Songs based on Delia Green's murder became both common and popular in the next few decades. In 1928, folklorist
Robert Winslow Gordon reported to the
Library of Congress that he had traced the songs back to a murder in Savannah and that he had interviewed both Green's mother and the police officer who took Houston into custody. Gordon's research was never published, and Green's relationship to the popular songs was essentially unknown until University of Georgia musicologist John F. Garst, working from hints left by Gordon, turned up the details in Savannah newspaper archives. The songs inspired by Green's murder now appear in two forms; both forms were staples of the
folk revival of the 1950s and early 1960s. One version, usually attributed to
Blake Alphonso Higgs, is known as "Delia's Gone". It is explicitly told from her killer's point of view. The second version, usually attributed to
Blind Willie McTell, is usually known as "Delia" and is told from the point of view of a loved one of Delia's. Among the many singers who have sung "Delia" are
Bob Dylan and
David Bromberg.
Josh White and
Pete Seeger each recorded "Delia's Gone" in 1955, followed by
Harry Belafonte,
Bud and Travis,
Burl Ives,
The Kingston Trio, and other "folk revival" singers. Pat Boone had a minor hit with "Delia Gone" in 1960, with the composition attributed to Caperton Henley. It was recorded numerous times by country singers, including
Bobby Bare,
Waylon Jennings, and
Johnny Cash. In the music video for Cash's fourth recording of the song, the role of Delia was played by
Kate Moss. The song "Delia's Gone" was such a staple of the folk revival of the 1960s that
Steve Goodman used the melody and chorus for his song about Chicago Mayor
Richard J. Daley "Daley's Gone", released on his 1977 album
Say It in Private. ==References==