El Velorio

El Velorio depicts a traditional 19th-century baquiné or velorio del angelito ("wake of a little angel"), a specific type of wake with origins in Afro-Puerto Rican culture that was celebrated by jibaros and other countrymen as funerary celebrations for the death of a child. This practice originates in the syncretic Catholic and folk belief that the death of an innocent baptized child results in their automatic ascension and entrance into Heaven and that the occasion is therefore a cause not only for remembrance but for celebration. The baquiné in this portrait depicts the deceased child as a focal point dressed in white and adorned with flowers, lying on a table at the center of a traditional countryside house. The iconography of the child, reminiscent of a Christ Child, symbolizes his purity and innocence but also presents a lighter theme that separates the painting into two visual contrasts: one lighter in colors that depicts scenes of joy and celebration with food and music, and another with darker colors and shadows that depicts not only the sorrow of the child's parents but also a chaotic scene of a priest trying to perform wake rites while dogs are running around. This exemplifies the everyday clash between life and death, and between celebration and suffering, common in the life of poor countrymen in 19th-century Puerto Rico. The scene is intentionally portrayed as a judgmental satire, with Francisco Oller himself describing the scene as “an orgy of brutish appetites under the guise of gross superstition." == History ==

Francisco Oller, considered the only Latin American exponent of French Impressionism, was particularly interested in the social causes of the 19th-century everyday Puerto Rican men. As such he dedicated much attention to traditional scenes of Puerto Rican life in his paintings at the time. El Velorio was somewhat unpopular when it was first showcased in Puerto Rico, during the 1893 Exposition of Puerto Rico in San Juan, as it was perceived as a negative and vulgar representation of the superstitious rural Puerto Rican life. It was however popular among the public, with educator and chronicler Alejandro Infiesta writing that many who saw it at the time exclaimed to have family or know people who resembled the individuals depicted in the painting. The painting can still be seen there today. == Legacy ==

art museum in 2022. El Velorio is considered today to be Francisco Oller's masterpiece, a Puerto Rican national treasure and the foremost example of Impressionism in Latin America. Artist Rafael Trelles also created a special exhibition at the Museum of Art of Puerto Rico dedicated to Francisco Oller's masterpiece with Visitas a “El velorio” (Visits to El Velorio) (1991), a mixed media contemporary art installation. == See also ==