The Orphanage (2007 film)

In Spain, a young girl named Laura García Rodríguez is adopted from an orphanage. Thirty years later, adult Laura returns to the closed orphanage, accompanied by her husband, Carlos Sánchez Rivera, and their seven-year-old son, Simón. She plans to reopen the orphanage as a facility for disabled children. Simón claims to have befriended a boy named Tomás, and draws pictures of him as a child wearing a sack mask. Social worker Benigna Escobedo visits the house to inquire after Simón, and it is revealed that Laura and Carlos adopted Simón and that he is HIV-positive. Incensed at Benigna's intrusion, Laura asks her to leave. Later that night, Laura finds Benigna in the orphanage's coal shed, but Benigna flees the scene. Later, Simón teaches Laura a game which grants its winner a wish. Clues lead the two to Simón's adoption file. Simón becomes angry, and says that his new friend told him that Laura is not his biological mother and that he is going to die soon. During a party for the orphanage's opening, Laura and Simón argue, and Simón hides from her after she slaps him across the face in a fit of frustration, which she immediately regrets. While looking for him, she encounters a child wearing a sack mask who shoves her into a bathroom and locks her inside. When Laura escapes, she realizes that Simón is missing and is unable to find him. That night, Laura hears several loud crashes within the walls of the orphanage. Police psychologist Pilar suggests to Laura and Carlos that Benigna may have abducted Simón. Six months later, Simón is still missing. While searching for him, Laura spots Benigna (pushing a doll in a pram), who is then struck and killed by an ambulance. The police find evidence that Benigna worked at the orphanage, and that she had a son named Tomás, who also lived there but was kept hidden due to his facial deformity (with Laura seeing old footage of Tomás being made to remove his mask, presenting his face to the camera). A few weeks after Laura was adopted, the orphans stole the mask that Tomás wore to conceal his deformed face and damaged eye. Embarrassed, Tomás refused to leave his hiding place in a nearby sea cave, and the rising tide drowned him. Laura asks for the assistance of a medium named Aurora in the search for Simón. Aurora conducts a séance during which she claims to see the ghosts of the orphans crying for help. Laura discovers the remains of the orphans she grew up with in the orphanage. Benigna poisoned their meals and killed them for having caused Tomás's death and hid their remains in the orphanage's coal shed. Unable to cope with the situation, Carlos leaves the orphanage. Laura makes the orphanage look as it did thirty years prior and attempts to contact the children's spirits by playing one of their old games. The spirits lead her to the door of a hidden underground room. Inside is Simón's corpse, wearing Tomás' mask. Laura finally realizes what happened: while searching for Simón the night he disappeared, Laura moved pieces of construction scaffolding, blocking the entrance to the secret room. The crashes that night were caused by Simón trying to get out. He fell and fatally broke his neck (when he was knocked back by something ramming the secret door while he was standing by it). Laura appears to take an overdose of sleeping pills. Then, apparently dying, she begs to be with Simón again and the children's spirits appear (including an unmasked Tomás finally coming in to join the rest, no longer shy over his looks), with Simón among them. Simón tells Laura that his wish was for her to stay and take care of the orphans; she then happily tells them a story (as Tomás makes the others sit down next to him to listen). Sometime later, Carlos visits a memorial to Laura, Simón and the orphans. Carlos returns to the orphans' old bedroom and finds a medallion that he had instructed Laura to return when she found Simón. He turns to look as the door opens, and he smiles. ==Cast==

• Belén Rueda as Laura García Rodríguez, the wife of Carlos and adoptive mother of Simón. Laura returns to the orphanage where she spent some of her youth to turn it into a home for disabled children. Mireia Renau portrays the younger Laura. • Fernando Cayo as Carlos Sánchez Rivera, the husband of Laura and adoptive father of Simón. • Roger Príncep as Simón Sánchez Rivera, the young adopted son of Laura and Carlos. Simón meets new imaginary friends in the orphanage and eventually threatens to run away with them. • Mabel Rivera as Pilar, the head police psychologist who eventually discovers the truth of who Benigna really is. • Montserrat Carulla as Benigna Escobedo, a former worker at the orphanage who identifies herself as a social worker. When she is seen young in the film, she is portrayed by Carol Suárez. Production companies working with Bayona tried to urge him to keep this character alive until the end of the film. • Geraldine Chaplin as Aurora, the medium brought in to help find Simón when the police can't find him. • Andrés Gertrúdix as Enrique, Aurora's sound technician. • Édgar Vivar as Professor Leo Balabán, a parapsychology expert who puts Laura in contact with Aurora and directs the spirit session in her house. • Óscar Casas as Tomás, the deformed, one-eyed son of Benigna, now a ghost, who Simón claims to have befriended. ==Production==

Development This was an international co-production film between Spain and Mexico. The first draft of the script of The Orphanage was written by Sergio G. Sánchez in 1996. Sánchez was not sure why he chose to write a genre film for the screenplay, as he explains, "I ended up writing a film in the style of those I liked as a kid, movies like Poltergeist, The Omen, and ''Rosemary's Baby which I ruined on the first VCR we owned at home." Sánchez revealed the literary influences underlying his writing of the script, such as The Turn of the Screw and Peter Pan''. Sánchez originally wanted to direct the script but he was repeatedly turned down by various Spanish production companies. Bayona cut parts of the script, including the outcome of the other orphanage children, because he wanted to focus on the character of Laura and what happens to her. To create the film as he wanted, Bayona had to double both the film's budget and the amount of filming time. To accomplish this, Bayona received help from fellow film director Guillermo del Toro, whom he had met at Festival de Cine de Sitges when del Toro was presenting his film Cronos (1993). Casting During casting discussions between Bayona and del Toro, Bayona expressed a desire to see Belén Rueda in the lead. Del Toro appreciated this choice, as he admired her as an actress and liked that Bayona was casting her against type. Another actress Bayona desired for the film was Geraldine Chaplin in the role of Aurora, the medium. Bayona test-screened over four-hundred children during two months before making his choice to cast Princep. Filming Production on The Orphanage began on May 15, 2006, in Llanes, Asturias. ==Release==

The Orphanage premiered at the Cannes Film Festival on May 20, 2007. The film was positively received with a ten-minute ovation from the audience. The Orphanage premiered in Spain on September 10, 2007. It opened in limited release in the United States on December 28, 2007, and had a wide release on January 11, 2008. It opened in Mexico on January 25, 2008, and earned over $11,000,000 at the box office. In Spain, the film was nominated for 14 Goya Awards, including Best Picture and ended up winning awards for Best Art Direction, Best Director of Production, Best Makeup and Hair, Best New Director, Best Screenplay – Original, Best Sound Mixing, and Best Special Effects. The Orphanage was chosen by the Spanish Academy of Films as Spain's nominee for the 2007 Academy Award for Best Foreign Film, but ultimately did not end up as one of the five final nominees in that category. The Orphanage was picked up by Picturehouse at the Berlin Film Festival for American distribution. In Iran, the film won Crystal Simorgh for Best Director at the "Seeking the Truth" section of the 27th Fajr International Film Festival. Home media The Orphanage was released on DVD and Blu-ray on April 22, 2008, for a Region 1 release by New Line Cinema. Both discs featured the same bonus features. Remake In 2007, New Line Cinema bought the rights to produce an English-language remake with Guillermo del Toro as producer. On remakes, director Bayona noted that "The Americans have all the money in the world but can't do anything, while we can do whatever we want but don't have the money" and "The American industry doesn't take chances, that's why they make remakes of movies that were already big hits". On August 4, 2009, Larry Fessenden was announced as the director of the American remake. Fessenden later announced that he would not be involved with directing the remake, stating "Working on the script with Guillermo was a very exciting experience, but then I got into a casting miasma and that's where the thing is; I think they're gonna do it another way, actually. So I think I'm out of it. Hopefully they'll still use my script, but I'm not sure I'm directing it anymore". In January 2010, Mark Pellington replaced Larry Fessenden as director of the project. On August 5, 2011, Guillermo del Toro stated that the remake would reflect his original vision for the film, and that it had been planned even when the first version was in production. "Even when we produced the Spanish movie, I had intended to remake it because we had a very different screenplay that, because of money and time, got turned into the movie you saw – which is great, but there was this other structure for the original script that I wanted to try. So even before we shot the first film it was an economic decision, a pre-existing creative decision, to change it." Del Toro also praised the new film's director. "We have Mark Pellington attached as director – I'm a big fan of his The Mothman Prophecies and his video work – and we are out to actors, so we're hoping to get things going soon." On August 30, 2011, it was reported that American actress Amy Adams was in talks to star as Laura, the main character, who was played by Belén Rueda in the original film. It was also stated that the current incarnation of the remake screenplay had been written by Larry Fessenden and Sergio G. Sánchez, the sole writer of the original film. By August 2021, Fessenden said that once he left, the project was shelved indefinitely. He added that "...the clock just ran out. I couldn’t land an actress of the caliber they had hoped for." ==Reception==

Critical response The Orphanage was received very well by American critics on its original release. The film has an 87% approval rating on Rotten Tomatoes based on 181 reviews, with an average rating of 7.4/10. The critical consensus reads, "Deeply unnerving and surprisingly poignant, The Orphanage is an atmospheric, beautifully crafted haunted house horror film that earns scares with a minimum of blood." At Metacritic, the film has received an average score of 74 out of 100, based on 33 reviews from mainstream critics, indicating "generally favorable reviews". Critics praised the film for its lack of cheap scares. Film critic for the Chicago Sun Times Roger Ebert approved of the film claiming it to be "deliberately aimed at viewers with developed attention spans. It lingers to create atmosphere, a sense of place, a sympathy with the characters, instead of rushing into cheap thrills". Bill Goodykoontz of the Arizona Republic echoed this statement noting, "Bayona never lets The Orphanage descend into cheap horror. The scares here are expertly done and, placed in the context of Laura's state of mind, well-earned, perhaps even explainable (or not)." Peter Howell of the Toronto Star wrote, "The year's best horror picture is also one of the simplest. The Orphanage makes little if any use of digital tricks to present its numerous terrors." The casting of Chaplin and Rueda was praised while the role of Carlos was called dull. Goodykoontz noted the role of Carlos, saying "Cayo is rather pedestrian as Carlos, but he isn't given that much to do". Liam Lacey of The Globe and Mail praised Rueda stating, "The strongest appeal of the film is the brooding, intense performance by Spanish actress, Belen Rueda." A. O. Scott of The New York Times claimed the film to be a "diverting, overwrought ghost story" and that it "relies on basic and durable horror movie techniques". Jack Matthews of New York Daily News found the ending of the film to be one of the worst of the season, but praised the acting of Belén Rueda. The Orphanage listed as one of the top 10 best films of 2007 by several critics, including Lawrence Toppman of the Charlotte Observer, Marc Doyle of Metacritic and Tasha Robinson of The A.V. Club. Anthony Lane of The New Yorker included the film on his top ten list of 2008. In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films. The Orphanage placed at number 76 on their top 100 list. Accolades ==Soundtrack==

In 2007, the film score was composed by Fernando Velázquez and released on compact disc by Rhino Records in Spain. The score for the film was nominated for film awards including the Goya Award for Best Score. The soundtrack has not been released locally in North America or the United Kingdom and is only available by import. Track listing ==See also==