Box office Up earned $293 million in the United States and Canada and $442.1 million in other countries, for a worldwide total of $735.1 million. It was the
sixth-highest-grossing film of 2009. In the United States and Canada, exit polling showed extensive family attraction across a variety of audiences; 53% were female and 57% were under 17. The film was released with
Drag Me to Hell on May 29, 2009. It would hold the record for having the highest opening weekend for a 3D film until it was surpassed by
James Cameron's
Avatar later that year. Its earnings dropped by 37 percent to $44.3 million the second weekend, and another 31% to $30.5 million the third weekend; this was the slowest decline for a Pixar animated film since
Finding Nemo.
Up completed its theatrical run in the United States and Canada on December 5, 2009.
Critical response Up received critical acclaim. It has an approval rating of based on professional reviews on the
review aggregator website
Rotten Tomatoes, with an average rating of . The consensus reads; "An exciting, funny, and poignant adventure,
Up offers an impeccably crafted story told with wit and arranged with depth, as well as yet another visual Pixar treat."
Metacritic (which uses a weighted average) assigned
Up a score of 88 out of 100 based on 37 critics, indicating "universal acclaim". Audiences polled by
CinemaScore gave the film a rare grade of "A+" on an A+ to F scale.
The Hollywood Reporter lauded the film as "Winsome, touching and arguably the funniest Pixar effort ever, this gorgeously rendered, high-flying adventure is a tidy 90-minute distillation of all the signature touches that came before it." Although the
San Francisco Chronicle noted that the film "contains many boring stretches of mindless freneticism and bland character interaction," it also declared that there are scenes in
Up of "such beauty, economy and poetic wisdom that they belong in any anthology of great movie moments ... to watch
Up with any attention is to be moved and astonished by the economy with which specific visuals are invested with emotion throughout [the film]."
Variety enthused that "
Up is an exceptionally refined picture; unlike so many animated films, it's not all about sensory bombardment and volume ... Unsurprisingly, no one puts a foot wrong here. Vocal performances ... exude a warm enthusiasm, and tech specifications could not be better. Michael Giacchino's full-bodied, traditional score is superlative". The character of Carl Fredricksen has received mostly positive reception. Bill Capodagli, author of
Innovate the Pixar Way, praised Carl for his ability to be a jerk and likable at the same time.
Wall Street Journal editor Joe Morgenstern described Carl as gruff, comparing him to
Buster Keaton, but adds that this begins to wear thin as the movie progresses. He has been compared with
Spencer Tracy, an influence on the character, by
The Washington Post editor Ann Hornaday and
Empire editor Ian Freer, who describes him as similar to a "''
Guess Who's Coming to Dinner-era" Tracy. Entertainment Weekly'' editor Lisa Schwarzbaum described his appearance as a cross between Tracy and an eccentric out of a
George Booth cartoon. He has also been compared to
Walter Matthau, another inspiration for the character's design, by
LA Weekly editor Scott Foundas, suggesting that actor
Ed Asner was channeling him while performing the role of Carl.
Variety editor Todd McCarthy described Carl as a combination of both Tracy and Matthau. The relationship between Carl and his wife Ellie has been praised in several media outlets. In his book ''Disney, Pixar, and the Hidden Message of Children's Films
, author M. Keith Booker described the love between Carl and Ellie as touching. While also describing the scene of the two of them aging as a "masterpiece of its own kind", he was not sure how much children would appreciate the scene, commenting that his son was squirming in his seat during the scene. Reelviews'' editor James Berardinelli praised their relationship, stating that it brought a tear to his eye in a way no animated film has done, including anything by famed
anime director
Hayao Miyazaki. Ann Hornaday praised the prologue, describing it as "worthy of Chaplin in its heartbreaking poignancy." Asner was praised in several media outlets for his portrayal of Carl.
San Francisco Chronicle editor Mick LaSalle praised Asner as a great choice due to having a grumpiness to his voice that is not truly grumpy, but rather coming from a protective stance.
Entertainment Weekly editor Lisa Schwarzbaum praised Asner's acting, stating that he has a "
Lou Grant authority" to his voice.
Time editor Richard Corliss stated that Asner had the "gruffness and deadpan comic timing to bring Carl to life."
USA Today editor Claudia Puig praised Asner's delivery, describing it as superb. The formulation of Russell as an Asian-American character, along with the casting of an Asian-American in the role was met positively as well. Both Nagai and the film were awarded by the
East West Players for the depiction of Russell. EWP lauded Pixar for the creation of the character, stating, "We are proud to honor a very progressive film company like Pixar who cast an Asian-American character alongside an elderly one to play the leads in a feature film." and was further positively received within the added context of historical non-Asian castings for Asian roles in entertainment. In an interview with
NPR in 2013, Angry Asian Man's Phil Yu reflected on the character's lack of typical Asian stereotyping, stating, "You know, he just happens to be Asian and he's, you know, really adorable character. But that kid could've been of any ethnicity but they made the effort to make him Asian—just a little color, you know, and it's really wonderful when that kind of thing happens where they don't have to play that up and make it like a thing or a joke, which happens a lot."
Up was included on a number of best-of lists. It appeared on professional rankings from
Empire based on retrospective appraisal, as one of the greatest films of the twenty-first century.
Insider,
USA Today (both 2018),
Rolling Stone (2019),
Esquire (2020),
Parade,
Time Out New York, and
Empire (all 2021). In December 2021, the film's screenplay was listed number thirty-three on the
Writers Guild of America's "101 Greatest Screenplays of the 21st Century (So Far)". The February 2020 issue of
New York Magazine lists
Up as among "The Best Movies That Lost Best Picture at the Oscars." In 2025, the film ranked number 50 on
The New York Times list of "The 100 Best Movies of the 21st Century" and number 85 on the "Readers' Choice" edition of the list.
Accolades At the
82nd Academy Awards,
Up received nominations for
Best Picture,
Best Original Screenplay, and
Best Sound Editing and won
Best Animated Feature and
Best Original Score. Its other nominations include nine
Annie Awards (winning two), four
British Academy Film Awards (winning two), four
Critics' Choice Awards (winning two), and two
Golden Globe Awards (winning both). The
National Board of Review and the
American Film Institute named
Up one of the ten-best films of 2009; it also won the National Board of Review's
Best Animated Film award. It also won the inaugural
American Cinema Editors Award for Best Edited Animated Feature Film. ==Other media==