1980s In 1984, Douglas moved to New York to study at
New York University, to study directly with
Carmine Caruso, and he finished a degree in music. Early gigs included the experimental rock band Dr. Nerve,
Jack McDuff,
Vincent Herring as well as street bands around New York City. He played with a variety of ensembles and came to the attention of the jazz pianist, composer, and bandleader,
Horace Silver, with whom he toured the US and Europe in 1987. In the late 1980s, Douglas began playing with bands led by
Don Byron,
Tim Berne,
Marty Ehrlich,
Walter Thompson, and others in New York. He played in the composer collectives Mosaic Sextet and New and Used. He also toured with theater companies including the world-renowned
Bread and Puppet Theater and the Swiss ensemble Les Montreurs d'images.
1990s In March 1993, Douglas got the opportunity to record his first album as a leader,
Parallel Worlds (Black Saint/Soul Note), which featured his String Group with
Mark Feldman (violin),
Erik Friedlander (cello),
Mark Dresser (bass),
Michael Sarin (drums). The album is a collection of original pieces, some using serial composition techniques, and arrangements of
Webern,
Ellington,
Kurt Weill and
Stravinsky. This first recording was followed in quick succession by the debuts of two groups, the Tiny Bell Trio (Songlines) with
Brad Shepik and
Jim Black and The Dave Douglas Sextet, with
Chris Speed,
Josh Roseman,
Uri Caine,
James Genus and
Joey Baron, which recorded an homage to
Booker Little called
In Our Lifetime (New World). This began a period during which Douglas recorded widely as a side musician and as a member of many new jazz groups. Douglas also began touring extensively worldwide both as a leader and as a side musician. In 1993, Douglas also began performing with
John Zorn in his
Masada quartet, with
Greg Cohen and
Joey Baron. The group, which still occasionally performs, deals with Jewish and diaspora culture and heritage through Zorn's original compositions. As such, it is an amalgam of jazz, new music, klezmer, and purely improvised styles. The band became one of Zorn's most long-standing and popular ensembles, and brought Douglas wider attention. Since the mid-1990s, Douglas has led a variety of groups simultaneously. In 1996, Douglas recorded
Sanctuary with
Cuong Vu,
Anthony Coleman,
Yuka Honda, Dougie Bowne, and other musicians of the New York downtown scene of the time. The group involved sampling and DJ improvisations in addition to jazz. In 1997, Douglas started a quartet featuring trumpet, violin, accordion, and bass (with Guy Lucevsek, Mark Feldman, and Greg Cohen) which recorded
Charms of the Night Sky, incorporating sounds of Eastern European and Argentinian folk musics as well as jazz influences on the music, which is generally mellow and relaxed. The album included a number of tracks with Douglas and accordionist
Guy Klucevsek performing as a duo. A second album by the Charms of the Night Sky group,
A Thousand Evenings was released in 2000. Also in 1997, Douglas founded a jazz quartet with Chris Potter, James Genus, and Ben Perowsky. This group recorded two albums in this period,
Magic Triangle and
Leap of Faith. Both were originally released by Arabesque Recordings, and have subsequently been reissued on Douglas's own imprint,
Greenleaf Music. Greenleaf has also released sheet music containing all of the original compositions from these albums. This group further explored Douglas's interest in writing harmony for cordless groups and lyrical, accessible new acoustic jazz sounds. Towards the end of the 1990s, Douglas formed a Quintet with Uri Caine on
fender rhodes,
Chris Potter,
James Genus and drummer
Clarence Penn. The formation of this group coincided with Douglas signing a seven-record deal with major label
RCA Victor. Douglas also began to appear at the mainstream jazz clubs around New York such as
Iridium,
Village Vanguard and
Jazz Standard. His international touring continued with multiway residencies of his original works at festivals in Belgium, Italy, Poland, Germany, France and Spain. It was at the end of the 1990s that Douglas first visited the
Banff Centre for the Arts as a visiting artist, at the invitation of pianist
Kenny Werner. A few year later he would begin a ten-year stint as the Director of the Banff International Workshop in Jazz and Creative Music.
2000s In 2000, Douglas released
Soul on Soul, a tribute to composer and pianist
Mary Lou Williams, featuring original arrangements of her music for the sextet and new pieces inspired by her work. Douglas also released albums featuring Charms of the Night Sky and the Dave Douglas Quartet in the same year. In the early years of the decade, Douglas worked often with the
Trisha Brown Dance Company.
El Trilogy, an extended musical work accompanying modern dance, was performed during 2000–2001.
Witness, a nine-part suite, was released in 2001. It features a band made up of trumpet, sax, two electric pianos, electronic percussion, bass, and drums. Douglas' music had always been informed by his political concerns, but this album was his most ambitious attempt to give them musical form, often by celebrating his political and cultural heroes through dedications and track titles. The album includes a 20-minute track entitled "Mahfouz", in which gravel-voiced singer
Tom Waits reads an excerpt from the works of Egyptian writer
Naguib Mahfouz, as well as pieces dedicated to
Edward Said and
Taslima Nasrin. More recently, Douglas founded the Dave Douglas New Quintet and Nomad. In 2011, Douglas released three albums within the span of five months through Greenleaf Music. The albums were released only in digital format and contained approximately 30 to 50 minutes of music per album, referencing album lengths of the LP era. Released under the unifying label of the Greenleaf Portable Series, or GPS, the albums showcased ensembles that Douglas may only "rarely get to play with" in some cases. The first album,
Rare Metals featured Douglas' Brass Ecstasy ensemble. The second album,
Orange Afternoons included
Ravi Coltrane on tenor sax,
Vijay Iyer on piano,
Linda Oh on bass,
Marcus Gilmore on drums. The third,
Bad Mango, paired Douglas with the innovative quartet
So Percussion. After the bandleaders' intersecting tenures in the
SFJAZZ Collective in 2008, Douglas joined with tenor saxophonist
Joe Lovano to form the co-led quintet
Sound Prints with drummer
Joey Baron, bassist
Linda Oh and pianist Lawrence Fields. Inspired by the music of tenor saxophonist
Wayne Shorter the group debuted at New York's
Village Vanguard in November 2012. In 2013 the
Monterey Jazz Festival commissioned Wayne Shorter to write two pieces for the group. Sound Prints premiered "Unknown” and “To Sail Beyond The Sunset” at the festival that year. The concert resulted in
Live at Monterey Jazz Festival on
Blue Note Records in 2015. The group's second album
Scandal, was released in 2018 on Greenleaf Music and it marked the first time the pair has recorded a full studio album of material together. The album boasts ten originals by Lovano and Douglas as well as treatments of two Shorter classics. Two tracks from the same recording session were released on a 7” 45 on green vinyl: On Pebble Street was a special release for
Record Store Day in April 2018. The quintet released their third album of original compositions,
Other Worlds, in May 2021. The CD artwork features space-inspired artwork by celebrated visual artist Dave Chisholm.
Other Worlds was later released as a double vinyl LP for Record Store Day Black Friday on November 25, 2022. Douglas released
Be Still in 2012. The album featured Douglas' newly formed quintet of
Jon Irabagon on saxophone,
Matt Mitchell on piano,
Linda Oh on bass, and Rudy Royston on drums with the addition of vocalist
Aoife O'Donovan. Dedicated to the memory of Douglas' mother, Emily, who died in 2011,
Be Still features nine tracks, of which six are hymns and folks songs that she requested Douglas perform at her funeral. The same ensemble, minus O'Donovan, recorded and released
Time Travel the following year. Inspired by 2005's
Mountain Passages, which the I Suoni delle Dolomiti festival in Northern Italy commissioned to be performed at a high altitude, Douglas initiated his 2013 tenure as the Monterey Jazz Festival's "Showcase Artist" with a benefit concert and hike at Glen Deven Ranch in Big Sur, California. The audience and performers alike hiked to a promontory overlooking the Pacific Ocean and then listened to a concert of Douglas' music. In celebration of his 50th birthday, Douglas launched his "50 States Project" and set out to perform in each of the 50 U.S. states throughout the course of 2013. The tour aimed to include performances in "unlikely and outdoors locations for people who might not otherwise have the same kind of access to live, improvised music as those in larger cities." The tour also coincided with the release of ‘DD|50: Special Edition 50th Birthday Recordings’ a special box set that included three CDs (
Pathways,
Time Travel, and
Be Still) and a DVD containing previously unreleased in-studio performances and art videos shot by Christoph Green. Douglas formed the collective ensemble Riverside in collaboration with tenor saxophonist
Chet Doxas, electric bassist
Steve Swallow and drummer Jim Doxas out of a shared respect for Texas-born multireedist
Jimmy Giuffre. The group's eponymously titled recording features originals by Douglas and Doxas, as well as Giuffre's "The Train and the River". The group's sophomore album
The New National Anthem was released in May 2017 featuring the pianist and composer
Carla Bley. The album features three compositions by Bley, as well as songs by Douglas, Swallow and Doxas. The group played a number of concerts and festivals in the summer and fall of 2017 with Bley as a special guest, including two concerts in Quebec and a ten-date tour of Europe In July 2014, Douglas released a duo project
Present Joys with his long-time collaborator, pianist Uri Caine. The two explore the music of the
Sacred Harp tradition, taking on four pieces from the shape-note tune books as well as several new Douglas compositions undertaken in the same vein. The duo expanded with the addition of drummer
Andrew Cyrille. The trio released
Devotion in 2019, performing Douglas compositions inspired by Franco D’Andrea,
Carla Bley,
Mary Lou Williams, and
Dizzy Gillespie. The Monash Art Ensemble (MAE) is a collaboration between the Sir Zelman Cowen School of Music at
Monash University in Melbourne, Australia, and the
Australian Art Orchestra (AAO), an improvising chamber orchestra including some of Melbourne's finest players also affiliated with Monash University. In 2014, Dave composed a set of music drawing inspiration from composers of the early 14th century French Ars Nova, most notably
Guillaume De Machaut. Scored for four winds, four brass, four strings, and four percussion, including electronics, the music explores ideas of
hocket,
isorhythm, and modal counterpoint as points of departure, mixing improvisation with timbre and structure in unexpected ways. The resulting album,
Fabliaux, was released in 2015 on Greenleaf Music in collaboration with Australian label JazzHead. Dave first met DJ, producer and beatmaker Shigeto (
Ghostly International) at a
Red Bull Music Academy event that paired musicians in a series of solo and duet improvisations, and the two found some common creative ground. Following that collaboration, Douglas formed an electronic ensemble to probe the possibilities of improvised jazz and electronic music. Adding Jonathan Maron on electric and acoustic bass and
Mark Guiliana on electric and acoustic drums, as well as engineer Geoff Countryman - whose knowledge and skills as a musician and technician helped piece everything together – the group released
High Risk in 2015. The group's follow up album,
Dark Territory, was released on LP as a
Record Store Day 2016 Exclusive. In the fall of 2015, Dave released
Brazen Heart, an album featuring his longstanding quintet with
Jon Irabagon,
Matt Mitchell,
Linda May Han Oh, and Rudy Royston. The title track was commissioned for the Ecstatic Music Festival as a piece for large brass ensemble to be performed at the
World Trade Center site in lower Manhattan, reimagined for a small group. Following a North American tour, the quintet played a week of shows at the
Jazz Standard in November 2015. Recorded on the fly, each night's music was released the next day for digital download on
Bandcamp, allowing fans to hear the music with a remarkable turnaround. The complete set of music – four nights, eight sets, eighty-four tracks in total – was released as
Brazen Heart Live, an 8-CD box set.
PopMatters compared the release to Miles Davis’ The Complete Live at the Plugged Nickel 1965 sessions. In 2016, Douglas joined with French pianist Frank Woeste, bassist Matt Brewer and drummer
Clarence Penn to produce a cooperative album with support from the French-American Jazz Exchange.
Dada People was inspired by the
Dada art movement and the work of
Man Ray and his circle of artists. Douglas composed a series of twelve short compositions, each named for an Italian month of the year entitled
New Sanctuary. The 2016 work touches on his compositional process from 1996's
Sanctuary. It challenges the performers to maximally tease out the implications of each idea, using their own personal vocabulary to develop and explore the music in fresh ways every time. Douglas recorded the music in a new trio with guitarist
Marc Ribot and percussionist
Susie Ibarra. In 2017, Douglas released
Little Giant Still Life, featuring the brass quartet, The Westerlies. After encountering the group at Seattle's
Earshot Jazz Festival, Douglas began writing music for group of ensemble improvisors, later adding drummer Anwar Marshall. Much of the music is inspired by the American painter
Stuart Davis. Douglas’ 2018 Subscriber Series is entitled,
UPLIFT. Subtitled, “Twelve Pieces For Positive Action,” the music was conceived by Douglas as a response to the tumultuous political and social climate of the United States and beyond. Featuring twelve new Douglas compositions for a new sextet, each piece highlights a specific social cause and references organizations doing important work. The ensemble, which came together to record the music in December 2017, features saxophonist Joe Lovano, guitarists
Mary Halvorson and
Julian Lage, bassist
Bill Laswell and drummer Ian Chang. Throughout 2018, a new track was released each month exclusively for subscribers with a CD coming out in December 2018. A descendant of UPLIFT, Douglas recorded a program of brand new compositions –
ENGAGE - as reactions and ruminations on hope and positivity. Douglas sought out specific improvisers and collaborators from different generations and backgrounds to deal with music that inspires, challenges and stirs to action. The songs were specifically built for this collaborative and dynamic ensemble including woodwind player
Anna Webber, cellist
Tomeka Reid, guitarist
Jeff Parker, bassist Nick Dunston and drummer
Kate Gentile. On some of the pieces, the ensemble is joined by trumpeters Dave Adewumi and Riley Mulherkar. The twelve pieces are built using the compositional rule of major triads, with each of the twelve pieces in the “song cycle” approaching these triads in a different way. The pieces were released monthly during 2019 to Greenleaf Music subscribers, and a culminating CD was released in December 2019.
2020-present To honor the legacy of the great trumpeter, composer and humanist
Dizzy Gillespie, Douglas wanted to explore Dizzy's experimental and wide open mind as well as the influence of his music. The project started out as a concert program, assembled for a performance presented by
Jazz at Lincoln Center in February, 2018. For that, Douglas assembled a sextet that included
Ambrose Akinmusire on trumpet, guitarist
Bill Frisell, pianist
Gerald Clayton, bassist
Linda May Han Oh and Joey Baron on drums. Douglas began to conceive of a recorded version of the program, although with a different set of players. In addition to Baron, Douglas brought trumpeter Dave Adewumi, guitarist
Matthew Stevens, pianist
Fabian Almazan, and bassist Carmen Rothwell into the studio. The resulting album
Dizzy Atmosphere: Dizzy Gillespie at Zero Gravity was released in 2020. Douglas collaborated again with the Monash Art Ensemble in 2020 as a virtual Artist in Residence. Working with a 13-piece ensemble, the musicians workshopped five pieces that Dave composed with inspiration from the Australian writer and poet
Kevin Gilbert, along with lyrics contributed by ensemble members. Recording online and remotely, everyone recorded their parts separately and the music was blended together after the fact.
The Dream: Monash Sessions was released in digital format in March 2021. For the 2020 Greenleaf Music Subscriber Series, Douglas recorded a suite entitled, Marching Music. Subtitled
Music to March By, Douglas conceived of these pieces as music you could have in your headphones when you attend Climate Marches, Demonstrations for Equal Rights, Voting Rights Movements, and all other actions towards a just society. Featuring a special quartet with guitarist
Rafiq Bhatia, bassist
Melvin Gibbs and drummer
Sim Cain, the ten pieces were released throughout 2020 to subscribers. On December 4, 2020, Douglas released the album
Overcome exclusively to Bandcamp, featuring vocalist
Fay Victor, vocalist and guitarist
Camila Meza, bassist
Jorge Roeder, and drummer Rudy Royston. The album includes a version of “
We Shall Overcome”, a gospel song that is best known as a
protest song of the American
civil rights movement. Having been recorded remotely in first year of the
COVID-19 pandemic, it was eventually issued on vinyl and via digital distribution in 2022. In 2021, Douglas was approached by the Kerrytown Concert House in Ann Arbor to produce an online solo trumpet concert, which was live streamed in December 2021. Using some of that material, plus some additional performances online for Greenleaf subscribers, the album
Hudson Solos emerged, all tied to thoughts about the Hudson River. A number of the pieces were released to Greenleaf Music subscribers in 2021 as part of the Subscribers Series and a CD was released in late 2021.
Secular Psalms is a new Dave Douglas studio album featuring a newly commissioned suite of ten pieces, inspired by and dedicated to The Adoration of the Mystic Lamb by
Jan van Eyck and
Hubert van Eyck – a polyptych originally painted for display in St. Bavo's Cathedral in Ghent, Belgium. Commissioned by Handelsbeurs Concert Hall in Gent, Belgium to celebrate the 600th anniversary of the Altarpiece with creation of new music. Drawing on Latin Mass, on early medieval folk songs, on composers of the period, like Guillaume DuFay, and on jazz and improvised music, Douglas and team deliver a lyrical, mystical, spiritual score full of upbeat optimism for our times. Douglas says the title refers to “songs of praise for all of us.” For this project Douglas branched out into new instruments including serpent, lute, organ and sampler, providing a painterly panorama of new sounds, and performed by group of international musicians: Tomeka Reid, Marta Warelis, Berlinde Deman, Frederick Leroux and Lander Gyselinck. The world premiere of the piece took place in Europe in November 2021 with performances in Gent and Brugge Belgium, the Netherlands and Germany. The CD was released by Greenleaf Music in April 2022. The albums and their compositions reference the
Song of Ascents, a set of songs from the Book of
Psalms. The Dave Douglas Quintet featuring Irabagon, Mitchell, Oh, and Royston reunited to release its fourth studio album,
Songs of Ascent: Book 1 - Degrees on October 7, 2022. The ensemble simultaneously released a second album,
Songs of Ascent: Book 2 - Steps directly to subscribers of Greenleaf Music. Douglas recorded all his trumpet parts for both albums first, recording remotely with the musicians from their homes. In March 2023, Douglas released
If There Are Mountains with pianist Elan Mehler, featuring
haiku sung by vocalist
Dominique Eade. The album had previously been released in 2020 only on vinyl through Mehler's independent label Newvelle Records. The recorded ensemble, a sextet, also includes John Gunther, Simón Willson, and Dayeon Seok. ==Personal life==