Kelly has credited
Sharon Horgan for making him become a writer. They had both initially met in the early 1990s at
LOST youth theatre where they performed in a production of
Anton Chekov's
The Seagull. They again met each other some years later while both drunk in a Camden pub. In the pub Kelly explained to Horgan that he had written a play. The next day Horgan phoned Kelly up and told him that they should both put the play on. Kelly has said that "I honestly think, had I not bumped into her, I wouldn't have become a writer, because I don't think I'd have had the drive. Sharon always had a lot of drive and was quite fearless." The play that Kelly wrote was called ''Brendan's Visit'', which was performed at the
Etcetera Theatre and
Canal Cafe Theatre, with Horgan playing one of the characters. Kelly has disowned the play saying that "I've killed everyone who ever saw it, let's never talk about that ever again. […] I don't think I can remember what it was about but I'm definitely not going to say what it was about! It was just a sitcom with swearing which is like a lot people's first plays." He says he wrote it imagining he'd give himself a part. Staged at
Theatre503 in 2003, it transferred the next year to
Battersea Arts Centre. It was well received and he went on to write the controversially titled
Osama the Hero which was produced by
Hampstead Theatre, beginning a long-running relationship with the theatre. He wrote
After the End in 2005. It was produced by
Paines Plough in his first out of London production at the
Traverse, though it later came to the
Bush Theatre before going on a tour of the UK and internationally in 2006.
Love and Money was staged at the
Royal Exchange, Manchester and then at the
Young Vic in 2006. That same year his sitcom
Pulling, co-written and starring
Sharon Horgan, aired on
BBC Three. It received good ratings for the channel and was well reviewed, being nominated for a
BAFTA TV Award for Best Situation Comedy in 2007. Returning to theatre and the Hampstead Theatre in 2007, his fake
verbatim play Taking Care of Baby was another success for both writer and theatre. For the 2007
National Theatre Connections Festival, he wrote
DeoxyriboNucleic Acid (better known by the title
DNA) which after the connections received a professional production alongside
The Miracle by
Lin Coghlan and
Baby Girl by
Roy Williams at the
National Theatre in the Cottesloe. The play is now used widely in schools and is on several curriculums for
GCSE drama. The second series of
Pulling ran in 2008 and won a
British Comedy Award. However, the show was not renewed for a third series, although in 2009 an hour-long special closed the series. That same year he also wrote an episode for Series 8 of
Spooks. In 2009, his play
Orphans was staged at the
Birmingham Repertory Theatre before transferring to the
Traverse Theatre in Edinburgh as part of the
Edinburgh Festival Fringe.
2010s Kelly was one of the ten writers who took part in writing
monologues based on a children's account for a one-off event at the
Old Vic Theatre directed by
Danny Boyle in London in support of
Dramatic Need in 2010. His three monologues were performed by
Ben Kingsley,
Jenny Jules and
Charlie Cox. In 2010, Kelly returned to the Hampstead Theatre once more for his response to Shakespeare's
King Lear,
The Gods Weep starring
Jeremy Irons, with mixed reviews. His script adapted from
Roald Dahl's book for
Tim Minchin's production of the musical
Matilda and 2021, and scheduled to continue to run in the
West End of London until at least December 2022. He wrote an adaptation of
Pinocchio featuring the songs and score from the
Walt Disney film for the
National Theatre, opening in December 2017. Kelly's one-woman play
Girls & Boys had its world premiere at the
Royal Court Theatre in February 2018, directed by
Lyndsey Turner and starring
Carey Mulligan. This production also had a run at the
off-Broadway New York theatre,
Minetta Lane Theatre in June 2018, to good reviews. In March 2022,
State Theatre Company South Australia put on a performance of the play at the
Odeon Theatre, Norwood in
Adelaide as part of the
Adelaide Festival. The performance was directed by the artistic director of STCSA,
Mitchell Butel, and starred
Justine Clarke. This production received overwhelmingly positive reviews, receiving five stars from reviewers and earning a
standing ovation at least one performance. In the Netherlands, the play was staged by Theater Oostpool, directed by
Daria Bukvić and starring
Hadewych Minis, who won the prestigious Theo d'Or prize for her solo performance.
International success and other work His work has been produced in Turkey, Germany, Austria, Switzerland, Slovakia, the Netherlands, Ireland, Iceland, the Czech Republic, Bulgaria, Poland, Italy, Australia, Japan, the United States, France, Belgium, Denmark, Romania and Canada. Other work includes translations of Péter Kárpáti's
Fourth Gate (
National Theatre Studio) and
The Colony, a radio play which won Best European Radio Drama at the
Prix Europa, 2004. ==Works==