He played the Philadelphia Folk Festival six times between 1970 and 1978. Goodman's songs first appeared on
Gathering at the Earl of Old Town, an album produced by Chicago record company
Dunwich in 1971. As a close friend of Earl Pionke's, the owner of the folk music bar, Goodman performed at the Earl dozens of times, including customary New Year's Eve concerts. He also remained closely involved with Chicago's
Old Town School of Folk Music, where he had met and mentored his friend
John Prine. Later in 1971, Goodman was playing at a Chicago bar called the Quiet Knight as the opening act for
Kris Kristofferson. Impressed with Goodman, Kristofferson introduced him to
Paul Anka, who brought Goodman to New York City to record some demonstration tapes. This resulted in Goodman signing a contract with
Buddah Records. Also during that gig, Goodman brought Kristofferson and Anka to meet
John Prine who was playing at the Earl of Old Town. All this time, Goodman had been busy writing many of his most enduring songs, and this avid songwriting led to an important break for him. While at the Quiet Knight, Goodman saw
Arlo Guthrie and asked him to let him play a song for him. Guthrie grudgingly agreed on the condition that Goodman buy him a beer first; Guthrie would then listen to Goodman for as long as it took Guthrie to drink the beer. According to the liner notes on the Steve Goodman anthology
No Big Surprise, "City of New Orleans" was written while on the campaign trail with Senator
Edmund Muskie. In 1974, singer
David Allan Coe achieved considerable success on the country charts with Goodman and John Prine's "
You Never Even Called Me by My Name", a song which good-naturedly spoofed stereotypical country music lyrics. Prine refused to take a songwriter's credit for the song, although Goodman bought Prine a
jukebox as a gift from his publishing royalties. Goodman's name is mentioned in Coe's recording of the song, in a spoken epilogue in which Goodman and Coe discuss the merits of "the perfect country and western song". Goodman's success as a recording artist was more limited. Although he was known in folk circles as an excellent and influential songwriter, During the mid- and late '70s, Goodman became a regular guest on
Easter Sunday on
Vin Scelsa's radio show in New York City. Scelsa's personal recordings of these sessions eventually led to an album of selections from these appearances,
The Easter Tapes. In 1977, Goodman performed on
Tom Paxton's live album
New Songs From the Briarpatch (Vanguard Records), which contained some of Paxton's topical songs of the 1970s, including "Talking Watergate" and "White Bones of Allende", as well as a song dedicated to
Mississippi John Hurt entitled "Did You Hear John Hurt?" During the fall of 1979, Goodman was hired to write and perform a series of topical songs for
National Public Radio. Although Goodman and
Jethro Burns recorded 11 songs for the series, only five of them, "The Ballad of
Flight 191" about a plane crash, "Daley's Gone", "Unemployed", "The Twentieth Century is Almost Over", and "The Election Year Rag", were used on the air before the series was cancelled. Goodman wrote and performed many humorous songs about Chicago, including three about the
Chicago Cubs: "
A Dying Cub Fan's Last Request", "When the Cubs Go Marching In", and "
Go, Cubs, Go" (which has frequently been played on Cubs broadcasts and at Wrigley Field after Cubs wins). He wrote "Go, Cubs, Go" out of spite after then-GM
Dallas Green called "A Dying Cub Fan's Last Request" too depressing. The Cubs songs grew out of his fanatical devotion to the team, which included many clubhouse and on-field visits with Cubs players. He wrote other songs about Chicago, including "The Lincoln Park Pirates", about the notorious
Lincoln Towing Service, and "Daley's Gone", about Mayor
Richard J. Daley. Another comic highlight is "Vegematic", about a man who falls asleep while watching late-night TV and dreams he ordered many products that he saw on
infomercials. He could also write serious songs, most notably "My Old Man", a tribute to Goodman's father, Bud Goodman, a used-car salesman and
World War II veteran. Goodman won his second Grammy, for
Best Contemporary Folk Album, in
1988 for
Unfinished Business, a posthumous album on his
Red Pajamas Records label. Many fans become aware of Goodman's work through other artists, such as
Jimmy Buffett. Buffett has recorded several of Goodman's songs, including "This Hotel Room", "Banana Republics", and "California Promises", as well as songs co-written with Buffett: "Door Number Three", "Woman Goin' Crazy on Caroline Street", "Frank and Lola", "It's Midnight and I'm not Famous Yet", and "Where's the Party?".
Jackie DeShannon covered Goodman's "Would You Like to Learn to Dance" on her 1972 album,
Jackie. Goodman's posthumously released album,
Santa Ana Winds, included a tribute to
Carl Martin, "You Better Get It While You Can (The Ballad of Carl Martin)", celebrating the joy both found in their music, and a refrain of, "From the cradle to the crypt, Is a mighty short trip. So you better get it while you can". ==Death==