King James ordered the funeral should be "most honourably solemnized and in such manner in all things as was
Queen Elizabeth's late Queen of England". The cost of the funeral has been estimated at £30,000. The expenses were managed by
Lionel Cranfield, and the costs of black mourning cloth seem to have been the cause of the delay, until 13 May.
Maximilian Colt made a life-like effigy of the queen for use at Denmark House and during the service in
Westminster Abbey. The naturalistic effigy, called a "representation" was clothed in crimson robes and a crimson velvet gown, and a
"pair of bodies" or stays. The crown and a sceptre for the effigy were probably painted and gilded by John de Critz.
Dorothy Speckard dressed the effigy's head with a veil edged with lace. The costume of this "representation" was perfumed by Mary Cob with musk, civet, and
ambergris. The "hearse", the
catafalque, used in the funeral in the Abbey, was also designed by Colt. This was destroyed during the
English Civil War.
Inigo Jones had provided an alternative design with more complex sculptural symbolism than Colt's.
Benjamin Henshawe, a silkman, provided gold fringes and trimmings for the velvet cushion on the hearse, on which the effigy was placed. During the planning of the funeral, the Scottish courtier
Margaret Howard, Countess of Nottingham was considered as the chief mourner, but other aristocrats including
Alethea Howard, Countess of Arundel and
Dorothy Percy, Countess of Northumberland refused to give her precedence. One solution suggested was to make
Helena, Marchioness of Northampton the chief mourner. The
Earl of Nottingham had been
Admiral, the highest rank in the nobility, and there was now talk of making him "Constable of England". The Countess of Arundel was appointed as Chief Mourner. The procession from Denmark House to the Abbey included her household and many aristocratic women, all dressed in black mourning clothes in quantities and qualities according to their status. Also present and dressed in black were the queen's jewellers,
George Heriot,
William Herrick,
John Spilman, and
Abraham Harderet, and the painters
Peter Oliver,
Marcus Gheeraerts, and
Paul van Somer, and many of the artificiers and tradesmen who had contributed to the magnificence of her court. during the funeral procession. John Chamberlain provided a satirical account of the procession, "a drawling tedious sight", "laggering all along, even tired by the length of the way and the weight of their clothes, every lady having twelve yards of broadcloth about her and the countesses sixteen". Another spectator, William Applegard of Lynn, was killed by a piece of masonry falling from
Northampton House. According to
Nathaniel Brent, the stone was a letter "S", a part of a motto forming the roof-line balustrade, and was "thrust down by a gentlewoman who put her foot against it, not thinking it had been so brickle" [brittle]. Brent was impressed by the "excellent equipage" of the chariot carrying the queen's effigy through the streets of London. He also reported that the ceremonies and heraldic duties were better performed than at the funeral of
Prince Henry's funeral, but the procession was not so great as that at the funeral of Elizabeth I. Although the numbers of mourners in black was large, the king's servants had not joined the procession. The sermon was given by the
Archbishop of Canterbury,
George Abbott. Anne of Denmark's body was buried privately in the evening at Westminster Abbey on 13 May, after the funeral, by the Knight Marshal
Edward Zouch. During works in the Abbey in 1718, the antiquary
John Dart saw a labelled urn containing the embalmed organs of Anne of Denmark, which he thought had been moved in 1674 during the reburial of the
Princes in the Tower. The urn was first deposited in the vault on 5 March 1619, after Anne was embalmed. King James remained at
Greenwich Palace while Prince Charles attended the funeral.
Sir Edward Harwood summed up the day, "the Queen's funerals were yesterday solemnised, not exceeding expectation, and yet great". ==Aftermath==