In a contemporary review for
The New York Times, critic
Bosley Crowther wrote:[T]here is something about the sadness that appears in Mr. Cooper's eyes, something about the slowness and the weariness of his walk, something about his manner that is not necessarily in the script which reminds the middle-aged observer that Mr. Cooper has been at it a long time. And there is also a lot about "Dallas" to remind one that Westerns haven't changed a great deal in the past quarter of a century, and that Mr. Cooper has fair reason to be sad. ... [T]he story that's told in 'Dallas" ... is as standard as boy-meets-girl. Except for a few clever "gimmicks" that are dropped here and there in the tale, this is one of those two-gun-man horse operas that comes right down from
William S. Hart; However, faithful to his calling,. Mr. Cooper plays it manfully.Critic John L. Scott of the
Los Angeles Times wrote: "'Dallas' contains a more adult theme than is found in most film stories of the great outdoors. That's all to the good—maybe the Warner theaters can lure grownups during the engagement. ... The story gets a little complicated and some of the characters aren't developed enough but in the main 'Dallas' is an exciting piece of action entertainment." According to Warner Bros. accounts, the film earned $2,765,000 domestically and $1,725,000 foreign. ==References==