1976–1982: Stand-up comedy and Mork & Mindy ,'' 1978. Williams began performing stand-up comedy in the
San Francisco Bay Area in 1976. His first performance took place at the
Holy City Zoo, a San Francisco comedy club where he worked his way up from tending bar. Reflecting on that era, Williams said that he found out about "drugs and happiness" during that period, adding that he saw "the best brains of my time turned to mud." Although the
Laugh-In revival failed, it opened doors for Williams's television career; he continued performing stand-up at comedy clubs such as the
Roxy to help keep his improvisational skills sharp. Williams also took his act overseas and performed at
the Fighting Cocks in London.
David Letterman, who knew Williams for nearly 40 years, recalled first seeing him perform as a newcomer at the Comedy Store in Hollywood. Letterman, already an established comedian at the time, described Williams's arrival as "like a hurricane", saying that he thought to himself, "Holy crap, there goes my chance in show business." Williams's first credited film role was a minor part in the 1977 low-budget comedy ''
Can I Do It... 'Til I Need Glasses?. However, his first starring performance was as the title character in Popeye'' (1980), in which Williams showcased the acting skills previously demonstrated in his television work. The film's commercial disappointment was not blamed on his performance.
Mork & Mindy , March 12, 1979 After the
Laugh-In revival, and appearing in the cast of
The Richard Pryor Show on
NBC, Williams was cast by
Garry Marshall as the alien Mork in the 1978
Happy Days episode "
My Favorite Orkan". Sought after as a last-minute cast replacement for a departing actor, Williams impressed the producer with his quirky humor when he sat on his head when asked to take a seat for the audition. As Mork, Williams improvised much of his dialogue and physical comedy, speaking in a high, nasal voice, and he made the most of the script. The cast and crew, as well as television network executives, were deeply impressed with Williams's performance. The executives moved quickly to sign Williams four days later before competitors could make their own offers. Mork's appearance proved so popular with viewers that it led to the spin-off television sitcom
Mork & Mindy, which co-starred
Pam Dawber, and ran from 1978 to 1982; the show was written to accommodate his extreme improvisations in dialogue and behavior. Although he portrayed the same character as in
Happy Days, the series was set in the present in
Boulder, Colorado, instead of the late 1950s in
Milwaukee.
Mork & Mindy at its peak had a weekly audience of sixty million and was credited with turning Williams into a "superstar". in a promotional photo for
Mork & Mindy, 1978 Mork became popular, featured on posters, coloring books, lunch-boxes, and other merchandise.
Mork & Mindy was such a success in its first season that Williams appeared on the March 12, 1979, cover of
Time magazine. The cover photo, taken by Michael Dressler in 1979, is said to have "[captured] his different sides: the funnyman mugging for the camera, and a sweet, more thoughtful pose that appears on a small TV he holds in his hands,” according to Mary Forgione of the
Los Angeles Times. He also appeared on the cover of the August 23, 1979, issue of
Rolling Stone, photographed by
Richard Avedon. With his success on
Mork & Mindy, Williams began to reach a wider audience with his stand-up comedy, starting in the late 1970s and throughout the 1980s, including three
HBO comedy specials:
Off The Wall (1978),
An Evening with Robin Williams (1983), and
A Night at the Met (1986). Williams won a
Grammy Award for Best Comedy Album for the recording of his 1979 live show at the
Copacabana in New York City,
Reality... What a Concept.
1982–1999: Film stardom and acclaim Williams starred as the lead character in
The World According to Garp (1982), which he noted "may have lacked a certain madness onscreen, but it had a great core". Williams continued with other smaller roles in less successful films, such as
The Survivors (1983) and
Club Paradise (1986). In an interview with critic
William Arnold in July 1986, Williams said, "My biggest problem in movies is that I'm a character actor. I don't like the pressure of having to carry the story, to have to advance the plot. It's hard. I guess I just don't want to be the total star. That's what attracted me to
Club Paradise. Producers have a hard time understanding that. That's not really what I do. I don't want to be
Bogart: I want to be
Peter Lorre. Give me a moustache and we'll talk." But Williams later said that those smaller roles in films like
Club Paradise ultimately did not help advance his film career. The following year, he appeared in a sketch comedy special
Carol, Carl, Whoopi and Robin (1987), acting alongside
Carol Burnett,
Carl Reiner, and
Whoopi Goldberg. Williams was also a regular guest on various talk shows, including
The Tonight Show Starring Johnny Carson and
Late Night with David Letterman, on which he appeared 50 times. "We just let the cameras roll," said producer Mark Johnson, and Williams "managed to create something new for every single take". Williams appeared opposite
Steve Martin at
Lincoln Center in an
off-Broadway production of
Waiting for Godot in 1988. Many of his subsequent roles were in comedies tinged with
pathos, such as
Mrs. Doubtfire (1993) and
Patch Adams (1998). Looking over most of Williams's filmography, one writer was "struck by the breadth" and radical diversity of most of the roles Williams portrayed. In 1989, he played a private-school English teacher in
Dead Poets Society, which included a final, emotional scene that some critics said "inspired a generation" and became a part of pop culture. Similarly, Williams's performance as a
therapist in
Good Will Hunting (1997) deeply affected even some real therapists. In
Awakenings (1990), he plays a doctor modeled after
Oliver Sacks, who wrote the book on which the film is based. Sacks later said the way Williams's mind worked was a "form of genius". In 1991, Williams played an adult
Peter Pan in the film
Hook, although he had said that he would have to lose 25 pounds for the role.
Terry Gilliam, who directed Williams in two of his films,
The Fisher King (1991) and
The Adventures of Baron Munchausen (1988), said in 1992 that Williams had the ability to "go from manic to mad to tender and vulnerable... [Williams had] the most unique mind on the planet. There's nobody like him out there." At first, Williams refused the role because it was a
Disney movie and he did not want the studio profiting by selling merchandise based on the movie. Williams accepted the role with certain conditions: "I'm doing it basically because I want to be part of this animation tradition. I want something for my children. One deal is, I just don't want to sell anything—as in Burger King, as in toys, as in stuff." Williams improvised much of his dialogue, recording approximately 30 hours of tape, Williams's role in
Aladdin became one of his most recognized and best-loved, and the film was the highest-grossing of 1992; it won numerous awards, including a
Special Golden Globe Award for Vocal Work in a Motion Picture for Williams. His performance paved the way for other animated films to incorporate actors with more star power. Williams was named a
Disney Legend in 2009. Due to Disney breaking an agreement with Williams regarding the use of the Genie in the advertising for
Aladdin, he refused to sign for the direct-to-video sequel,
The Return of Jafar (1994); the Genie was instead voiced by
Dan Castellaneta. When
Jeffrey Katzenberg was replaced by
Joe Roth as Walt Disney Studios chairman, Roth organized a public apology to Williams. He would, in turn, reprise the role in the second sequel,
Aladdin and the King of Thieves (1996). During this time, Williams lent his voice to
FernGully: The Last Rainforest (1992). Other dramatic performances by Williams include
Moscow on the Hudson (1984),
What Dreams May Come (1998), and
Bicentennial Man (1999). During the early 2000s, Williams demonstrated a new rank of his versatility by playing darker roles than he had in the previous decades. Williams appeared with fellow comedian,
Billy Crystal, in an unscripted cameo at the beginning of a 1997 episode of the third season of
Friends. Williams's performances garnered various accolades, including an
Academy Award for Best Supporting Actor for his performance in
Good Will Hunting; Having
Woody Allen, who directed him and Billy Crystal in
Deconstructing Harry (1997), helped Williams. Allen knew that Crystal and Williams had often worked together on stage.
2000–2014: Children's films, return to television, and final years (USO) show on December 20, 2007 Williams was the host of a talk show for
Audible that aired in April 2000 and was only available on Audible's website. In
Insomnia (2002), Williams portrayed a murderer on the run from a sleep-deprived Los Angeles police detective (played by
Al Pacino) in rural Alaska. That same year, in the psychological thriller
One Hour Photo, Williams portrayed an emotionally disturbed photo development technician who becomes obsessed with a family for whom he has developed pictures for a long time. In the 2004 science fiction psychological thriller
The Final Cut, Williams played a professional who specializes in editing the memories of unsavory people into uncritical memorials that are played at funerals. His many television appearances included an episode of
Whose Line Is It Anyway?, and Williams starred in an episode of
Law & Order: Special Victims Unit. He headlined his own
one-man show,
Robin Williams: Live on Broadway, which played at the
Broadway Theatre in July 2002. Williams's stand-up work was a consistent thread throughout his career, as seen by the success of his one-man show (and subsequent DVD),
Robin Williams: Live on Broadway (2002). In 2004, Williams was voted 13th on
Comedy Central's list of "100 Greatest Stand-ups of All Time". Two years later, he was the Surprise Guest at the
Nickelodeon Kids' Choice Awards, and appeared on an episode of
Extreme Makeover: Home Edition that aired January 30. After a six-year hiatus, in August 2008, Williams announced a new 26-city tour,
Weapons of Self-Destruction. The tour began at the end of September 2009, and concluded in New York on December 3, and was the subject of an
HBO Special on December 8, 2009. (Italy) on December 22, 2007 Years after the films, Janet Hirshenson revealed in an interview that Williams had expressed interest in portraying
Rubeus Hagrid in the
Harry Potter film series, but was rejected by director Chris Columbus due to the "British-only edict". In 2006, Williams starred in five movies, including
Man of the Year, a political satire, and
The Night Listener, a thriller about a radio show host who realizes that a child with whom he has developed a friendship may not exist. In 2010, Williams appeared in a sketch with
Robert De Niro on
Saturday Night Live, and in 2012, he guest-starred as himself in two
FX series,
Louie and
Wilfred. Williams made his Broadway acting debut in
Rajiv Joseph's
Bengal Tiger at the Baghdad Zoo, which opened at the
Richard Rodgers Theatre on March 31, 2011. For his performance, Williams was nominated for the
Drama League Award for Outstanding Distinguished Performer. In May 2013,
CBS started a new series,
The Crazy Ones, starring Williams, which was canceled after one season.
The Angriest Man in Brooklyn was his last movie to be released during his lifetime. In the movie, Williams played Henry Altmann, an angry, bitter man who tries to change his life after being told he has a
terminal illness. Four films starring Williams were released after his death in 2014:
Night at the Museum: Secret of the Tomb, ''
A Merry Friggin' Christmas, Boulevard, and Absolutely Anything''. ==Personal life==