Sandy Lieberson Puttnam started in film production in the late 1960s, working with
Sanford Lieberson's production company
Goodtimes Enterprises. The first feature he produced was
Melody (1971), based on a script by
Alan Parker, which was a minor hit. Puttnam and Lieberson produced the documentaries
Peacemaking 1919 (1971),
Glastonbury Fayre (1972), and
Bringing It All Back Home (1972). Their second film,
The Pied Piper (1972), directed by
Jacques Demy was not a success, but ''
That'll Be the Day'' (1973) with
David Essex proved a hit. Puttnam and Lieberson went on to produce
The Final Programme (1973), a science fiction film, and made some more documentaries, these being ''Double Headed Eagle: Hitler's Rise to Power 1918–1933
(1973) and Swastika'' (1974). Puttnam and Lieberson executive-produced the
Ken Russell biopic
Mahler (1974), and did a sequel to ''That'll Be The Day
, entitled Stardust'' (1974) and directed by
Michael Apted. There were more documentaries:
Radio Wonderful (1974),
Brother, Can You Spare a Dime? (1975),
James Dean: The First American Teenager (1975) and
The Memory of Justice (1976). A second film with Russell,
Lisztomania (1975), was a box office disaster and led to the end of the Puttnam–Lieberson partnership. Puttnam had a box office success with
Bugsy Malone (1976), a musical he executive-produced, written and directed by Alan Parker, and produced by
Alan Marshall. It was the last film Puttnam would make under the 'Goodtimes' banner. He went on to set up a new company, Enigma Films.
Enigma Films Puttnam produced
The Duellists (1977), the directorial debut of
Ridley Scott; and with Marshall once more, he produced
Midnight Express (1978), directed by Parker from a script by
Oliver Stone, and which was a notable box office success. Puttnam made his first film in America,
Foxes (1980), which was the directorial debut of
Adrian Lyne. It was a box office flop and was met with mixed critical reception, although it has since gained a
cult following. Puttnam's next film was his most successful yet.
Chariots of Fire (1981), the first feature directed by
Hugh Hudson, became a massive hit and won the
Academy Award for Best Picture. It was produced in association with
Goldcrest Pictures. Puttnam set up a television company, Enigma TV, and made a series of television films in association with Goldcrest, which carried Puttnam's name as executive producer. Six were made as a series called
First Love for the fledgling
Channel Four: ''
P'tang, Yang, Kipperbang (1982), directed by Apted; Experience Preferred... But Not Essential (1982); Secrets (1983); Those Glory Glory Days (1983); Sharma and Beyond (1983); and Arthur's Hallowed Ground (1984). Other films produced for television were Forever Young (1983); Red Monarch (1983); and Winter Flight'' (1984). Puttnam continued to produce feature films. He had another success with
Local Hero (1983), written and directed by
Bill Forsyth; and also produced the
Cal (1984) directed by
Pat O'Connor, and
The Killing Fields (1984), directed by
Roland Joffe. Puttnam continued to executive produce television movies such as
The Frog Prince (1985),
Mr. Love (1985),
Defence of the Realm (1986), and
Knights & Emeralds (1986). He also produced
The Mission (1986), directed by Joffe from a script by
Robert Bolt, which won the
Palme d'Or at the
Cannes Film Festival in 1986.
Columbia Pictures Puttnam was chairman and CEO of
Columbia Pictures from June 1986 until September 1987. He oversaw a $270 million, four-year film package, initially planning for 15–18 films annually, then 15 films annually. He handled acquisitions such as
The Big Easy and
Spike Lee's low budget feature
School Daze. He abandoned big-budget films for smaller features and allow current contracts to expire. This shift was met with disapproval from both
Coca-Cola and Hollywood.
Post-Columbia producing work Puttnam returned to producing individual films with
Memphis Belle (1990),
Meeting Venus (1991),
A Dangerous Man: Lawrence After Arabia (1992),
Being Human (1994),
War of the Buttons (1994),
The Confessional (1994), and
My Life So Far (1995). He also executive-produced
The Josephine Baker Story (1991),
Without Warning: The James Brady Story (1992), and
The Burning Season (1994). Puttnam returned to film production in 2015 to oversee pre-production of
Don’t Trust, Don’t Fear, Don’t Beg, Ben Stewart's account of the Arctic 30 incident. He stepped away from the role in 2019 when he was appointed to chair the House of Lords Special Committee ‘Democracy and Digital Technology’. Puttnam is the President of the Film Distributors’ Association; Chair of the TSL Advisory Board; Chair of Nord Anglia International School, Dublin; Life President, National Film & Television School, a UNICEF Ambassador, and Adjunct Professor of Film Studies and Digital Humanities at University College Cork. ==Politics==