Box office With an estimated production budget of $230–320 million, The largest-earning foreign markets were China ($172.3 million), Japan ($59.5 million), and Russia and the CIS ($40.7 million), where it was the second-highest-grossing film behind
Avatar (2009).
Deadline Hollywood noted the film would turn a net profit of around $280 million after factoring together all expenses and revenues based on a projected $850 million final gross (though it would ultimately fall short of that figure, likely resulting in a smaller profit).
United States and Canada Dead Men Tell No Tales debuted over the four-day
Memorial Day opening weekend, being released in 4,276 theaters, of which over 3,100 were 3D, taking advantage of formats such as
IMAX,
D-Box, and
4DX.
Dead Men Tell No Tales grossed $63 million over three days, and $78.5 million over four (Friday–Monday), finishing first at the box office, ahead of
Guardians of the Galaxy Vol. 2 (2017) and fellow newcomer
Baywatch (2017). It was the second-smallest opening weekend of the franchise, only earning more than the first film, with each of the other installments earning at least $90 million. Despite the film registering the highest test score in the series, the opening came in well below expectations of $80–115 million. Analysts attributed the underperformance to negative reviews, franchise fatigue, and
Johnny Depp's diminishing returns and depreciating public image, amid his personal problems. Still, it performed better than Disney's previous Memorial Day releases (
Prince of Persia: The Sands of Time (2010),
Tomorrowland (2015), and
Alice Through the Looking Glass (2016)), and studio executives said they were pleased with the movie's opening, which helped Disney push past $1 billion in the US. and finishing in third place, after newcomers
Wonder Woman (2017) ($103.3 million) and
Captain Underpants: The First Epic Movie (2017) ($23.9 million). It remained in the top ten for four more weeks.
Other territories Marketed as ''Salazar's Revenge'' in some countries, including
United Kingdom,
Ireland,
France,
Spain,
Italy,
Israel,
Sri Lanka,
Australia and
New Zealand, the film was released day-and-date with its debut in 54 markets (91% of its total marketplace, except
Japan, where it debuted on July 1). Preliminary reports had the film opening to $150–175 million, but possibly overperforming depending on major markets, most notably China. While its Chinese run benefited from the May 28–30
Dragon Boat Festival—a lucrative moviegoing period—and from
International Children's Day (June 1), the
Manchester Arena bombing had a deteriorating effect on certain European markets over the film's opening weekend. From Wednesday to Friday, it registered an opening of $208.8 million. Around $14 million of that came from IMAX screenings, the second-biggest international IMAX opening in May, after
Captain America: Civil War (2016). Similar to its US plunge, it earned $73.8 million in its second weekend, falling to second place, behind
Wonder Woman. It recorded the biggest opening day of the year in several markets, including Germany ($3.6 million), Austria, France ($2.3 million), Finland, Sweden, Belgium, Thailand ($400,000), Indonesia, Malaysia, and the Netherlands ($900,000). Russia posted the biggest opening of all time with $18.4 million ($18.6 million including previews). In China, where the film had its global premiere, it earned $21.3 million on its opening day, the fourth-biggest Disney opening in the country. It had an 87% marketshare and had already surpassed the entire earnings of ''
Pirates of the Caribbean: At World's End''. Earning a total of $67.9 million, it registered the third-highest three-day for any Disney title, and a much-higher opening than the US. The film's final release market was Japan (July 1), where it opened at number one, achieving the highest-grossing opening for a Western film of the year, earning $9.25 million over the July 1–2 weekend. It retained the box office lead for one more week, and was the highest-grossing foreign film in the following weekend.
Critical response Audiences polled by
CinemaScore gave the film an average grade of "A−" on an A+ to F scale, Mike Ryan of
Uproxx criticized what he termed as a convoluted plot and overabundance of characters, resulting in a film that was "practically incoherent." Writing for
Rolling Stone,
Peter Travers called the film "bloated, boring, repetitive, and draining" and gave it one star out of four.
Ignatiy Vishnevetsky of
The A.V. Club wrote that the film echoes the first three of the franchise, "in which Johnny Depp's louche and campy Jack Sparrow played second banana to an insipid love story... the two romantic leads ... succeed only in making the shortest movie in the series seem just as long as the rest."
A. O. Scott of
The New York Times said of the film, "Its pleasures are so meager, its delight in its own inventions so forced and false, that it becomes almost the perfect opposite of entertainment." Michael O'Sullivan of
The Washington Post remarked that the film was "loud, overstimulating and hard to take in all in one sitting."
Mick LaSalle of
San Francisco Chronicle found the film to be "a jumble of half-baked impulses" that had been forced into a played-out franchise.
Richard Roeper of
Chicago Sun-Times gave the film three stars out of four, saying: "
Dead Men works well enough as a stand-alone, swashbuckling comedic spectacle, thanks to the terrific performances, some ingenious practical effects, impressive CGI and a steady diet of PG-13 dialogue peppered with not particularly sophisticated but (I have to admit) fairly funny sexual innuendo." Pete Hammond of
Deadline Hollywood praised the film, calling it "the most entertaining installment," and giving credit to Rønning and Sandberg for creating a "rollicking good time". He praised the visual effects, particularly Salazar and his crew, arguing that the film should be in line to receive an
Academy Award for Visual Effects. He also gave high praise to Bardem for being able to create such a "fully dimensional villain" under the layers of make-up and CGI, and Depp for keeping the film and franchise going. Leah Greenblatt of
Entertainment Weekly gave the film a 'B', praising the fun nature of the film and its visuals and calling it "gorgeously detailed swashbuckling nonsense," but wished that the script had taken more risks instead of following the formula used in previous films. Ashley Esqueda of
CNET gave the film a positive review, arguing that it brought the franchise back to what made its first two installments so fun, and praised Depp's performance as being "delightful as ever." Brian Truitt of
USA Today gave the film three stars out of four, saying "What was once a past-its-prime franchise seems to have found new life."
Accolades At the
38th Golden Raspberry Awards,
Pirates of the Caribbean: Dead Men Tell No Tales received nominations for
Worst Actor for Johnny Depp,
Worst Supporting Actor for Javier Bardem, and
Worst Screen Combo for Depp and "his worn out drunk routine". Gary Brozenich, Sheldon Stopsack, Patrick Ledda, Richard Clegg, and Richard Little of MPC was nominated for
Outstanding Visual Effects – Feature Film at the 2017
Hollywood Post Alliance Awards. The film was nominated for
Choice Movie: Action, Choice Movie Actor: Action, Choice Movie Actress: Action,
Choice Movie: Villain, Choice Movie: Summer, and Choice Liplock at the
2017 Teen Choice Awards. ==Future==