at the concert Writing in
The Times,
Caitlin Moran called the event "the hottest ticket in town this week," and added, "As a child's introduction to orchestral recitals, it is peerless." Moran also noted "a moment of squirming shame" at the realisation that composer
Murray Gold has not won a
BAFTA. Bruce Dessau, writing in the
Evening Standard, felt that the classical compositions "jostled for attention" with Gold's work, and called "The Torino Scale" "cacophonous". Of the
Doctor Who pieces, Dessau singled out soloist
Melanie Pappenheim for her performance of
Doomsday describing it as "haunting" and that it "hoisted the emotional level to a peak unsurpassed even when the team saved Earth, accompanied by the soaring
Song Of Freedom." Dessau's sole complaint was that the concert gave insufficient attention to the work of the
BBC Radiophonic Workshop, and that the programme's conclusion with the
Doctor Who theme "felt more like an afterthought than a climax." Covering the event for
Doctor Who Magazine, David Darlington noted that the stated aim of the Proms is "to encourage an audience for concert hall music who, though not normally attending classical concerts, would be attracted by the low ticket prices and informal atmosphere" and concluded that if the children in the audience had such a love for
Doctor Who "that they have come all this way to spend an hour or two listening to the music from the show, and that they will happily also sit through a formal, experimental and rather abrasive piece of modern classical music and then enthusiastically applaud at the end, then all concerned can be happy with their day's work." Reviewing the highlights from the concert shown on television,
Paul Byrne of Dublin's
Evening Herald called the concert "a delightfully silly idea" with an "irresistible charm". Anna Lowman of TV Scoop noted that some of the power of the featured
Doctor Who music came from the audience associating the themes with powerful scenes from the television series. She added, "It was a joy to watch it on the TV, so I can only imagine that it was magical to be there on the night itself." Writing in
The Daily Telegraph,
Gillian Reynolds listed the
Doctor Who Prom as one of several successful elements in the 2008 Proms season.
Jenny Abramsky, the BBC's former Director of Audio and Music, praised Proms director Roger Wright "for creating such a wonderful and exciting event that clearly grabbed children's imagination." Anna Picard, music correspondent for
The Independent, included the
Doctor Who Prom as a highlight in her year-end review of classical music in 2008. However, by April 2009 a journalist for
The Sunday Times said that "there have been complaints that the Proms need no more gimmicks – such as David Tennant hosting a Doctor Who prom for children last year" (although Tennant did not host the Prom). == References ==