Hathaway worked as a songwriter, session musician, and producer for
Curtis Mayfield's
Curtom Records in Chicago. He did the arrangements for hits by
the Unifics ("Court of Love" and "The Beginning of My End") and took part in projects by
the Staple Singers,
Jerry Butler,
Aretha Franklin,
the Impressions and Curtis Mayfield himself. After becoming a "house producer" at Curtom, he started recording there. Hathaway recorded his first single under his own name in 1969, a duet with singer
June Conquest called "I Thank You, Baby". They also recorded the duet "Just Another Reason", released as the
B-side. Former
Cleveland Browns president Bill Futterer, who as a college student promoted Curtom in the southeast in 1968 and 1969, was befriended by Hathaway and has cited Hathaway's influence on his later projects. That year, Hathaway signed to
Atco Records, then a division of Atlantic Records, after being spotted for the label by producer/musician
King Curtis at a trade convention. He released his first single of note, "
The Ghetto, Pt. 1", which he co-wrote with former Howard roommate
Leroy Hutson, who became a performer, writer, and producer with Curtom. The track appeared the following year on his critically acclaimed debut LP,
Everything Is Everything, which he co-produced with Ric Powell while also arranging all the cuts. His second LP,
Donny Hathaway, consisted mostly of covers of contemporary pop, soul, and
gospel songs. His third album
Roberta Flack & Donny Hathaway was an album of
duets with former Howard University associate and label mate
Roberta Flack, for whom he previously sang backup on "
Killing Me Softly with His Song" that established him, especially on the pop charts. The album was a critical and commercial success, including the
Ralph MacDonald-penned track "
Where Is the Love", which proved to be not only an R&B success, but also scored Top Five on the pop Hot 100. It sold over one million copies, and was awarded a
gold disc by the
RIAA on September 5, 1972. The album also included other covers, including versions of
Carole King's "
You've Got a Friend", "
Baby I Love You", originally a hit for
Aretha Franklin, and "
You've Lost That Loving Feeling". Perhaps Hathaway's most influential recording is his 1972 album,
Live, which has been termed "one of the best live albums ever recorded" by Daryl Easlea of the
BBC. The album is on the list of "40 Favourite Live Albums" published by British online music and culture magazine
The Quietus. It was recorded at two concerts: side one at the
Troubadour in Hollywood, and side two at
The Bitter End in
Greenwich Village,
Manhattan. Hathaway was the co-composer and performer of the Christmas standard, "
This Christmas". The song, released in 1970, has become a holiday staple and is often used in movies, television and advertising. "This Christmas" has been covered by numerous artists across diverse musical genres, including
The Whispers,
Diana Ross, Aretha Franklin,
The Temptations,
The Four Tops,
Stevie Wonder,
Alexander O'Neal,
Christina Aguilera,
Chicago,
Harry Connick, Jr.,
Dru Hill,
*NSYNC,
Gloria Estefan,
Boney James,
The Cheetah Girls,
Chris Brown, Anthony Arnett (
First Baptist Bracktown Christmas Celebration),
Patti LaBelle and
Mary J. Blige (
A Mary Christmas),
Seal, Train and
CeeLo Green, among other artists. Hathaway followed this flurry of work with contributions to soundtracks, along with his recording of the
theme song to the TV series
Maude. He composed and conducted music for the 1972 soundtrack of the movie
Come Back Charleston Blue. In the mid-1970s, he produced albums for other artists including
Cold Blood, where he expanded the musical range of lead singer
Lydia Pense. His final studio album,
Extension of a Man came out in 1973 with two tracks, "Love Love Love" and "I Love You More Than You'll Ever Know" reaching both the pop and R&B charts. It also included his classic ballad, "
Someday We'll All Be Free" and a six-minute symphonic-styled instrumental piece called "I Love The Lord, He Heard My Cry". He told UK music journalist
David Nathan in 1973, "I always liked pretty music and I've always wanted to write it." Added the writer, "He declined to give one particular influence or inspiration but said that
Ravel,
Debussy and
Stravinsky were amongst whom he studied." He returned to the charts in 1978 after again teaming up with Roberta Flack for a duet, "
The Closer I Get to You" on her album,
Blue Lights in the Basement. The song topped the R&B chart and reached the No. 2 spot on the Hot 100. Atlantic then put out another solo single, "You Were Meant For Me" shortly before his sudden death. Liner notes for later releases of his final solo album explain: "Donny is no longer here, but the song "Someday We'll All Be Free" gathers momentum as part of his legacy... Donny literally sat in the studio and cried when he heard the playback of his final mix. It's pretty special when an artist can create something that wipes them out." Edward Howard, lyricist of the song, adds, "It was a spiritual thing for me... What was going through my mind at the time was Donny, because Donny was a very troubled person. I hoped that at some point he would be released from all that he was going through. There was nothing I could do but write something that might be encouraging for him. He's a good leader for young black men". ==Personal life==