The first known portrait of Philip Prospero was painted by Velazquez in 1659, the year Philip felt he could safely agree to the terms of the
treaty with France. This portrait and
one of Margarita Teresa were made that year for the Emperor
Leopold I, their mother's brother and Margarita's future husband. In the painting the prince appears to be around three years old. He stands before a rich black background, the blackness of which is reflected in his eyes. His wrist limply rests over the back of a child-size chair in which lies a contented spaniel. (These are a traditional pose and prop, though Velazquez painted the child’s sister and, years before, his half-brother Balthasar Charles with their hands in a more commanding position, placed flat and firm, not dangling.) In Velazquez's depiction, the baby's eyes have a faint hollowness around them. His pale face and hands, as well as his white muslin smock, are accented by the red of his gown and create contrast against the more subdued background colors. But the painting directly admits the little boy's precarious health: from strings criss-crossing his chest and waist hang metal bells and at least two protective lucky amulets, a
cornicello, and on the string across his left shoulder hangs a black object, likely a
fig-hand carved of jet. By contrast, nearly thirty years earlier, Velazquez painted a robust Balthasar Charles at age two or three with a staff, sword, exuberant sash and plumed hat. This is not a political picture, but it does show that the hopes of a nation are dependent on the youth, which itself is depending on luck and fate. == Death ==