The film was made before the full enforcement of the
Production Code, and it is remembered today for its strong sexual content, embodied mostly in the character of the bar singer Ivy Pierson, played by
Miriam Hopkins. When it was re-released in 1936, the Code required 8 minutes to be removed before the film could be distributed to theaters. This footage was restored for the VHS and DVD releases. 's make-up transformed
Fredric March's
Doctor Jekyll into the grotesquely simian
Mr Hyde. The secret of the transformation scenes was not revealed for decades, when Mamoulian revealed it in
The Celluloid Muse (1969), a volume of interviews with Hollywood directors. Make-up was applied in contrasting colors. A series of colored filters that matched the make-up was then used which enabled the make-up to be exposed gradually or made invisible. The change in color was not visible on the black-and-white film.
Wally Westmore's make-up for Hyde — simian and hairy with large canine teeth — greatly influenced the popular image of Hyde in media and comic books. In part, this look reflected the novella's implication of Hyde as embodying repressed evil, and hence being semi-evolved or simian in appearance. The characters of Muriel Carew and Ivy Pierson do not appear in Stevenson's original story; Ivy Pierson's character is original to the film, and Muriel [Agnes] Carew appears in the 1887
stage version by playwright
Thomas Russell Sullivan.
John Barrymore was asked by Paramount to play the lead role in an attempt to recreate his role from the
1920 version of Jekyll and Hyde, but he was already under a new contract with
Metro-Goldwyn-Mayer. Paramount suggested
Irving Pichel for the role, but the director felt that while he would deliver a fine performance, he was not handsome enough and suggested March. Paramount then gave the part to March, who was under contract and who bore a physical resemblance to Barrymore. March had played a John Barrymore-like character in the Paramount film
The Royal Family of Broadway (1930), a story about an acting family similar to the
Barrymores. March, following stage tradition, overplayed both Jekyll and Hyde to emphasize their contrasts, and he won the
Academy Award for Best Actor for his performance of the role. The Tracy version was much less well received, and March jokingly sent Tracy a telegram thanking him for the greatest boost to his reputation of his entire career. The opening credits music is
Toccata and Fugue in D minor, BWV 565 by
Johann Sebastian Bach. ==Reception==