Cyril Power

Cyril Edward Power was born on 17 December 1872 in Redcliffe Street, Chelsea, the eldest child of Edward William Power who encouraged him to draw from an early age. This passion led to him studying architecture and working in his father's office before being awarded the Sloane Medallion by the Royal Institute of British Architects in 1900 for his design for an art school. In August 1904 Power married Dorothy Mary Nunn in Bury St Edmunds, Suffolk, shortly afterward moving to Putney in London where they had a son, Edward Raymond Roper-Power, the following year (Power added his mother's maiden name to his own after his father left home though rarely used his full name). Power worked as an architect at the Ministry of Works under Sir Richard Allington and was involved with the design and construction of the General Post Office, King Edward VII Building and also the Post Office at the corner of Exhibition Road and Imperial College, Kensington, London. In 1908 the family moved to Catford where their second son Cyril Arthur Power was born. It was around this time that Power became lecturer of Architectural Design and History at the School of Architecture, University College, London (now called the Bartlett School of Architecture) under Professor Simpson and also at Goldsmiths College, New Cross, London. ==Middle years and art==

During the early 1920s Power was producing watercolour landscapes and townscapes as well as the first of some 40 drypoints. In 1918, Power met Sybil Andrews, with whom he maintained a working relationship which lasted some 20 years. His youngest son Edmund was born in December 1921, in Bury St Edmunds. Shortly after their first joint exhibition in Bury St Edmunds, the family moved to St Albans, Hertfordshire. The two artists did the work together, signing the prints "Andrew-Power"; in total, eight poster designs were produced. In 1930 Power was elected member of the Royal Society of British Artists and established a studio with Andrews in Hammersmith close to the River Thames, a location which inspired many prints by both artists, most notably 'The Eight' by Power and 'Bringing in the Boat' by Sybil Andrews. Their first major joint exhibition was at the Redfern Gallery in 1933 which consisted of linocuts and monotypes. The following years saw many more joint exhibitions until the dissolution of their artistic working partnership in July 1938 when they gave up their studio. Andrews moved to her cottage 'Pipers', near Lymington on the Hampshire coast which Power had modernised and enlarged the previous year. She met and married shipyard worker Walter Morgan during the war in 1943, and emigrated to Canada with him four years later. Power rejoined his family, who had just moved from Hertfordshire to New Malden in Surrey. ==Later years==

In September 1939, at the outbreak of World War II, Power was attached to a Heavy Rescue Squad as a surveyor, based at Wandsworth Town Hall. He continued drawing and painting, tending to work principally in oils using a palette knife technique. He also spent time lecturing on painting and linocutting to the local art society at New Malden and at Kingston-Upon-Thames. During the last year of his life Power completed some eighty-nine oil paintings, a format he had grown increasingly fond of in the preceding years. These were mainly landscapes of the surrounding areas, often Helford River and the Falmouth area of Cornwall as well as some floral studies. He died in London in May 1951, aged seventy-eight. ==Selected works==

• The Tube Station (1932) :*Depicts a man in the London Underground waving at/saluting an incoming Tube train; used as one of the promotional pictures for the Summer 2019 exhibition of the works of the Grosvenor School at the Dulwich Picture Gallery. • The Tube Staircase (1929) :* Depicts a staircase in a Tube station spiraling upwards; a print is in the collection of the Victoria and Albert Museum. • Skaters (1930) :* Depicts three spinning skaters in blue and green dresses. • The Eight (1930) :* Depicts eight people rowing a boat; it is one of his most popular prints. • The Merry-Go-Round (1931) :* Depicts people spinning in an orange and blue merry-go-round; used as one of the promotional pictures for the Summer 2019 exhibition of the works of the Grosvenor School at the Dulwich Picture Gallery ==Collections==

• British Museum, London • Auckland City Art Gallery, Auckland • Fine Arts Museums of San Francisco, San Francisco • Grunwald Center for the Graphic Arts, University of California, Los Angeles • Wolfsonian Foundation, Miami Beach • National Gallery of Australia, Canberra • New York Public Library, New York • Art Gallery of Ontario, Toronto • Museum of Modern Art, New York • Hunterian Art Gallery, University of Glasgow • National Gallery of Victoria, Melbourne • National Art Gallery of New Zealand, Wellington • London Transport Museum, London ==References==