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El Viti

Santiago Martín Sánchez, known as El Viti, is a retired Spanish bullfighter. He holds the record for the greatest number of times that any bullfighter has been borne on shoulders out through the Great Gate at the Las Ventas bullring in Madrid, namely fourteen as a matador, and two others while he was still a novillero.

Biography
bullring), put up in September 2000. . Early life Santiago Martín Sánchez was born on 18 July 1938 in the village of Vitigudino in the Province of Salamanca. His father ran a workshop for farm carts. El Viti's family had no background in bullfighting whatsoever. Nonetheless, El Viti has been the first great bullfighter to be raised in Salamanca, at the height of the livestock-raising boom in that province. He travelled back and forth across the Salamancan countryside as a youngster to attend capeas (rural, somewhat less than professional-level bullfights), and he first donned the suit of lights in August 1956, at the bullring in Ledesma. Another source says that he first stood before a bovine adversary at Vitigudino on the occasion of the Feast of Corpus Christi in 1955 (and therefore on or about 9 June that year), although nothing is said about him wearing a suit of lights that day. Career as a matador El Viti took his alternativa in Madrid on 13 May 1961, during the Feria de San Isidro ("Saint Isidore's Fair" — a yearly event at Las Ventas), with Toledo's Gregorio Sánchez standing as "godfather", while Diego Puerta bore witness. The bulls were laid on by the Alipio Pérez-Tabernero ranch. El Viti himself was borne shoulder-high all the way to his hotel. A poster advertising the event can be seen at right. In 1963, El Viti fought at 73 engagements, and the next year, at 77. Although a bullfight in Pamplona on 10 July 1964 ended in great triumph and he was awarded the bull's tail, he rejected it, along with Diego Puerta and Paco Camino. In 1966, he found himself at 68 bullfighting engagements, but at one of them, held in Bogotá, he suffered yet another serious goring. He saw 64 engagements the following year, but the woundings kept on coming; there were three, in Barcelona and Málaga in his homeland, and at the Plaza de toros de Acho in Lima over in Peru. He was also a favourite bullfighter among the demanding public at the plaza de toros de la Real Maestranza de Caballería de Sevilla, even though he was not Andalusian. Greatly influenced as he was by Juan Belmonte's aesthetic, he for years represented the seriousness and neoclassical tradition in tauromachy, being considered by critics to be one of history's best-skilled bullfighters with the muleta. Furthermore, he was acclaimed for the faena at the Plaza México on 4 January 1970 with the bull Aventurero ("Adventurer"), from the Tequisquiapan ranch (Alfredo Leal reaped two ears — but also a serious goring; Solórzano hijo rounded out the bill). On 17 April 1969 at the Maestranza in Seville, El Viti had a triumphant afternoon alternating with Palomo Linares and Ángel Teruel as they fought and slew bulls from the Lisardo Sánchez ranch. He reaped two ears. • 13 May 1961, after being awarded one ear from each of his two bulls that afternoon, both from the Alipio Pérez-Tabernero Sanchón (the day's first) and Escudero Calvo (the day's sixth) ranches; this was his first time through the Great Gate after his alternativa — and indeed, it came on the very day of his alternativa. Later life The 1979 bullfighting season was El Viti's last. He saw great success at the Maestranza in Seville on the afternoon of 24 April, before Curro Romero and Tomás Campuzano (who was taking his alternativa), and was awarded the Maestranza Trophy for the fair's best muleta work. His penultimate appearance took place on 14 September on home ground, in Salamanca, sharing the billing with Niño de la Capea and Julio Robles as all three fought bulls from the Atanasio Fernández ranch. He cut two ears. He retired from the bullrings in Valladolid, at the end of the bullfighting season on 16 September 1979. It all ended rather sadly; he was not successful, and he even got abuse from the crowd on his last bull. El Viti had fought in more than 800 corridas. A statue in El Viti's honour stands in Salamanca on the bullring's esplanade. It is a bronze, life-size figure standing on a granite pedestal and holding a muleta with the left hand, hanging down and behind the figure somewhat, and holding a montera up with the right hand. The whole is 2.30 m tall. The sculptor who created it was Narcisa Vicente Rodríguez, from Salamanca, and her work was unveiled on 8 September 2000. The plaque – also bronze – simply reads "SALAMANCA A S.M. 'EL VITI' SEPTIEMBRE 2000" ("a" simply means "to"). Another statue in El Viti's honour stands at a square bearing his name in the little town where he was born, Vitigudino. It was unveiled by El Viti himself on 18 June 2011. On 1 July 2022, El Viti's wife, Mari Carmen García Cobaleda, whom he had wed on 28 November 1968, died after a long illness. She was a bull-rancher's daughter from Castraz, and was El Viti's inseparable companion. ==Style==
Style
El Viti has been called the "standard of the Castilian school" and "one of history's most elegant bullfighters". Some people, (like writer Gonzalo I. Bienvenida) consider this bullfighter to be a prime example of the "Castilian school" of bullfighting, as well as pure bullfighting elegance. Others (like people from Alba de Tormes), believe he actually belongs to the "Salamanca school," characterized by the sobriety and good craftsmanship " Much of El Viti's style of bullfighting – and perhaps even his great success at the pursuit – may be explained by his own thoughts on bullfighting. In a letter entitled Torear es amar ("Bullfighting is Loving"), which he wrote for Felipe Garrigues's book Sonajero, published in 1998, he said, among other things:"For me, the bull has been a companion. The best collaborator at all levels, because he is the one that has given me the opportunity to love my friends, my colleagues, to respect other bullfighters. Hence the zenith of the relationship, of consideration, of respect... I have never dreamt of bullfighters, I have dreamt of bulls..., what I had to do with the bulls..., the way to fight them. He has been the one who has inspired all my passions, all my affections, thanks to him I have been a man in all my aspects, physical and mental. The bull has always been a friend, never a foe." ==On himself==
On himself
El Viti is a very humble man when it comes to analysing the reasons for his successes as a bullfighter. In the Bienvenida Hall at Las Ventas, on the occasion of an event dedicated to him on 30 May 2019, he offered the following reflections:"My whole career can be summed up in one word: coincidence. I still cannot believe everything that has happened to me, coming out into the world from a small town like Vitigudino. Honestly, I can only say that I have admired and learnt from all those that I have seen in bullfights, as I continue to learn from those of today. In reality, I do not think that I have been more than anyone else, but rather that all bullfighters are continuers of the great history of bullfighting and that we are lucky to be able to carry out a beautiful and exciting profession. That is why I thank God for everything that has happened to me, both the hardest and the humblest successes that I have been able to achieve." ==In popular culture==
In popular culture
Francisco Almagro wrote the lyrics to S.M. El Viti; pasodoble torero, whose music was written by Manuel Villacañas and published by the Unión Musical Española in 1965. Also worth mentioning is the pasodoble Aquí está El Viti ("Here is El Viti") by the author Felipe Blanco Aguirre. As for the world of jazz, in 1960, Duke Ellington recorded the arrangement for piano of El Viti, a song by jazz composer and musician Gerald Wilson. In 1966, jazz pianist Jack Wilson did a version of this on the trumpet called The Matador in El Viti's honour, which was the only song that he recorded with Duke Ellington's orchestra. Paul Gonsalves, another jazzman, recorded a further version of this song with Duke Ellington's orchestra in 1962, this time with the title El Matador: El Viti, which was published on the big band record Jazz Masters (100 Ans de Jazz). ==In legend==
In legend
According to bullfighting writer Paco Cañamero, El Viti's status as a legend goes beyond the 14 rides on shoulders that he took through the Great Gate at Las Ventas, along with the two that he did as a novillero for, after all, these are mere numbers. The important thing is the mark that he left on tauromachy as a bullfighter and as a human being, being as he was one of history's greatest bullfighters and a fundamental pillar in that illustrious decade of the 1960s when so many bullfighters – so many good bullfighters – were jockeying for position on the bullfight posters. Cañamero went as far as to say that with Diego Puerta and Paco Camino, El Viti formed the unforgettable "holiest trinity" of the bullfighting grounds. ==Distinctions==
Distinctions
In 1997, El Viti received the Medalla de Oro de las Bellas Artes (Gold Medal of the Fine Arts), awarded by Spain's Ministry of Culture. On 8 October 2015 in Valladolid, he received the Premio Tauromaquia de Castilla y León 2015 ("Castile and León Bullfighting Prize"), created by the Junta of Castile and León this same year, from Juan Vicente Herrera, who was then the junta's president. ==Notes==
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