An = Anum is commonly understood as a list documenting Akkadian equivalents of Sumerian gods in a manner similar to the process of
interpretatio graeca, but according to Richard L. Litke this view is mistaken. The primary goal of the compilers of
An = Anum was to clarify the familial relationships between deities, briefly describe their functions and characterize each god's household, rather than to provide Sumerian deities with Akkadian equivalents. The commentary, when present, is in Sumerian, rather than Akkadian, which is different from most
lexical lists. The gods do not appear to be separated into strictly Sumerian and Akkadian columns. Furthermore, some gods are listed with no equivalents at all, for example
Zababa, who was a well established deity. Some deities listed are not Sumerian or Akkadian, but
Elamite, "
Subarian" (
Hurrian), or
Gutian. The list documents many associations between deities and aspects of their character which are otherwise unknown. Explanations frequently use the sign MIN in a role analogous to the modern
ditto mark. It can be used to refer to both pronunciation of different writings of a name and to theological identification between names. ŠU is used to mark entries as distinct from each other, for example when a list of servants of children of a deity begins after a list of titles explained as MIN. The entry of each deity is followed by their
epithets and alternate names, the name of their spouse, children, and finally servants, if any were known. In some cases the chief attendant deity, so-called
sukkal, is listed before the children. Seemingly only the best established deities had a
sukkal. The number and precise designation of various divine servants varies, and there seemingly was no standard composition of a divine court, though some titles, such as "doorkeeper" (NI.GAB) or "counselor" (
gu4.DÚB), recur more often than others.
An = Anum consists of seven tablets. The initial four tablets list the deities in order of seniority, alongside their courts, but the rest of the list does not appear to follow similar principles. It is possible that it was a result of adding groups of deities from originally distinct texts to
An = Anum without rearranging them. Jeremiah Peterson remarks that the reliance on theological factors is nonetheless more evident in
An = Anum than in any other known god list. Some of the copies preserve all the material on a single tablet, with a brief summary marked by pairs of horizontal lines indicating the end of each originally separate section. Copies of long works such as god lists or literary composition inscribed on a single tablet are known as
dubgallu or
tupkallu, or as "monster tablets". YBC 2401 is one such example, and measures 30.5 × 39.5 centimeters (roughly 12 × 15 inches), which makes it one of the biggest
clay tablets known.
Tablet I Tablet I starts with
Anu,
Antu and their ancestors. It includes their various servants as well. A sub-section is dedicated to
Papsukkal and his circle, including his wife
Amasagnudi.
Saĝkud appears among Anu's servants as well. The
Enlil section, which follows the Anu one, begins with his ancestors, the so-called
Enki-Ninki deities, and includes his wife
Ninlil, primordial deities
Lugaldukuga (explained as Enlil's father) and
Enmesharra, as well as various courtiers, among them the goddess of writing,
Nisaba, and her husband
Haia, Enlil's
sukkal Nuska and his wife
Sadarnunna, the scribe goddess
Ninimma, the exorcist goddess
Ningirima, defined as Enlil's sister, and the beer goddess
Ninkasi. A separate sub-section is dedicated to
Ninurta, his wife
Nin-Nibru, and his own courtiers. The
Syrian god
Dagan also appears in the Enlil section alongside his wife
Shalash, as well as
Išḫara.
Iabnu is defined as the Elamite counterpart of Enlil. It is additionally possible that a deity whose name is not preserved, identified as "Enlil of
Subartu", might be
Hurrian Kumarbi.
Tablet II Ninhursag (Digirmah, Belet-ili) occupies the beginning of tablet II. Deities listed in her section include her husband
Šulpae, her sons
Panigingarra and
Ashgi, the couple
Lisin and
Ninsikila, and various courtiers. The same tablet also contains the section focused on
Enki (Ea), accompanied by his wife
Damkina. The order of the sections focused on him and Ninhursag is reversed compared to the
An = Anum forerunner, which according to Ryan D. Winters might indicate the compilers of
An = Anum followed the tradition making the latter the older sister of Enlil, and thus a deity of higher status. A sub-section is dedicated to Enki's son
Marduk. It includes his wife
Zarpanit.
Nabu appears in it as Marduk's
sukkal alongside his wife
Tashmetum, but he is not yet identified as his son, in contrast with late sources. Other deities present on tablet II include courtiers of Enki, the river god
Id, the fire god
Gibil, and various minor deities associated with craftsmen and other professions, such as
Ninagal. Part of this subsection was likely incorporated from an independent source arranged based on a lexical principle.
Tablet III Tablet III describes the moon god
Sin (unusually not identified directly as a son of Enlil), the sun god
Shamash (Utu) and the weather god
Adad (Ishkur). The circle of Sin includes his wife
Ningal and various deities associated with cattle herding.
Nanshe and deities associated with her, including her husband
Nindara, who precedes her, separate his section from that of Shamash. While
An = Anum appears to equate Nindara with Sin, there is no evidence for close association between Nanshe and the moon god otherwise.
Nin-MAR.KI is placed in the same section as well, but in contrast with earlier sources she is not identified as Nanshe's daughter, which might mean her placement reflected her link to cattle herding instead. The circle of the sun god includes his wife
Aya, as well as two distinct groups of courtiers, deities of justice and deities of dreams. The cattle god
Sakkan is included in this section too. He is followed by
Lahar, though the nature of the connection between them is not specified. While Sin and Shamash occur in the proximity of each other because they were viewed as father and son, Adad is most likely included on this tablet because of the well established connection between him and Shamash. The section dedicated to him includes his wife
Shala, their children (such as
Uṣur-amāssu), as well as another weather god,
Wer, though other foreign weather gods are absent, in contrast with a later god list, K 2100, whose Adad section contains "Subarian" (Hurrian)
Teshub and
Kassite Buriyash. The tablet ends with a group of various gods mostly associated with Adad or Shamash, such as
Shullat and Hanish, though with some exceptions which were instead linked with Ea, Nisaba or
Ishtar. It has been proposed that what unified these deities was their possible Syrian origin, but this view is not universally accepted. Another possibility is that this subsection was incorporated from a list arranged based on lexical principles.
Tablet IV Tablet IV documents the circle of
Ishtar (Inanna). Due to its contents, it has been nicknamed "the Ištar tablet" by Richard L. Litke. It is less well preserved than other tablets, and full restoration is presently impossible. However, it can be estimated that it originally contained three to four times as many entries as her section in the
An = Anum forerunner, which already listed more
titles than the section of any other deity. Among the deities listed are
Ninegal and various astral deities, such as
Ninsianna and
Kabta. Tablet IV also most likely originally included
Dumuzi and
Nanaya sub-sections, which are not preserved. A fragment which presumably originally contained the Nanaya section, which mentions
Muati and
Kanisurra, has been identified, in addition to a line listing
Bizilla, who was closely associated with Nanaya. A major lacuna in which they were presumably originally located is followed by a list of figures associated with the steppe and by a short section dedicated to
Gazbaba. A short section is dedicated to
Išḫara (who also appears in the Enlil section and in the end of tablet III.) It is followed by one focused on
Manzat. The final entry is the deity
dgiš-su13-ga, whose character is undefined, but who might be related to
Nergal rather than Inanna.
Tablet V Tablet V begins with warrior deities associated with specific cities. They include the deified hero
Lugalbanda and his wife
Ninsun,
Lugal-Marada, the tutelary god of
Marad, the
mongoose deity
Ninkilim, the agricultural god
Urash (his court includes
Lagamal, in other lists present among
underworld deities), Nitaḫ, the war god
Zababa (whose section also includes Nergal's
sukkal Ugur, explicitly identified as such),
Abu, and a number of names which seem to be grouped together only because they belong to gods originating in
Lagash, among them
Ningirsu. This god was usually syncretised with Ninurta and as such regarded as a son of Enlil, but in this case appears separately on a different tablet. Other deities of Lagash listed there include
Bau,
Gatumdug, as well as
Igalim,
Shulshaga and a number of children and courtiers of Ningirsu whose names are poorly preserved or lost. Juxtaposition of various deities originating in this area is not exclusive to
An = Anum, as attested in a small fragment of an otherwise unknown god list found in Nippur. The next sub-section is centered on medicine goddesses (
Ninisina,
Ninkarrak,
Nintinugga,
Gula) and their families (including
Pabilsag,
Damu and
Gunura). They are in turn followed by sections dedicated to the prison goddess
Manungal, the underworld goddess
Ereshkigal, a group of gods associated with snakes and the underworld (
Ninazu,
Ningishzida,
Tishpak,
Inshushinak and
Ištaran), the pair
Lugal-irra and Meslamta-ea, who were also underworld deities, but have no apparent connection with the preceding gods, and a number of minor figures of similar character, such as
Lugala'abba ("lord of the sea").
Tablet VI Tablet VI starts with Nergal, his titles, family and court (including
Laṣ,
Mammitum,
Ishum and
Ninmug). The rest of the tablet is not arranged according to any discernible principles, and most likely originated as a compilation of material showing some connection to the underworld. Included are various figures explained as
ilu lemnu ("evil god"), such as Kingaludda, the weaver goddess
Uttu, a group of deities possibly originating in
Dilmun, the
Sebitti and other groups of seven (as well as the closely connected Elamite goddess
Narundi),
Amurru, the divine representation of
Amorite nomads, and his wife
Ashratum, the deified hero
Gilgamesh and his companion
Enkidu, and a number of names belonging to deities of uncertain identity, assumed to be of very minor importance, and a list of collective terms for deities.
Tablet VII Tablet VII lists various names of Marduk and of his throne bearer
Mandanu. Most of the names are not attested in any other sources, and are likely to be esoteric scholarly inventions. Richard L. Litke considered it a late addition. However, Ryan D. Winters notes that despite focusing on Marduk, it is so far known only from Assyrian copies, which is likely to reflect an early date of incorporation into the canon of
An = Anum. According to Wilfred G. Lambert, it should be considered an
appendix loosely connected with the rest of the composition, similar to the case of the final tablet of the standard edition of
Epic of Gilgamesh. It has been suggested that further additional tablets might have followed VII. However, this proposal relies entirely on a single damaged colophon, and surviving examples of tablet VII indicate it was treated as the end of
An = Anum. Kidin-Sin's copy does contain an appendix, but it consists of unrelated short lists according to the scribe himself included only to fill leftover space on the tablet. The arrangement of some of them follows esoteric and mystical principles, in contrast with
An = Anum itself. ==Influence in antiquity==