The song received positive reviews from contemporary music critics. Jason Lipshutz at
Billboard opined that the track "proves that DeLonge, Mark Hoppus and Travis Barker still know how to get in a room and create tight, catchy, exceedingly sophomoric pop-punk; it's great to have them back."
Stereogum columnist Rachel Brodsky called the tune "fun, flippant, and satisfying as hell". Lars Brandle from
Billboard called it "straight-up Blink-182 material, hewn from misspent youth and with all the bluster, swagger and stop-on-a-dime detail that made the threesome one of the most popular
alternative rock acts of its era." Ellie Robinson from
NME dubbed the "belting pop-punk anthem" an ode to the "dissolution of a relationship".
Jon Caramanica of
The New York Times considered it sterile, writing, "It's familiar but uncanny,
Botoxed tight but with none of the puerile joy that marked the group's breakout hits." ==Personnel==