1980s During the early 1980s, Day-Lewis worked in theatre and television, including
Frost in May (where he played an impotent man-child) and
How Many Miles to Babylon? (as a
World War I officer torn between allegiances to Britain and Ireland) for the
BBC. Eleven years after his film debut, Day-Lewis had a small part in the film
Gandhi (1982) as Colin, a South African street thug who racially bullies the title character. In late 1982, he had his big theatre break when he took over the lead in
Another Country, which had premiered in late 1981. Next, he took on a supporting role as the conflicted, but ultimately loyal,
first mate in
The Bounty (1984). He next joined the
Royal Shakespeare Company, playing
Romeo in
Romeo and Juliet and Flute in ''
A Midsummer Night's Dream. Day-Lewis gained further public notice that year with A Room with a View'' (1985), based on the novel by
E. M. Forster. Set in the
Edwardian period of turn-of-the-20th-century England, he portrayed an entirely different character: Cecil Vyse, the proper upper-class fiancé of the main character Lucy Honeychurch (played by
Helena Bonham Carter). '' (1988) In 1987, Day-Lewis assumed leading man status by starring in
Philip Kaufman's adaptation of
Milan Kundera's
The Unbearable Lightness of Being, in which he portrayed a Czech surgeon whose hyperactive sex life is thrown into disarray when he allows himself to become emotionally involved with a woman. During the eight-month shoot, he learned
Czech, and first began to refuse to break character on or off the set for the entire shooting schedule. Day-Lewis progressed his personal version of
method acting in 1989 with his performance as
Christy Brown in
Jim Sheridan's
My Left Foot. It won him numerous awards, including the
Academy Award for Best Actor and
BAFTA Award for Best Actor in a Leading Role. Brown, known as a writer and painter, was born with
cerebral palsy, and was able to control only his left foot. During filming, he again refused to break character. 's 1989 production of
Hamlet at London's
National Theatre (pictured), his final appearance on the stage. Day-Lewis returned to the stage in 1989 to work with
Richard Eyre, as the
title character in
Hamlet at the
National Theatre, London, but during a performance collapsed during the scene where the
ghost of Hamlet's father appears before him.
Ian Charleson formally replaced Day-Lewis for the rest of the run. Earlier in the run, Day-Lewis had talked of the "demons" in the role, and for weeks he threw himself passionately into the part. He later explained that this was more of a metaphor than a hallucination. "To some extent I probably saw my father's ghost every night, because of course if you're working in a play like
Hamlet, you explore everything through your own experience." He has not appeared on stage since. The media attention following his breakdown on-stage contributed to his decision to eventually move from England to Ireland in the mid-1990s, to regain a sense of privacy amidst his increasing fame.
1990s Day-Lewis starred in the American film
The Last of the Mohicans (1992), based on a
novel by
James Fenimore Cooper. Day-Lewis's character research for this film was well-publicised; he reportedly underwent rigorous weight training and learned to live off the land and forest where his character lived, camping, hunting, and fishing. He carried a
long rifle at all times during filming to remain in character. He returned to work with Jim Sheridan on
In the Name of the Father in which he played
Gerry Conlon, one of the
Guildford Four, who were wrongfully convicted of a bombing carried out by the
Provisional IRA. He lost 2
st 2 lb (30 lb or 14 kg) for the part, kept his
Northern Irish accent on and off the set for the entire shooting schedule, and spent stretches of time in a prison cell. Day-Lewis returned to the US in 1993, playing Newland Archer in
Martin Scorsese's
adaptation of the
Edith Wharton novel
The Age of Innocence. Day-Lewis starred opposite
Michelle Pfeiffer and
Winona Ryder. To prepare for the film, set in America's
Gilded Age, he wore 1870s-period
aristocratic clothing around New York City for two months, including
top hat, cane, and cape. Although Day-Lewis was sceptical of the role, thinking himself "too English" for it and hoping for something "more rough-and-tumble", he accepted due to Scorsese directing the film. The film was critically well received, while
Peter Travers in
Rolling Stone wrote: "Day-Lewis is smashing as the man caught between his emotions and the social ethic. Not since Olivier in
Wuthering Heights has an actor matched piercing intelligence with such imposing good looks and physical grace." In 1996, Day-Lewis starred in the film adaptation of
Arthur Miller's play
The Crucible, starring alongside
Paul Scofield and
Joan Allen and reuniting with Winona Ryder. During the shoot, he met his future wife,
Rebecca Miller, the author's daughter.
Owen Gleiberman of
Entertainment Weekly gave the film a grade of "A", calling the adaptation "joltingly powerful" and noting the "spectacularly" acted performances of Day-Lewis, Scofield, and Allen. In 1997, he starred in Jim Sheridan's
The Boxer alongside
Emily Watson, playing a former boxer and IRA member recently released from prison. His preparation included training with former boxing world champion
Barry McGuigan. Immersing himself into the boxing scene, he watched
"Prince" Naseem Hamed train, and attended professional boxing matches such as the
Nigel Benn vs. Gerald McClellan world title fight at
London Arena. Impressed with his work in the ring, McGuigan felt Day-Lewis could have become a professional boxer, commenting, "If you eliminate the top ten middleweights in Britain, any of the other guys Daniel could have gone in and fought."
2000s After a three-year absence from acting on screen, Day-Lewis returned to film by reuniting with
Martin Scorsese for
Gangs of New York (2002). He took on the role of villainous gang leader
William "Bill the Butcher" Cutting, starring opposite
Leonardo DiCaprio, who played Bill's young protégé as well as
Cameron Diaz,
Jim Broadbent,
John C. Reilly,
Brendan Gleeson, and
Liam Neeson. To help him get into character, he hired circus performers to teach him to throw knives. The film divided critics while Day-Lewis received plaudits for his portrayal of Bill the Butcher.
Rotten Tomatoes's critical consensus reads, "Though flawed, the sprawling, messy
Gangs of New York is redeemed by impressive production design and Day-Lewis's electrifying performance." It earned Day-Lewis his third
Oscar nomination, and won him his second
BAFTA Award for Best Actor in a Leading Role and first
Actor Award for Outstanding Performance by a Male Actor in a Leading Role. In the early 2000s, Day-Lewis's wife, director
Rebecca Miller, offered him the lead role in her film
The Ballad of Jack and Rose, in which he played a dying man with regrets over how his life had evolved, and over how he had brought up his teenage daughter. While filming, he arranged to live separately from his wife to achieve the "isolation" needed to focus on his own character's reality. In 2007, Day-Lewis starred alongside
Paul Dano in
Paul Thomas Anderson's loose film adaptation of
Upton Sinclair's novel
Oil!, titled
There Will Be Blood. The film received widespread critical acclaim, with critic
Andrew Sarris calling the film "an impressive achievement in its confident expertness in rendering the simulated realities of a bygone time and place, largely with an inspired use of regional amateur actors and extras with all the right moves and sounds." Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor in a Motion Picture – Drama, Actor Award for Outstanding Performance by a Male Actor in a Leading Role (which he dedicated to
Heath Ledger, who had died five days earlier, saying he was inspired by Ledger's acting and calling the actor's performance in
Brokeback Mountain "unique, perfect"), and a variety of film critics' circle awards for the role. In winning the Best Actor Oscar, Day-Lewis joined
Marlon Brando and
Jack Nicholson as the only Best Actor winner awarded an Oscar in two non-consecutive decades. In 2009, Day-Lewis starred in
Rob Marshall's musical adaptation
Nine as film director Guido Contini. The film featured a large ensemble of distinguished actresses, including
Marion Cotillard,
Penélope Cruz,
Judi Dench,
Nicole Kidman, and
Sophia Loren. The film received mixed reviews, with overall praise for the performances of Day-Lewis, Cotillard, and Cruz. He was nominated for the
Golden Globe Award for Best Actor in a Motion Picture – Musical or Comedy and the
Satellite Award for Best Actor – Motion Picture Musical or Comedy for his role, as well as sharing nominations for the
Actor Award for Outstanding Performance by a Cast in a Motion Picture and the
Broadcast Film Critics Association Award for Best Cast and the
Satellite Award for Best Cast – Motion Picture with the rest of the cast members.
2010s Day-Lewis portrayed
Abraham Lincoln in
Steven Spielberg's biopic
Lincoln (2012). Based on the book
Team of Rivals: The Political Genius of Abraham Lincoln, the film began shooting in
Richmond, Virginia, in October 2011. Day-Lewis spent a year in preparation for the role, a time he had requested from Spielberg. He read over 100 books on Lincoln, and long worked with the make-up artist to achieve a physical likeness to Lincoln. Speaking in Lincoln's voice throughout the entire shoot, Day-Lewis asked the British crew members who shared his native accent not to chat with him. Spielberg said of Day-Lewis's portrayal, "I never once looked the gift horse in the mouth. I never asked Daniel about his process. I didn't want to know." In November 2012, he received the
BAFTA Britannia Award for Excellence in Film. The same month, Day-Lewis featured on the
cover of Time magazine as the "World's Greatest Actor". At the
70th Golden Globe Awards, on 14 January 2013, Day-Lewis won his second
Golden Globe Award for Best Actor, and at the
66th British Academy Film Awards on 10 February, he won his fourth
BAFTA Award for Best Actor in a Leading Role. At the
85th Academy Awards, Day-Lewis became the first
three-time recipient of the Best Actor Oscar for his role in
Lincoln. John Hartoch, Day-Lewis's acting teacher at Bristol Old Vic theatre school, said of his former pupil's achievement: Shortly after winning the Oscar for
Lincoln, Day-Lewis announced he would be taking a break from acting before making another film. After a five-year hiatus, Day-Lewis returned to the screen to star in Paul Thomas Anderson's historical drama
Phantom Thread (2017). Set in 1950s London, Day-Lewis played an obsessive dressmaker, Reynolds Woodcock, who falls in love with a waitress (played by
Vicky Krieps). The film and his performance were met with widespread acclaim from critics, and Day-Lewis was again nominated for the Academy Award for Best Actor. Prior to the film's release in June 2017, Day-Lewis announced that he was retiring from acting. In a November 2017 interview, Day-Lewis stated: "I need to believe in the value of what I'm doing. The work can seem vital, irresistible, even. And if an audience believes it, that should be good enough for me. But, lately, it isn't."
2020s On 1 October 2024, after a seven-year absence, it was announced that Day-Lewis would return to acting. He stars in
Anemone, the first film directed by his son,
Ronan Day-Lewis, with whom Daniel co-wrote the script. The film, in which Day-Lewis co-stars with
Sean Bean and
Samantha Morton, had its world premiere at the
2025 New York Film Festival. His performance was lauded as a "commanding return" by David Rooney for
The Hollywood Reporter. == Technique and reputation ==