Box office Exodus: Gods and Kings grossed $65 million in the U.S. and Canada and $203 million in other territories for a worldwide total of $268.2 million. The film topped the box office during its opening weekend with $24.1 million. Outside North America, the film was released in 10 markets on December 4–5 and earned $23.1 million from 6,462 screens on its opening weekend. The following week it earned $17.8 million from 27 international markets, coming at second place at the box office behind
The Hobbit: The Battle of the Five Armies. The film was number one in 13 markets. In its third week, the film added $30.9 million from 39 markets and was still halted at number two behind
The Battle of the Five Armies. The highest openings came from Russia ($8 million), Brazil ($6.68 million), South Korea ($6.2 million), Mexico ($5.4 million), France ($5.35 million), the UK ($4.25 million), Spain ($3.7 million), and Germany ($3.64 million). At the end of its theatrical run, Spain proved to be the most successful country with $18.1 million followed by Russia, Brazil, France, and the UK.
Critical response Exodus: Gods and Kings received mixed reviews from critics. They praised its acting performances and technical achievements, but criticized its pacing, thin screenwriting, and lack of character development. The film veered creatively from the
Bible, and Scott's honesty about his own atheism did not help its potential appeal to a religious audience. On
Rotten Tomatoes, the film holds an approval rating of 29% based on 208 reviews, with an average rating of 5/10. The critic's consensus reads: "While sporadically stirring, and suitably epic in its ambitions,
Exodus: Gods and Kings can't quite live up to its classic source material."
Metacritic, the film has a weighted average score of 52 out of 100, based on 42 critics, indicating "mixed or average" reviews. Audiences surveyed by
CinemaScore gave the film a grade "B−" on scale of A to F. Stephen Farber of
The Hollywood Reporter gave a positive review and said, "Scott did a great job reviving the
Roman sand-and-sandals epic when he made the
Oscar-winning
Gladiator. This
Egyptian saga is not quite in the same league, but it confirms the director's flair for widescreen imagery.
Exodus has the added kick of 3D technology, and it has enough eye-popping set pieces to please adventure fans." Peter Travers of
Rolling Stone was positive toward the film and said, "
Exodus is a biblical epic that comes at you at maximum velocity but stays stirringly, inspiringly human." Reagan Gavin Rasquinha of
The Times of India gave the film 4 out of 5 stars and said, "
Exodus: Gods and Kings is 'spectacle' with a capital 'S' and in more ways than one, definitely epic." Catherine Shoard of
The Guardian gave 3 out of 5 stars and said, "It’s impossible not to feel some awe at the spectacle, but more shocks would have helped see you through the two-and-a-half hour running time." Phillips Hawker of
The Sydney Morning Herald gave a mixed review and awarded the film 3 out of 5 stars, saying, "
Exodus: Gods And Kings... lacks
Gladiators full-on intensity and committed central performances, however; it's a mixture of the grand and the bland, and when it's not spectacular it's a little plodding." Justin Chang of
Variety said, "Some may well desire a purer, fuller version of the story, one more faithful to the text and less clearly shaped by the demands of the
Hollywood blockbuster. But on its own grand, imperfect terms,
Exodus: Gods and Kings is undeniably transporting, marked by a free-flowing visual splendor that plays to its creator's unique strengths: Given how many faith-based movies are content to tell their audiences what to think or feel, it's satisfying to see one whose images alone are enough to compel awestruck belief." Jim Vejvoda of
IGN said, "Director Ridley Scott gets lost in the desert at times in
Exodus: Gods and Kings, his epic, but not entirely effective take on the story of Moses's journey from an Egyptian Royal to Hebrew leader." On the negative side, Scott Mendelson of
Forbes criticized the film for being too "dark" and "gritty", saying that the film lacked in humor and excitement, offering little nuance and little artistic interpretation beyond hitting the expected goal posts. He added, "Ridley Scott's
Exodus: Gods and Kings is a terrible film. It is a badly acted and badly written melodrama that takes what should be a passionate and emotionally wrenching story and drains it of all life and all dramatic interest." Pete Hammond of
Deadline Hollywood said, "Ridley Scott [can] do a plague well, and here, he gets to do 10 of them. But is this oh-so-familiar tale still fresh enough to get people into theaters in the droves needed to make back the very high production values that we see on screen?" Alonso Duralde of
The Wrap also gave a negative review and said, "If you're going into
Exodus: Gods and Kings thinking that director Ridley Scott is going to give the Moses story anything we didn't already get from
Cecil B. DeMille in two versions of
The Ten Commandments, prepare to be disappointed." ==See also==