Early periods with a Sumerian love poem from the 3rd millennium BCE '', ancient Hindu text about erotic love The oldest found love poem is
Istanbul 2461,
circa 2000
BCE, an erotic monologue written by a female speaker directed to king
Shu-Sin. In ancient Sumer, a whole
cycle of poems revolved around the erotic lovemaking between the goddess
Inanna and her consort
Dumuzid the Shepherd. In the
Hebrew Bible, the
Song of Songs, found in the last section of the
Tanakh, celebrates sexual love, giving "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy". Many erotic poems have survived from
ancient Greece and
Rome. The Greek poets
Straton of Sardis and
Sappho of Lesbos both wrote erotic lyric poems. The poet
Archilochus wrote numerous satirical poems filled with obscene and erotic imagery. Erotic poems continued to be written in
Hellenistic and Roman times by writers like
Automedon (
The Professional and
Demetrius the Fortunate),
Philodemus (
Charito) and
Marcus Argentarius. Roman erotic poets included
Catullus,
Propertius,
Tibullus,
Ovid,
Martial and
Juvenal, and the anonymous
Priapeia. During the Renaissance period, many poems were not written for publication; instead, they were merely circulated in manuscript form among a relatively limited readership. This was the original method of circulation for the
Sonnets of
William Shakespeare, who also wrote the erotic poems
Venus and Adonis and
The Rape of Lucrece.
The Perfumed Garden of Sensual Delight (
Arabic: الروض العاطر في نزهة الخاطر) is a fifteenth-century Arabic sex manual and work of erotic literature by Muhammad ibn Muhammad al-Nefzawi, also known simply as "Nefzawi". The book presents opinions on what qualities men and women should have to be attractive and gives advice on sexual technique, warnings about
sexual health, and recipes to remedy sexual maladies. It gives lists of names for the
penis and
vulva, and has a section on the interpretation of dreams. Interspersed with these there are a number of stories which are intended to give context and amusement.
17th century In the 17th century,
John Wilmot, Earl of Rochester (1647–80) was notorious for obscene verses, many of which were published posthumously in compendiums of poetry by him and other "
Restoration rakes" such as
Sir Charles Sedley,
Charles Sackville, 6th Earl of Dorset, and
George Etherege. Though many of the poems attributed to Rochester were actually by other authors, his reputation as a
libertine was such that his name was used as a selling point by publishers of collections of erotic verse for centuries after. One poem definitely by him was "A Ramble in
St. James's Park", in which the protagonist's quest for healthy exercise in the park uncovers instead "Bugg'ries, Rapes and Incest" on ground polluted by
debauchery from the time when "Ancient
Pict began to Whore". This poem was being censored from collections of Rochester's poetry as late as 1953, though, in line with the subsequent general change in attitudes to sexuality, it was dramatised as a scene in the film
The Libertine about his life, based on an existing play. English collections of erotic verse by various hands include the
Drollery collections of the 17th century;
Pills to Purge Melancholy (1698–1720); the
Roxburghe Ballads; ''
Bishop Percy's Folio; The Musical Miscellany
; National Ballad and Song: Merry Songs and Ballads Prior to the Year AD 1800
(1895–97) edited by J. S. Farmer; the three volume Poetica Erotica
(1921) and its more obscene supplement the Immortalia
(1927) both edited by T. R. Smith. French collections include Les Muses gaillardes
(1606) Le Cabinet satyrique
(1618) and La Parnasse des poetes satyriques'' (1622).
18th century In the 18th century, a famous collection of four erotic poems, was published in England in 1763, called
An Essay on Woman. This included the title piece, an obscene parody of
Alexander Pope's "
An Essay on Man"; "Veni Creator: or, The Maid's Prayer", which is original; the "Universal Prayer", an obscene parody of Pope's poem of the same name, and "The Dying Lover to his Prick", which parodies "A Dying Christian to his Soul" by Pope. These poems have been attributed to
John Wilkes and/or Thomas Potter and receive the distinction of being the only works of erotic literature ever read out loud and in their entirety in the
House of Lords—before being declared obscene and blasphemous by that body and the supposed author, Wilkes, declared an
outlaw.
Robert Burns worked to collect and preserve Scottish folk songs, sometimes revising, expanding, and adapting them. One of the better known of these collections is
The Merry Muses of Caledonia (the title is not by Burns), a collection of bawdy lyrics that were popular in the music halls of Scotland as late as the 20th century.
19th century for
Pierre Louÿs's
Aphrodite: mœurs antiques (1896)|220x220px One of the 19th century's foremost poets—
Algernon Charles Swinburne—devoted much of his considerable talent to erotic verse, producing, inter alia, twelve eclogues on
flagellation titled
The Flogging Block "by Rufus Rodworthy, annotated by Barebum Birchingly"; more was published anonymously in
The Whippingham Papers (). Another notorious anonymous 19th-century poem on the same subject is
The Rodiad, ascribed (seemingly falsely and in jest) to
George Colman the Younger.
John Camden Hotten even wrote a pornographic comic opera, ''
Lady Bumtickler's Revels'', on the theme of
flagellation in 1872.
Pierre Louÿs helped found a literary review,
La Conque in 1891, where he proceeded to publish
Astarte—an early collection of erotic verse already marked by his distinctive elegance and refinement of style. He followed up in 1894 with another erotic collection in 143 prose poems—
Songs of Bilitis (Les Chansons de Bilitis), this time with strong
lesbian themes.
20th century Although
D. H. Lawrence could be regarded as a writer of love poems, he usually dealt in the less romantic aspects of love such as sexual frustration or the sex act itself.
Ezra Pound, in his
Literary Essays, complained of Lawrence's interest in his own "disagreeable sensations" but praised him for his "low-life narrative". This is a reference to Lawrence's dialect poems akin to the Scots poems of
Robert Burns, in which he reproduced the language and concerns of the people of
Nottinghamshire from his youth. He called one collection of poems
Pansies partly for the simple ephemeral nature of the verse but also a pun on the French word
panser, to dress or bandage a wound. "The Noble Englishman" and "Don't Look at Me" were removed from the official edition of
Pansies on the grounds of obscenity; Lawrence felt wounded by this. From the age of 17,
Gavin Ewart acquired a reputation for wit and accomplishment through such works as "Phallus in Wonderland" and "Poems and Songs", which appeared in 1939 and was his first collection. The intelligence and casually flamboyant virtuosity with which he framed his often humorous commentaries on human behaviour made his work invariably entertaining and interesting. The irreverent eroticism for which his poetry is noted resulted in
W H Smith's banning of his "The Pleasures of the Flesh" (1966) from their shops. Canadian poet
John Glassco wrote
Squire Hardman (1967), a long poem in
heroic couplets, purporting to be a reprint of an 18th-century poem by
George Colman the Younger, on the theme of flagellation. Italian
Una Chi distinguished herself among other publications for coldly analytical prose and for the crudeness of the stories. ==Other accounts==