwined with that of a biologist, a newly hired village school teacher, and a band of guerrilla terrorists.

Plot
Xi and his San tribe live happily in the Kalahari Desert, away from industrial civilisation. One day, a glass Coca-Cola bottle, thrown out of an airplane by a pilot, falls to the soft ground unbroken. Xi's people assume the bottle to be a gift from the gods, just like plants and animals, finding countless new uses for it, such as curing animal hides, carrying water, grinding roots, rolling dough, and tracing decorative circular shapes. Only one glass bottle exists, however, and members of the tribe are constantly demanding its use while conflict arises in the erstwhile peaceful tribe. As a result, Xi decides to make a pilgrimage to the edge of the world to dispose of the divisive object. Meanwhile, biologist Andrew Steyn, who is studying the local wildlife in Botswana, is tasked by the local minister with bringing to the village Kate Thompson, a woman who quit her job as a journalist in Johannesburg, South Africa to become a village school teacher in Botswana. Normally competent and efficient, Andrew becomes awkward and clumsy in Kate's presence. His transport task is made difficult by an ancient Land Rover without brakes that requires him to jump out of the car to place a stone wedge under a wheel, upsetting Kate. The car stalls while fording a deep river, requiring them to camp out for the night 30 miles from their destination, which Kate finds opportunistic. While Andrew is undressing for bed with his pants down, a wild boar attacks him. As he runs through the bushes, he trips and falls onto a scantily clad Kate. Not witnessing a rhinoceros stamp out their campfire, Kate thinks Andrew put out the fire himself to scare her into seeking his protection. The next morning Kate gets stuck in a wait-a-bit tree; Andrew tries to rescue her and they both end up stuck together in their undergarments. Kate increasingly suspects that Andrew's bouts of clumsiness are calculated advances. Since their arrival at the village has been long delayed, a swaggering safari tour guide, Jack Hind, arrives to take Kate the rest of the way to the village. Andrew's assistant and mechanic, M'pudi, who has been married to seven women, counsels Andrew to explain himself to Kate. In the fictitious neighboring state of Biryani, a band of fugitive guerrillas, led by Sam Boga, have killed three cabinet members and injured two others in an attempt on the president's life, sending the military in hot pursuit. On his trek to dispose of the cursed Coke bottle, Xi finds a herd of goats and shoots one with a tranquilizer arrow, planning to eat it. The goatherd has him arrested, and he is sentenced to 3 months in jail. M'pudi, who once lived with the San and can speak their language, considers the verdict harsh. He and Andrew arrange to hire Xi as a tracker for the remainder of his sentence in lieu of prison time. Meanwhile, the guerrillas invade Kate's school, taking her and the students hostages as they make their escape to a neighbouring country. Andrew, M'pudi and Xi, immersed in their fieldwork, find that they are along the terrorists' and children's path and concoct a plan. Xi, who is small in stature, slips among the children with a brief note for Kate. Xi uses makeshift tranquilizer darts to immobilize six of the eight guerrillas, allowing Kate and the children to confiscate the guerillas' firearms. Andrew and M'pudi apprehend the remaining two guerrillas. Hind arrives and takes Kate and the children away, taking credit for the rescue that Andrew, M'pudi and Xi had planned and executed. Later, with Xi's prison term over, Andrew pays his wages and sends him on his way. Having no use for money, Xi discards it. At M'pudi's counseling, Andrew visits Kate to explain his “interesting psychological phenomenon” of awkwardness around women, but in the process repeatedly knocks over the table and utensils that Kate is setting. Kate finds his efforts endearing and kisses Andrew. Xi eventually arrives at the top of a cliff with a solid layer of low-lying clouds obscuring the landscape below. Convinced that he has reached the edge of the world, he throws the bottle off the cliff and returns to his family. ==Cast==
Cast
Director Jamie Uys appears in an uncredited role as the Reverend. ==Production==
Production
Development and casting Jamie Uys conceived the premise of The Gods Must Be Crazy while making the 1974 documentary Animals Are Beautiful People. as well as in Botswana. According to Uys, N!xau would be flown back to his home in the Kalahari Desert every three or four weeks to prevent him from suffering from culture shock. N!xau was then compensated with 12 head of cattle. == Soundtrack ==
Release
Box office The Gods Must Be Crazy was initially released in South Africa on 10 September 1980 by Ster-Kinekor Pictures. Executive producer Boet Troskie sold the distribution rights to the film to 45 countries. For its release in the United States, the original Afrikaans dialogue was dubbed into English, and voiceover work was provided for !Kung and Tswana lines. The film initially received a limited American release through Jensen Farley Pictures in 1982, but performed poorly in at least half a dozen test cities. However, the film would eventually find critical and commercial success when it was re-released by 20th Century Fox on 9 July 1984, becoming the highest-grossing foreign film released in the United States at the time. The film also played at the Music Hall Theater in Beverly Hills, California for at least eight months. Within its first four years of release, The Gods Must Be Crazy had grossed worldwide. , the film has grossed (approx. ) worldwide, including over in the United States. Critical reception Roger Ebert of the Chicago Sun-Times gave the film three stars out of four, concluding that "it might be easy to make a farce about screwball happenings in the desert, but it's a lot harder to create a funny interaction between nature and human nature. This movie's a nice little treasure". Variety stated that the film's "main virtues are its striking, widescreen visuals of unusual locations, and the sheer educational value of its narration". Though he called the film "often genuinely, nonpolitically funny", he noted that "there's also something disturbing about the film", in that "we tend to feel that any South African work that doesn't actively condemn apartheid has the secondary effect of condoning it, if only through silence". On Metacritic, which uses a weighted average, the film has a score of 73 out of 100 based on six reviews, indicating "generally favourable reviews". Home media In mid-November 1986, The Gods Must Be Crazy was released on VHS in the U.S. by CBS/Fox on its Playhouse Video label. In 2004, The Gods Must Be Crazy was released on DVD by Sony Pictures Entertainment. It was also released on DVD as a double feature with The Gods Must Be Crazy II. ==Controversies==
Controversies
The Gods Must Be Crazy attracted criticism for its perpetuation of racial stereotypes and ignorance of discrimination and segregation (apartheid) in South Africa. she noted that many San enlisted in the South African Army due to the high wages it paid. Lee wrote that "the notion that some San in the 1980s remain untouched by 'civilization' is a cruel joke. The San have been the subject of a century of rapid social change and especially in the last twenty years have been forced to endure all the 'benefits' of South Africa's apartheid policies in Namibia". Gugler wrote that the guerrillas in the film are depicted as "bad Africans [...] dangerous and destructive all right, but they are also indolent and inept. In the end, even Kate Thompson gets to disarm one of them. Their leader, Sam Boga, articulates what the film is showing us about African guerrillas: 'Why do I have to work with amateurs?' He, in turn, serves to confirm the apartheid credo that Africans would be happy with the White dispensation were it not for foreigners fomenting discontent and making trouble". Gugler goes on to state that Uys "[perpetuates] the myths of apartheid: an ordered world with Whites on top, a world where Africans are content but for the interference of outsiders". When asked about his thoughts on apartheid, Uys commented that "I think it's a mess. We've done some silly, naughty things that we're ashamed of. We're trying to dismantle it, but it's a very complicated thing. If you go too slow, it's bad, and if you go too fast, it will ruin the economy and everyone will starve. I hope I'm not a racist, but everybody likes to think of himself as not racist, and I don't think that any of us can swear we're not racist. If it means you hate the coloured man, I'm not racist. If it means you choose to marry a girl of your own colour, is that racist, too? If the two are in love, it doesn't matter. But I chose a white girl as my wife". ==Sequel and related films==
Sequel and related films
The Gods Must Be Crazy was followed by an official sequel, The Gods Must Be Crazy II, released by Columbia Pictures in 1989. It was written and directed by Uys, and again stars N!xau. An unofficial sequel, Crazy Safari (also titled The Gods Must Be Crazy III), followed, a Hong Kong film starring N!xau. Other unofficial sequels include Crazy Hong Kong (The Gods Must Be Crazy IV) and The Gods Must Be Funny in China (The Gods Must Be Crazy V). Another unrelated film, Jewel of the Gods was marketed in some territories as sequels to The Gods Must Be Crazy. ==Legacy==
Legacy
Irish Spring soap had a 1989 commercial parodying the film. The video for the song "Take Me to Your Leader" by American rock band Incubus pays homage to the film. ==See also==
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