Enemies of Reality is infamous for its production by
Kelly Gray, which was criticized as being inferior to the quality of previous albums. Speaking in 2003, contemporaneous with the initial release, Jeff Loomis spoke with qualified favour of the recording: [Kelly Gray is] more of a pop producer kind of guy. He's worked with
Candlebox before and sold millions of albums with them, so working with us, we were kind of like his lab rats, you know? He's never really done a metal band before but overall I think he did a pretty fantastic job. He got a real live quality out of us because we were always used to doing drums first and then the bass, and then the guitar and then the vocals at the very end. This time we recorded most of the songs live with the whole band and then after one song was done, Warrel would immediately sing on it [instead] of saving all of [the singing] to the very end, which kind of saves his voice in the overall recording process. I guess the whole album was done in a very different atmosphere and aspect that sounds really good. By 2005, however, Loomis had soured on the recording. Moreover, he directly attributed the shortfall in the album's sonics to budgetary constraints related to the contract negotiations then ongoing with Century Media: We were at the end of our recording contract with Century Media, and basically they didn't know if we were going to re-sign with them, so they gave us a very small budget for our last album to work with. That was about $20,000 which is a nothing deal to do a record. What we needed to do at the time was to find a producer that was immediately available to make a record with such a small budget, and that guy was Kelly Gray (laughs). Unfortunately, he was just not the right guy to do this album." That year,
Enemies of Reality was remixed by
Andy Sneap, who produced Nevermore's
Dead Heart in a Dead World and would later produce
This Godless Endeavor, mix and master
The Year of the Voyager, and mix and master
The Obsidian Conspiracy. The remixed/remastered sound was received more positively. Warrel Dane admitted that "The remix of the album[...]obviously sounds better. But to me, that's the really odd thing about that album. I find it really strange that the production on that album got reviewed more than the songs did." == Reception ==