Brandon Lee

Brandon was born on February 1, 1965, at East Oakland Hospital in Oakland, California, the son of martial artist and actor Bruce Lee (1940–1973) and Linda Lee Cadwell (née Emery). From a young age, Lee learned martial arts from his father, who was a well-known practitioner and a martial arts movie star. Lee said the family lived between Hong Kong and the United States, due to his father's career. While visiting his father's sets, Lee became interested in acting. Lee's father died suddenly in 1973, leaving a legacy that made him an icon of martial arts and cinema. Grace Ho (Lee's grandmother) said that by the age of 5, he could kick through an inch board. Afterwards, Lee's family moved back to California. Lee began studying with Dan Inosanto, one of his father's students, when he was nine. Later in his youth, Lee also trained with Richard Bustillo and Jeff Imada. Imada said that when Lee was in his teens, he struggled with his identity, and having to train in dojos which included large photos of his father troubled him. According to Imada, this led Lee to leave martial arts in favor of soccer. Both would reconnect later in their film careers, with Imada working as stunt and fight coordinator in several of Lee's upcoming films. Meanwhile, Lee was a rebellious high school student. In 1983, four months prior to his graduation, Lee was asked to leave the Chadwick School for misbehavior. That year Lee received his GED from Miraleste High School.'''' Lee pursued his studies in New York City, where he took acting lessons at the Lee Strasberg Theatre and Film Institute. Lee went on to Emerson College in Boston, Massachusetts, where he majored in theater. During this time, Lee appeared in several stage productions. He was part of the Eric Morris American New Theatre, with them he acted in John Lee Hancock's play Full Fed Beast. ==Career==

1985 to 1990: Early roles Lee returned to Los Angeles in 1985 and worked as a script reader. During this period, he was approached by casting director Lynn Stalmaster and successfully auditioned for his first credited acting role in Kung Fu: The Movie. It was a feature-length television movie that was a follow-up to the 1970s television series Kung Fu, with David Carradine returning as the lead. On set Lee reconnected with his former instructor Jeff Imada who worked in the stunt department. Imada said Lee had to be talked into accepting the role, since the martial arts nature of the film did not appeal to Lee, who avoided any connection with his father's genre of film.'' In the film, the character of Kwai Chang Caine (Carradine) has a conflict with his illegitimate son (Lee). Kung Fu: The Movie'' first aired on ABC on February 1, 1986. Lee said that he felt there was some justice in being cast for this role in his first feature, since the TV show's pilot had been conceived for his father. Yu said that Lee and him did not get along during shooting. In the film, Lee plays a young man blamed for a crime he did not commit. It was the only film Lee made in Hong Kong, and in Cantonese. Lee was nominated for a Hong Kong Film Award for Best New Performer in this role. The film was a critical success at the 1987 Cannes Film Festival, and was a commercial success in Japan. In 1987, Lee starred in another spin-off of Kung Fu, the unsold television pilot Kung Fu: The Next Generation. On June 19, it aired on CBS Summer Playhouse, a program that specialized in rejected pilots and allowed the audience to call in to vote for a show to be picked up as a series. The plot centered on the grandson and great-grandson (Lee) of the main character from the original series. The pilot was poorly received and not picked up as a series. In 1988, Lee had a role in "What's In a Name", an episode of the American television series Ohara, starring Pat Morita, He portrayed the main villain, the son of a yakuza. Jeff Imada, who worked as stunt coordinator, said that Lee was recommended not to do the role due to the nature of the character. However, Lee saw it as a chance to expand his acting range, and took the role.'' Filmed in Namibia, Lee stars as mercenary on a mission. Distributed by Turner Home Entertainment, it was a commercial success on home video. The film was generally panned by critics, although a few considered it an amusing action B movie. In the 1980s, Lee started to train again with Dan Inosanto. Inosanto said that Lee would bring a camera to the training facilities to see which techniques looked good on screen. had a meeting with Lee and his mother through comic book writer Stan Lee (no relation). Stan Lee felt that Brandon would be ideal in the role of super-hero Shang-Chi in a film or television adaptation. 1991 to 1993: Hollywood breakthrough In April 1991, Lee was in Universal Pictures' list of contenders to play his father in the biopic Dragon: The Bruce Lee Story (1993). He turned the role down, finding it awkward to play his father, and too strange to approach the romance between his parents. Also, producer Raffaella De Laurentiis said he did not look Chinese enough and that she would have refused to work on the project if they had to resort to making Brandon appear more Asian. The role went to Jason Scott Lee (no relation), who said he was initially intimidated by his role as Bruce Lee but that he overcame his fear after speaking to Brandon. According to Jason, Brandon told him the following in regards to the role: "He said I wouldn't survive in this part if I treated his father like a god. He said his father was, after all, a man who had a profound destiny, but he was not a god. He was a man who had a temper, a lot of anger, who found mediocrity offensive. Sometimes he was rather merciless." Director Rob Cohen said he spent hours talking to Brandon during preparations. On August 23, 1991, Mark L. Lester's Showdown in Little Tokyo premiered, which Warner Bros. produced and distributed. Lee starred opposite Dolph Lundgren in the buddy cop action film. Lee secured his role on October 13, 1990, to make his American feature debut. It was meant to start shooting after his casting but was delayed until the following January. In the film, Lee and Lundgren play cops who are partnered to investigate yakuza. In the US, the domestic gross was $2,275,557. The movie faced largely negative reviews; retrospectively, however, some critics find it entertaining for its genre. While visiting Sweden, Lee was among the cameos in the locally made genre film Sex, Lögner och Videovåld (2002), filmed between 1990 and 1993. The film was completed in 2000. Lee's next film was 20th Century Fox's Rapid Fire, which premiered on August 22, 1992, and was directed by Dwight H. Little. Lee plays a student named Jake Lo who witnesses a murder and is put in a witness protection program. The film came about when producer Robert Lawrence started working with Lee and noticed his potential to be an action leading man in Hollywood after screening Lee's earlier project Legacy of Rage. Lee was involved with the story development, and connected with the plot point where his character loses his father. Lee and Imada are credited for the fight choreography, Lee was allowed to add some touches of his own humor to the script. On playing the character of Jake Lo, Lee said "I always saw that character as not being gung-ho to get himself involved in those situations. I wanted to keep that throughout the film, that sarcastic edge. So he's not just becoming Joe Action Hero." making $4,815,850. After its 19 weeks run in cinemas, it made a total of $14,356,479. Most critics did not like the film, but many of them found Lee charismatic. A minority of critics found Rapid Fire to be slick, well acted, and a serviceable action film. Also that year, it was reported that Lee signed a three-picture deal with 20th Century Fox and a multi-picture deal with Carolco Pictures. In the fall, while doing publicity for Rapid Fire, Lee landed the lead role in Alex Proyas' The Crow, an adaptation of a comic book by the same name. It tells the story of Eric Draven (Lee), a rock musician raised from the dead by a supernatural crow to avenge his own death as well as the rape and murder of his fiancée by a dangerous gang in his city. According to producer Jeff Most, Lee had good insight on the character and liked the lyrical lines within the script, but did not want the dialogue to spread aimlessly. Hence, Lee focused on the brevity and rhythm of the lines of dialogue to make the character threatening. In preparation for the fight sequence, Most said that director Proyas and Lee studied martial arts movies. Also according to Most, Lee did not want metaphysical characters besides his own in the film. Costumer Roberta Bile said that Lee modelled Draven after singer Chris Robinson. Lee convinced the team to hire Jeff Imada who became the stunt coordinator; he and Imada oversaw the fight choreography. Imada and Lee agreed that the character of Eric Draven would not do conventional martial arts moves; his movements would be unique. He is a character without formal martial arts training who was given supernatural abilities upon resurrection. With this in mind, they added aerobics to Draven's fighting style. Both Imada and Most said Lee was pleased to incorporate his martial arts to the design of the character, without it being part of the story. Imada said that in order to look like a rocker and not an action hero, Lee went on a strict diet weeks before shooting in order to remove a lot of bulk, and would even weigh the food he ate. Lee also focused on cardiovascular exercise with a stairmaster, did repetitions on lighter weights to elongate and stretch his muscles, and did aerobics to lose body fat rapidly. Key hairstylist Michelle Johnson said that in rain scenes Lee would soak himself prior to filming the scenes, where he would act without a shirt in cold weather. The film crew was impressed with his performance and dedication. ==Death==

On March 31, 1993, Lee was filming a scene for the film The Crow in which his character is shot and killed by thugs. In the scene, Lee's character walks into his apartment and discovers his fiancée being beaten and raped, and a thug played by actor Michael Massee fires a Smith & Wesson Model 629 .44 Magnum revolver at Lee's character as he walks into the room. In a film shoot prior to the fatal scene, the gun that was used as a prop (a real revolver) was loaded with improperly made dummy rounds, improvised from live cartridges that had the powder charges removed by the special effects crew, so in close-ups the revolver would show normal-looking ammunition. During the fatal scene, which called for the revolver to be fired at Lee from a distance of , the dummy cartridges were replaced with blank rounds, which contained a powder charge and the primer, but no solid bullet, allowing the gun to be fired with sound and flash effects without the risk of an actual projectile. However, the gun was not properly checked and cleared before the blank was fired, and a piece of the dummy bullet was lodged in the barrel - resulting in a condition known as a squib load. That piece of plastic was then propelled forward by the blank's propellant and shot out the muzzle with almost the same force as if the round were live, striking Lee in the abdomen at lethal velocity. After Massee pulled the trigger and shot Lee, Lee fell backwards instead of forwards as he was supposed to. When the director said "cut", Lee did not stand up and the crew thought he was either still acting or joking. Jeff Imada, who immediately checked Lee, noticed something wrong when he came close and noted Lee was unconscious and breathing heavily. Medic Clyde Baisey went to Lee and shook him to see if he was dazed by hitting his head during the fall, but did not think Lee had been shot since there was no visible bleeding. Baisey took Lee's pulse, which was regular, but within two to three minutes it slowed down dramatically, and stopped. Lee was rushed to the New Hanover Regional Medical Center in Wilmington, North Carolina. Attempts to save him were unsuccessful and after six hours of emergency surgery, Lee was pronounced dead on March 31, 1993, at 1:03 pm. He was 28 years old. The shooting was ruled an accident due to negligence. Lee's death led to the re-emergence of conspiracy theories surrounding his father's similarly early death. Lee was buried next to his father at the Lake View Cemetery in Seattle, Washington. A private funeral attended by 50 took place in Seattle on April 3. The following day, 200 of Lee's family and business associates attended a memorial service at actress Polly Bergen's house in Los Angeles. Among the attendees were Kiefer Sutherland, Lou Diamond Phillips, David Hasselhoff, Steven Seagal, David Carradine, and Melissa Etheridge. In August 1993, Lee's mother, Linda Lee Cadwell, filed a lawsuit against the filmmakers alleging negligence in the death of her son. The suit was settled two months later under undisclosed terms. In an interview just prior to his death, Lee quoted a passage from Paul Bowles' book The Sheltering Sky which he had chosen for his wedding invitations; it is now inscribed on his tombstone: == Legacy ==

After Lee's death in 1993, his fiancée Eliza Hutton and his mother supported director Proyas' decision to complete The Crow. At the time of Lee's death, only eight days were left before completion of the movie. Lee's on-set death paved the way for deceased actors to complete or have new performances, since pioneering CGI techniques were used to complete The Crow. A month later, it was reported that Lee's previous films Laser Mission, Showdown in Little Tokyo, and Rapid Fire saw a surge in video sales. On April 28, Dragon: The Bruce Lee Story premiered at the Mann's Chinese Theatre in Hollywood. The film is dedicated to Brandon with the quote: "The key to immortality is first living a life worth remembering." The event was considered a celebration of both Brandon and his father Bruce. In 1994, The Crow opened at number one in the United States in 1,573 theaters grossing $11.7 million, averaging $7,485 per theater. The film ultimately grossed $50.7 million, above its $23 million budget, 24th among all films released in the U.S. that year and 10th among R-rated films released that year. It was the most successful film of Lee's career, and is considered a cult classic. The film is dedicated to him and his fiancée Eliza Hutton. The Crow has a score of 71 out of 100 on Metacritic based on 14 critics, indicating "Generally favorable reviews". Reviewers praised the action and visual style. Rolling Stone called it a "dazzling fever dream of a movie"; Caryn James, writing for The New York Times, called it "a genre film of a high order, stylish and smooth"; Roger Ebert called it "a stunning work of visual style". The Los Angeles Times also praised the film. Lee's death was alleged to have a melancholic effect on viewers; Desson Howe of The Washington Post wrote that Lee "haunts every frame" and James Berardinelli called the film "a case of 'art imitating death', and that specter will always hang over The Crow". Jessica Seigel of the Chicago Tribune found that Lee never quite left the shadow of his father and that The Crow did not live up to Lee's full unexploited potential. Amber McKee of the Park Record considered it a good film but an eerie conclusion to Lee's career, since he had wanted to escape the action genre and move on to dramatic roles. Berardinelli called it an appropriate epitaph to Lee, Howe called it an appropriate sendoff, and Ebert stated that not only was this Lee's best film, it was also better than any of his father's. In 1998, Legacy of Rage was released in the US to Home media, The film has been described as stylistic and fast-paced, with a good performance by Lee. == Martial arts and philosophy ==

Lee was trained from a young age by his father Bruce Lee in martial arts. During this time, martial artist Bob Wall, a friend and collaborator of Bruce, observed that Lee hit with power and had good footwork. At age eight, after his father's death, Bruce's disciple Dan Inosanto trained Lee. In 1986, Lee said that he was training in Yee Chuan Tao, a relaxation-based martial art, with a trainer named Mike Vendrell. Lee said that it consisted of exercises such as slow sparring, Chi sao practice; they also worked on a wooden dummy, as well as Vendrell swinging a staff at him while he would duck or jump over. He said later that the exercise helped him be less tense. Also in the 1980s, Lee returned to Dan Inosanto's Academy. In 1991, Lee was certified by the Thai Boxing Association. According to Lee's mother, years prior to his death Lee became consumed with his father's written philosophy, taking lengthy notes. Brandon later spoke of the martial arts and self-knowledge: ==Personal life==

Lee's paternal great-grandfather was Ho Kom-Tong, a Chinese philanthropist who was the half-brother of businessman and philanthropist Sir Robert Ho Tung. Lee's mother, Linda Emery, has Swedish and German ancestry. Lee's father has been said to have "proudly told everyone" about his newborn son Brandon's diverse features, describing him as perhaps the only Chinese person with blond hair and grey eyes. He was the brother of Shannon Lee. According to Chuck Norris, a friend and collaborator of Lee's father, he lived not far from their home in California and spent time with him as a child telling him about his father. Norris also explained that his son, Eric Norris, and Lee were childhood friends. John Lee Hancock said he had a friendship with Lee, who would read all of his scripts. Lee was also a friend of Chad Stahelski, his double after his death during The Crow. The two trained together at the Inosanto Martial Arts Academy. In 1990, Lee met Eliza Hutton at director Renny Harlin's office, where she was working as his personal assistant. Lee and Hutton moved in together in early 1991 and became engaged in October 1992. They planned to get married in Ensenada, Mexico, on April 17, 1993, a week after Lee was to complete filming on The Crow. ==Filmography==

• • • • • Little, John (1996). The Warrior Within: The philosophies of Bruce Lee to better understand the world around you and achieve a rewarding life. Contemporary Books. . • • Baiss, Bridget (2004). The Crow: The Story Behind The Film. London: Titan Books. • Stevenson, Jack (2015). Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s. London and North Carolina: McFarland. • Crick, Robert Alan (2015). The Big Screen Comedies of Mel Brooks. London and North Carolina: McFarland. ==Further reading==