Pre-war Her early womanhood was passed under stimulating influences, being a member of one of those famous conversation classes which
Margaret Fuller instituted in the decade of 1830-40.
Ralph Waldo Emerson,
Amos Bronson Alcott,
Abby May,
James Freeman Clarke, and
Theodore Parker were among those who strongly influenced her thought. The dawn of New England
Transcendentalism, brought golden opportunities to the young aspirant for intellectual culture. A great awakening and a new sense of the surpassing riches of life was the result to Cheney of attending for three successive seasons the conversations of Margaret Fuller. Few teachers have shown to such a degree the power of personality. Cheney wrote:— "I absorbed her life and her thoughts, and to this day I am astonished to find how large a part of what I am when I am most myself I have derived from her. . . .She did not make us her disciples, her blind followers. She opened the book of life and helped us to read it for ourselves." It is significant that Cheney and her elder sister, Mary Frances, were among the first parishioners of Theodore Parker when he came from
West Roxbury, Massachusetts to Boston, 1846. He would become her inspirer, friend, and comforter in time of sorrow. For a year or two before her marriage, Cheney was the secretary of the School of Design for Women in Boston, of which she was one of the founders in 1851. Short-lived, the school yet served to show the existence of talent among American women, and is remembered as "one of the failures that enriched the ground for success." On May 19, 1853, she married the artist, Seth Wells Cheney. Twin ambitions, art and literature, were native to Cheney. Choosing the latter for her field of occupation, she also cultivated her taste for the former. As an artist's wife, she made her first visit to Europe, sailing with her husband for
Liverpool in August, 1854. The year following their return (in June, 1855) witnessed the birth of a daughter, Margaret Swan, in September, 1855, and the death of Mr. Cheney in April, 1856, in
South Manchester, Connecticut, his native place. He was one of the earliest crayon artists in America. Seth Cheney's crayon portraits were among the delights of his time. The foremost women of Boston were glad to sit for him. Among his portraits of men, one of Theodore Parker which was highly prized. An exhibition of a number of these works was arranged some years after by
Sylvester Rosa Koehler, curator of engravings,
Museum of Fine Arts, Boston. Cheney was one of the subscribers toward the establishment in 1856, under the leadership of Dr.
Marie Elizabeth Zakrzewska, of the first women's hospital, the
New England Hospital for Women and Children. A few years later, she was interested with others in the addition of a clinical department to the medical school for women in Boston, which merged in
Boston University. In 1863, she was one of the three women corporators of the New England Hospital for Women and Children, which they had started in 1862 in a house on Pleasant Street. "Accepting the position of secretary, Cheney, to quote the words of Dr. Zakrzewska, "devoted herself to the work, and became one of the most powerful advocates and supporters of this institution — an institution now firmly established and professionally recognized, and which by its efficiency and conscientious work has not only educated women as physicians and nurses, but has opened the way for the former to a professional equality with medical men, as the
Massachusetts Medical Society was the first to admit women as members." Succeeding Lucy Goddard as president of the hospital in 1887, Cheney continued in office for fifteen years, or until her resignation on account of failing health in October, 1902, at which time she became Honorary President.
Civil War From 1863, Cheney made her home in Jamaica Plain. Early interested in the work of the
Freedmen's Aid Society (founded in 1861), she became the secretary of the teachers' committee on the resignation of Hannah E. Stevenson. In 1865, she went to Readville and taught soldiers, and attended the convention of Freedmen's societies in New York City. Cheney made several visits to the
South in the years directly following the close of the
Civil War for the
Union, the first time going with
Abby May as a delegate to a convention in
Baltimore. Unexpectedly called upon there to address a meeting composed largely of
African Americans, she had her first experience in public speaking. During her absence on one of these Southern trips, a society was formed in Boston in 1867, of which she was appointed a director, and later Honorary President, and in which she continued to work — the
Free Religious Association, "the freedom and inspiration of whose first meetings" she finds it "impossible to report."
Post-war In 1868, Cheney was one of the founders of the
New England Women's Club, which soon came to be recognized as a forceful influence for good in the community. About the same time, she identified herself with the
woman suffrage movement. Joining the Association for the Advancement of Women early in the 1870s, a year or two after its organization, she became one of its most valued workers and speakers. In 1869, she assisted in founding a horticultural school for women, of which Abby W. May became president. Cheney lectured on horticulture for women before the Massachusetts State Agricultural Society in 1871. Cheney's second visit to Europe in 1877, in company with her sisters and her daughter, was saddened in
Rome by the death of her sister, Helen. Returning to Boston in 1878, she responded to an invitation to give a course of lectures on art at the
Concord School of Philosophy the following summer, and continued to lecture throughout the session. In 1879, she delivered a course of ten lectures on the history of art before the Concord School of Philosophy, and the same year was elected vice-president of the
Massachusetts School Suffrage Association, later becoming its president. Her works, all published in Boston, include:
Hand-Book for American Citizens (1864);
Patience (1870),
Social Games (1871),
Faithful to the Light (1872),
Child of the Tide (1874),
Life of Susan Dimoch (1875),
Gleanings in Fields of Art (1881),
Selected Poems of Michael Angelo (1885), ''Children's Friend, a sketch of Louisa M. Alcott
(1888), Biography of L. M. Alcott
(1889), Nora's Return
(1890), Stories of Olden Time
(1890), and a number of articles in hooks. She has contributed to the North American Review
, the Christian Examiner
, the Radical
, Index
, the Woman's Journal
, and other periodicals. She edited the poems of David A. Wasson (Boston, 1887), and of Harriet Winslow Sewall (Boston, 1889). Much of her work was devoted to religious and artistic subjects. She also published three memoirs of family members: Memoir of S. W. Cheney
(1881), Memoir of
John Cheney, Engraver
(1888), and Memoir of Margaret S. Cheney'' (1888). ==Later years==