Let God Sort Em Out

Collaborative history with Pharrell Williams As a teenage rapper, Malice met music producers Chad Hugo and Pharrell Williams in 1988 and 1990, respectively. Hugo and Williams knew each other and would go on to form the production duo the Neptunes. One day, Pusha T was at Hugo's house and started rapping. Impressed, Williams convinced the brothers to form a rap duo. Clipse's intended debut album, Exclusive Audio Footage (1999), was shelved by Elektra Records; their actual debut ''Lord Willin''' was released by the Neptunes' record label Star Trak Entertainment in 2002. The Neptunes would go on to have production credits on every commercially released studio album by Clipse until the latter's disbandment. Williams claimed to not be on speaking terms with Hugo in 2024 in light of a lawsuit from the latter against him over claims that he was monopolizing the Neptunes name. When asked in 2024 if Clipse worked with Hugo on Let God Sort Em Out, Pusha T denied it. He also responded not being "familiar with" the lawsuit. Clipse stated in 2025 that they still have a strong personal relationship with Hugo, although they differed on whether they missed working with him musically; Pusha T stated that his favorite Clipse album Hell Hath No Fury (2006) was produced entirely by Williams. Malice references the breakup on promotional single "So Be It"—"Ain't no more Neptunes, so P's Saturn." Clipse's breakup and reunion Til the Casket Drops (2009) was the final Clipse album before the duo split to make solo material. The breakup was initiated by Malice, who had multiple conversations with Pusha T about quitting the duo; the first time was after a studio session with Rick Rubin. Toward the end of the duo's partnership, their then-manager and various people in their personal lives were arrested on drug charges. One day, when both brothers were to board a plane, Pusha T was unusually late, and Malice worried that he had been arrested; although Pusha T eventually boarded, it was the final straw for Malice, who angrily declared to his brother in front of the other passengers that he was done with the duo. In 2014, he firmly denied the possibility of a reunion. His attitude had softened by 2016: "I'ma tell you that I learned to never say never, and I don't shut the door on anything. I really don't. In fact, I would like to see Clipse do it. But I just do things differently." having also worked on a demo version of "Follow God". A live performance of "Use This Gospel" with West and Sunday Service Choir came a few days later, ushering in a new era of Clipse live performances at music festivals They appeared again on "Punch Bowl" by Nigo, from his album I Know Nigo! (2022). No Malice made a guest appearance (credited as Malice) on "I Pray for You" by Pusha T, from his fourth album, ''It's Almost Dry'' (2022). "Chains & Whips", the first song with Clipse as the primary artist since the reunion, was previewed on June 20, 2023. An upcoming album was confirmed in a story for magazine Greatest, published December 1, 2023. Pusha T's feud with Jim Jones Rapper Jim Jones made headlines in 2023 for questioning Pusha T's placement in a top fifty rappers of all-time list on the RapCaviar podcast. He repeated his stance during an interview on radio show The Breakfast Club. Pusha T's verse on "Chains & Whips", the first song from Let God Sort Em Out teased at a Louis Vuitton fashion show in 2023, was reported as a response to Jones; in the lyrics, Pusha T accused Jones of jealousy and implied that his comments were made to cosy up to Drake, Pusha T's rival who had brought Jones out as a guest at a concert shortly before the RapCaviar interview. Jones reignited the feud after the release of the lead single "Ace Trumpets" in 2025: "I don't believe it, I don't believe them." When asked about the feud in June 2025, Pusha T responded: "I personally never understood what the interviews were about [...] or why my name kept coming up. It's one thing to keep saying I'm not a top fifty MC, but it's another thing for you not to say that you [yourself] are one. No one asked me about a top fifty nothing. After about the third interview, I promise you, I said, 'Man, he must really want me to know what he thinks about me.' And that's how [my] verse came. This is what I really think about him. This is what I . Every line is my true heart." rapped in the GOOD cypher at the BET Hip Hop Awards, and had two features on West's album My Beautiful Dark Twisted Fantasy. The creative partnership was fruitful; Pusha T became president of GOOD in 2015, and West had production credits on all of his commercially released albums until ''It's Almost Dry''. Pusha T was publicly outspoken about not seeing eye-to-eye with West on politics and career moves multiple times. Among other examples, he expressed disagreement over West's support of Donald Trump and claimed to have different principles on music industry relationships. The relationship had completely deteriorated by late 2022, after West made statements widely condemned as antisemitic. Pusha T said the following in response to West's comments: "It's definitely affected me. It's been disappointing. As a Black man in America, there is no room for bigotry or hate speech. So yeah. It's been very disappointing, let's talk straight." In another interview, he said: "It's beyond [wild stuff] and it's nothing to tap dance around. It's wrong. Period." and "He's not speaking to me now. If you ain't with it, you ain't down. And I ain't with it. I'm not budging on that. I'm not with it." He also clarified that he was no longer the president of GOOD or affiliated with the label in any way. Things escalated in March 2025 when Ye expressed that he disliked Pusha T commenting on his political views, and then again in April when he targeted Pusha T in a livestreamed rant: "Pusha T, all that tough guy shit. Where the tough guy shit?" Pusha T responded on Let God Sort Em Out's lead single "Ace Trumpets", mentioning West and seemingly rapping that his comments were merely amusing. West responded, admitting that he missed the friendship. and stating: "Outside of music, we're nothing. Outside of that, his principles, his morals, his mind-set—we don't see eye-to-eye hardly ever and we never have." Travis Scott in the lyrics of promotional single "So Be It". The animosity stems primarily from 2023, when Clipse and Williams were working on Let God Sort Em Out in Paris. Travis Scott traveled to the studio to play them his upcoming album Utopia (2023). Missing from this album-listening session was Drake's finalized guest verse on the track "Meltdown", in which he makes a reference to buying Williams's jewelry and melting it down. Pusha T recalled the moment: "He sees me [and Malice] there. He's like, 'Oh, man, everybody's here,' he's smiling, laughing, jumping around, doing his fucking monkey dance. We weren't into the music, but he wanted to play it, wanted to film [us and Williams listening to it]. And then a week later you hear 'Meltdown,' which he didn’t play. He played the song, but not [Drake's verse]." He also added that he felt Scott has a history of unloyal behavior, calling him a "whore" and later "shameless" in another interview. The signing wasn't announced until October 2024. Journalist Elias Leight wrote that the duo was already signed as of "early" 2024. Clipse refused to censor or remove the verse. The stalemate ended when a seven-figure sum was paid Recording sessions The album's recording sessions started in 2023; these sessions were split between Virginia, United States and the Louis Vuitton headquarters in Paris, France. As told by Andre Gee for Rolling Stone, the first makings of the album were after the 2023 Grammys, when Pusha T flew to Miami to work with Williams and Malice, ultimately choosing five beats. However, Gee's article goes on to use phrasing that implies nothing recorded in Miami made the album—"[Malice] prayed with his engineer before every recording session in Virginia. (Other sessions took place in Paris with Williams.)"—and no other source mentions Miami. Frazier Tharpe of GQ specifies that a majority of the album was recorded in Paris. The album was confirmed to be finished in December 2024. Some lyrics in "Ace Trumpets" were interpreted to be in response to rants by West in March and April 2025. ==Promotion==

Singles and music videos Let God Sort Em Out's lead single "Ace Trumpets" was released on May 30, 2025. The song garnered media attention for lyrics that reference Pusha T's former boss and long-standing creative partner West, interpreted by some as being dismissive of West's public outbursts. received positive reviews from music critics. Alex Hudson of Exclaim! commented: "The beat certainly isn't Pharrell's hookiest, but the thundering 808 bludgeons with pure muscle. Hell yeah—welcome back, guys." Tom Breihan of Stereogum wrote: "Pusha and Malice both sound cold and imperious. Malice's verse is a real masterclass." Dash Lewis of Pitchfork called the song "a menacing return to form for the coke rap auteurs. Pharrell Williams' beat, with its rimshot snare, chest-caving bass, and synth drone that sounds like a screwed-down tornado siren, conveys the same creeping tension he supplied Pusha with for 2022's ''It's Almost Dry''." A lyric video was released on June 4. Described by publications as the second single, promotional single "So Be It" was released exclusively as a black-and-white Hannan Hussain-directed music video via YouTube and Instagram on June 17, depicting Clipse in a mansion with various classic luxury cars on the property. Some fans and journalists mistakenly thought the song was a diss toward West based on previewed lyrics. "So Be It" was well received by critics. Zachary Horvath of HotNewHipHop wrote that "potential dissing aside, the music is great on its own. Pharrell remains in tip-top shape here, with a head-bopping beat and a haunting sample to kick off the track. The verses from the Clipse stars are also sharp again and this is shaping up to be the rap ." Preezy Brown of Vibe called the song a "triumphant return to form—sharp, stylish, and unapologetically elite", commenting that Pusha T "sounds as focused as ever" and Malice "delivers with cryptic flair". Brown also remarked: "Pharrell's production is masterful—strings and Arabian flourishes swirl into a backdrop that feels celebratory and menacing all at once." On July 10, Clipse released two more songs from the album exclusively on Apple Music in the hours leading up to the full release: firstly "Chains & Whips", Brand collaborations American fashion brand Denim Tears would be the first brand to collaborate with Clipse, unveiling a Let God Sort Em Out-branded T-shirt in June 2024, a whole year before the album's eventual release; this was in celebration of the brand's fifth anniversary. Further brand collaborations remained unknown until the release of "So Be It" on June 18, 2025, where Clipse would unveil an alternate album package and merchandise line, designed by Japanese artist Verdy. Williams's Billionaire Boys Club line would announce an exclusive black T-shirt on June 21. The company made the T-shirt available at their flagship stores from that date forward, with the shirt releasing online on July 11. Pusha T would begin teasing Clipse-branded Adidas Samba shoes on July 7; they were given an early-access release on July 14. A Carhartt collaboration was announced the following day; it was released alongside the album on July 11, featuring jackets, graphic T-shirts, a hoodie and sweatshirt. Another alternate album package, designed by American artist Josh Sperling, was announced on July 15. The three annual spring–summer shows from this point until Let God Sort Em Out's release all featured new Clipse music in their soundtracks, along with other songs. "Chains & Whips" was debuted at the Louis Vuitton's Men's Spring–Summer Show 2024 on June 20, 2023, although Kendrick Lamar's guest verse was not yet included. Pusha T and Malice also walked on the runway in Williams's designs. For the Men's Spring–Summer Show 2025 on June 18, 2024, "The Birds Don't Sing" was previewed for the first time, featuring vocals by John Legend. The Men's Spring–Summer Show 2026 debuted "So Be It Pt. II" on June 24, 2025. All Day I Dream About Sport A short film titled All Day I Dream About Sport, co-created by Williams and Gabriel Moses, was premiered at the High Museum of Art on February 15, 2025, in an event hosted by German sportswear brand Adidas. Although not explicitly tied to Clipse, the film's soundtrack included a preview of an original Pusha T song produced by Williams titled "Mike Tyson Blow to the Face". The song was later confirmed for Let God Sort Em Out, being referred to under the shortened name "Mike Tyson". Pusha T posted a video to his Instagram account on May 7, 2025, captioned with the song title "So Far Ahead". The video, serving as a trailer for the song, featured footage of him getting ready for the 2025 edition of the Met Gala, spliced with images of figures like slave William Lee, boxer and activist Muhammad Ali, and artist Jean-Michel Basquiat. "So Be It" was previewed on Instagram Live by DJ Hed, and on radio station Hot 97 by disc jockey Funkmaster Flex, both on June 16, a day before the song's official release as a music video. Interviews and promotional press Vulture published an interview with Clipse in which an album was explicitly confirmed, on June 19, 2024—one day after "The Birds Don't Sing" was previewed at the Louis Vuitton's Men's Spring–Summer Show 2025. Interviewed by Craig Jenkins, the duo reflected on the passing of their parents and how that experience, along with Williams's father dealing with dialysis treatments, influenced the lyrics of "The Birds Don't Sing". Pusha T revealed that Malice came up with the title, inspired by writer and activist Maya Angelou's 1969 autobiography I Know Why the Caged Bird Sings. Other topics included the brothers' father giving Malice his blessing to return to Clipse, the "coke rap" label often assigned to them, and Pusha T being referenced by Kendrick Lamar in his 2024 rap battle with Drake. Additionally, a comeback album was officially announced for the first time, although no title or release date was given. Pusha T stated: "The next year is going to be filled with appearances, touring, and a rap album of the year." Andre Gee interviewed the duo for a story in Rolling Stone, published September 4. Malice recounted the story of how he quit Clipse, adding that a health scare at the time about the false belief that he had HIV/AIDS exacerbated his stress and inability to continue with the duo. He also elaborated on what his Christian faith means to him and why he changed his stage name back from No Malice: "When I changed my name to No Malice, I was making a statement [...] There were things that needed to be said, lessons that needed to be learned. And I know exactly who I am. I have been cut to the heart. I am a new creation. I see things different, and I am able to assume any name I choose for myself." Various details about the album were included—that Nas had a guest appearance on the album, that the album's conception point followed the 2023 Grammys, and that "The Birds Don't Sing" was the album's opening track. Gee wrote that the album was due for later that year. Tour Clipse announced a United States concert tour in promotion of the album on June 9, consisting of twenty-five planned shows from August 3 to September 10. Atlanta hip-hop duo EarthGang is the planned supporting act. Four dates in Europe were added on July 14, extending the tour's window to November 10. Other live performances Clipse performed at the DuSable Black History Museum in Chicago, Illinois on August 24, 2024, for the Pepsi Dig In Day Block Party—a free event celebrating Black-owned restaurants. Clipse performed "Ace Trumpets" on June 26, 2025, for A Colors Show—a live performance series by German media company ColorsxStudios. Audio of the performance was released as a single on streaming services the same day. They performed an NPR Tiny Desk concert on July 11, concurrently with the album's release. A few days later, on July 15, they performed "The Birds Don't Sing" on The Tonight Show Starring Jimmy Fallon. Clipse performed the song "The Birds Don't Sing" along with John Legend at the second date during the Grace For The World concert on September 13, making history for being the first rappers to ever perform at the Vatican City. The duo performed "So Be It" on Jimmy Kimmel Live! in October 2025. Other events A listening party for the album was held on the rooftop of the Louis Vuitton headquarters in Paris, France on June 23, 2025. Recordings of Lamar's verse on "Chains & Whips" subsequently circulated on social media. At approximately 11 p.m. Eastern Time on July 10, disc jockey and radio personality Ebro Darden hosted a live listening party of the album through Apple Music. An album-signing event was hosted on July 17, 2025, exclusively for customers who purchased a Let God Sort Em Out vinyl via Amoeba Music's Hollywood store. Clipse Week with Genius Clipse collaborated with lyrics website and media company Genius for a series named Clipse Week. It began with a Genius Verified video for "Chains & Whips" on July 11, 2025. Verified is a series in which artists explain their songs' lyrical meaning and inspiration. Malice spoke about his faith, his time away from Clipse, and what made him return; he also commented on the perception that Pusha T is too outspoken about industry peers, arguing that his brother's statements are actually mild: "I truly admire his restraint. People think he goes over the top and just with me knowing where all the bodies are buried, I admire his restraint." Pusha T revealed that the chorus was started by Williams when the duo was stuck during the writing process. On the same day, Malice wrote official annotations for each track on Let God Sort Em Out through his verified Genius account. A Genius Verified video for "Ace Trumpets" was released on July 14. == Artwork ==

The cover artwork for the album was designed by American artist Kaws, featuring his Companion character being assembled, or "sorted out", by two hands. Kaws has been a known collaborator with Clipse, having also designed the cover art for their 2009 album Til the Casket Drops. American artist Josh Sperling described his two alternate album covers as "The Cross and the Anchor. The Cross to represent sin, death and faith. The Anchor to represent strength and stability in unknown waters. Two symbols for Two brothers." ==Critical reception==

Upon release, the album was met with widespread acclaim from critics. Niall Smith of Clash gave the album a nine out of ten and described the lyrics as a balance between the duo's old style and introspection on "maturity, perspective[,] and loss". Smith felt that the album's most impressive aspect was the guest appearances; although he felt some of Williams's choruses were "shakier moments", they were mostly redeemed by Clipse's "synergy". Jordan Darville of The Fader called the album a "daring move" and a "solid, occasionally brilliant project" with an emotional core around Malice's Christian faith, praising the "grand" instrumentals and Clipse's more introspective lyrics than previous releases, while feeling that the features were more of a mixed bag, specifically criticizing "All Things Considered" for Williams and The-Dream's contributions. Marko Djurdjić of Exclaim! gave the "hostile, paranoid, and often inspiring album" a seven out of ten, praising the overall style of the rapping ("This is fucking rapping, and it is relentless.") and the "beyond impressive" writing while criticizing the flows as repetitive and describing the production on some tracks as "tedious [and] unnecessary". In a more lukewarm review, Kyann-Sian Williams of NME gave the album three stars out of five, complimenting the "raw", introspective lyricism and guest appearances but criticizing Malice's appearances as being preachy and the production as being less innovative then Clipse's previous releases. Alphonse Pierre of Pitchfork also gave a lukewarm review. Scoring the album 6.5 out of ten, Pierre wrote that the duo are "still pretty nice with it on the mic" but deemed Williams's production to be "holding back" the album and boring, describing it as "corporate", "stuffy", and "HR-approved". He cited "M.T.B.T.T.F" as a highlight. Paul Attard of Slant Magazine had similar criticisms, feeling that it was "less like an album and more like a business brief"; he described the production as "devoid of friction" and criticized Clipse's lyricism as being untargeted. Additionally, the album also received 5 nominations at the 2026 Grammy Awards, including nominations for Album of the Year and Best Rap Album.{{Cite web |last=William |first=Chris Accolades ==Commercial performance==

In the United States, the album debuted at #4 on the Billboard 200 chart behind Travis Scott's JackBoys 2 and Justin Bieber's Swag with 118,000 album-equivalent units, matching the debut of ''Lord Willin''' (2002) and simultaneously marking the duo's second ever top-10 album. Of those 118,000 album-equivalent units, 58,000 were pure album sales and 59,000 were from streaming services, marking Clipse's biggest streaming week ever with 77.49 million on-demand streams of the album's tracks. Elsewhere, the album debuted at #1 on the Billboard Independent Albums chart, and charted top-10 placements in Switzerland and Canada. ==Track listing==

All tracks are written by Gene Thornton, Terrence Thornton, and Pharrell Williams. Additional writers are noted. All tracks are produced by Williams. • "M.T.B.T.T.F." stands for "Mike Tyson Blow to the Face". A few hours later, the issue would be resolved, with the original track being reinstated. • The initial Kaws and Verdy physical versions of the album did not include either version of "So Be It" or Tyler, the Creator's appearance on "P.O.V.". Sample credits Source: • "Chains and Whips" contains a sample of "Take Five", composed by Paul Desmond, as performed by Cherry Wainer and Don Storer. • "P.O.V." contains an interpolation of the Streets of San Francisco theme tune, composed by Patrick Williams. • "So Be It" contains a sample of "Maza Akoolou", written by Fata El Shatea and Mohammed Abdel Wahab, and performed by Talal Maddah. • "Inglorious Bastards" contains a sample of Jesse Jackson's opening speech to Wattstax. • "Let God Sort Em Out / Chandeliers" contains a sample of the Sarge theme tune, composed by David Shire. ==Personnel==

Credits adapted from the official album credits, and Tidal. Main vocals • Clipse: • Malice – vocals • Pusha T – vocals • John Legend – vocals (1) • Kendrick Lamar – vocals (2) • Tyler, the Creator – vocals (3) • Pharrell Williams – vocals (6, 8, 11, 13) • The-Dream – vocals (6) • Stove God Cooks – vocals (9) • Ab-Liva – vocals (10) • Nas – vocals (12) Additional vocals • Stevie Wonder – spoken word (1) • Pharrell Williams – additional vocals (2) • Aboud Harb – additional vocals (4) • Nigel Brixx Thornton – additional vocals (6) • Susan Carol Lewis – additional vocals (11) • Voices of Fire – choir (1, 3, 8, 11, 13) • Larry George – tenor • Alrenzo Albritton – tenor • Jahzeel Mumford – tenor • Lauren Hendrick – soprano • Megan Buhmann – soprano • T. Alexandria Gray – soprano • Jazmine Canales – alto • Trenise Holloman – alto • Maria Rosado – alto • Colette Williams – alto Instruments • Mike Larson – additional programming (1–6, 8–13) • Replay Heaven: • Richard Adlam – programming, keyboards (3–4) • Hal Ritson – programming, keyboards (3–4), violin (4) • Ali Jamieson – programming, keyboards (4) • Brandon Harding – programming (6) • Stevie Wonder – piano (1) • Larry Gold – string orchestra (1) • Steve Tirpak – string orchestra (1) • Emma Kummrow – violin (1) • Charlene Kwas – violin (1) • Natasha Colkett – violin (1) • Blake Espy – violin (1) • Gared Crawford – violin (1) • Ghislaine Fleischmann – violin (1) • Marianne Haynes – violin (4) • Jonathan Kim – viola (1) • Yoshihiko Nakano – viola (1) • Glenn Fischbach – cello (1) • Vivian Barton Dozor – cello (1) • Lenny Kravitz – electric guitar (2) • J. Drew Sheard II – keyboards (13) Directorial • Larry Gold – orchestra conductor (1) • Bishop Ezekiel Williams – choir director (1, 3, 8, 11, 13) • Larry George – choir director (1, 3, 8, 11, 13) Technical • Pharrell Williams – mixing engineer • Manny Marroquin – mixing engineer, immersive mixing engineer • Kevin Madigan – immersive mixing engineer • Mike Larson – recording engineer (1–4, 6–13), mixing engineer, arrangement • Rob Ulsh – recording engineer • Jeff Chestek – recording engineer (1) • Tim McClain – recording engineer (1) • Cristian F. Perez – recording engineer (1) • Alex Alvarez – recording engineer (2) • Ray Charles Brown Jr. – recording engineer (2) • Benjamin Thomas – recording engineer (4, 11) • Hart Gunther – recording engineer (6) • Brandon Harding – recording engineer (6) • Nathaniel Alford – recording engineer (7) • Susan Carol Lewis – recording engineer (11) • Mark "Exit" Goodchild – recording engineer (12) • Jim Parroco – 2nd engineer (1, 3, 8, 11, 13) • Lou Carrao – 2nd engineer (10) • Trey Station – assistant mixing engineer • Anthony J. Vilchis – assistant mixing engineer • Ramiro Fernandez-Seoane – assistant mixing engineer (7) • Zach Pereyra – mastering engineer "So Be It Pt. II" Credits archived from Apple Music. • Malice – vocals • Pusha T – vocals • Mike Larson – programming • Richard Adlam – programming, keyboards • Ali Jamieson – programming, keyboards • Hal Ritson – programming, keyboards • Replay Heaven – programming, keyboards • Voices of Fire – choir • Bishop Ezekiel Williams – choir director, piano • Larry George – choir director, tenor • Megan Bugmann – soprano • Lauren Hendrick – soprano • Twylia Jackson – soprano • Gloria Johnson – soprano • Taelor McClenny – soprano • Yunassea Thomas – soprano • Kamron Blue – bass • Melvette Armond – alto • Jazmine Canales – alto • Michon David – alto • Megan Heinsman – alto • Trenise Holloman – alto • Nakia Madry-Smith – alto • Kristin Nettles – alto • Maria Rosado – alto • Colette Williams – alto • Alrenzo Albritton – tenor • Jordan Felisbret – tenor • Sherrie Wayne – tenor • Jahzeel Mumford – tenor • Thomas Roussel – orchestra conductor • Cyprien Brod – violin • Aurore Moutomé – violin • Céline Munch – violin • Miléna Julien – violin • Florian Jourdan – violin • Florestan Raës – violin • Clara Bourdeix – violin • Cecile Bourcier – violin • Koah Vu Nguyen – violin • Mehdi Bourai – violin • Mario Guierre – violin • Laure Simonin – violin • Robin Antunes – violin • Hugo Van Rechem – violin • Emmanuelle Jakubek – violin • Anna Pecic – violin • Glen Rouxel – violin • Éléonore Grimbert-Barré – violin • Nina Tonji – viola • Julien Gaben – viola • Sarah Niblack – viola • Camille Coello – viola • Carla Fratini – viola • Pauline Gmyr – viola • Clara Germont – cello • Alexis Derouin – cello • Lucien Debon – cello • Emmanuelle Schneider – cello • Augustin Guénand – cello • Florence Hennequin – cello • Sapho Wanty – bass • Fabien Coquant – bass • Claire-Elie Tenet – bass • Margot Mayette – flute • Maholy Guéroult – flute • Miglė Astrauskaitė-Costard – piccolo flute • Alix Vaillant – oboe • Angela Rinaldi – oboe • François Tissot – clarient • Avril Muller – clarient • Eliott Berdugo – bass clarient • Lili Cousinié – French horn • Hugo Pons – French horn • Pierre-Alexis Torres-Toulemont – French horn • Constance Mespoulet – French horn • Jérôme Lacquet – trumpet • Manon Delahaye – trumpet • Sarah Maletras – trumpet • Thibault Mortegoute – trombone • Mahel Gheribi – trombone • Lucas Spiler – bass trombone • Adrian Salloum – timpani • Wally Loume – percussion • Matteo Sausse – percussion • Timothée Gesland – percussion • François Vallet – percussion • Odile Foulliaron – harp • Pharrell Williams – mixing engineer • Manny Marroquin – mixing engineer, immersive mixing engineer • Kevin Madigan – immersive mixing engineer • Mike Larson – recording engineer, mixing engineer • Gaspard Murphy – recording engineer, mixing engineer • Sylvain Denis – recording engineer, mixing engineer • Rob Ulsh – recording engineer • Benjamin Thomas – recording engineer • Trey Station – assistant engineer • Anthony J. Vilchis – assistant engineer • Ramiro Fernandez-Seoane – assistant engineer • Aurélien Thoumire – assistant engineer • Nicolas Servant – assistant engineer • Tristan Chiffoleau – assistant engineer • Eliaz Buridant – assistant engineer • Hannah Kessas – assistant engineer • Lucas Desplaces – assistant engineer • Timothée Franque – assistant engineer • Zach Pereyra – mastering engineer == Charts ==

Weekly charts Year-end charts ==See also==