According to
Mick Fleetwood, "Eyes of the World" was one of two songs that Buckingham brought to the
Mirage recording sessions at
Le Château along with "
Can't Go Back".
Christine McVie said that "Eyes of the World" underwent significant changes in the recording studio; she believed that the final product was "hardly recognizable" from when it was first introduced to the band. The song initially consisted of a three chord cycle, which was played at a slower tempo than the final version that appeared on
Mirage. Early run-throughs of the song lacked any lyrics and were instead temporarily supplanted with vocalizations from both Nicks and Buckingham as placeholders. Aspects of an early take were later used on Nicks' song "Enchanted", which she released on her 1983 album
The Wild Heart. Buckingham structured "Eyes of the World" by
splicing together different musical passages, including one that he called "the
Swingle Singers section". He placed this section at the beginning of the composition and reintroduced the
motif around midway through. "Eyes of the World" continued to receive work throughout the
Mirage sessions. Christine McVie and Buckingham recorded some wordless multitracked whispered vocals to the song's intro. These vocals are set to chord progression of
Pachelbel's Canon, which Buckingham transposed to the key of
B flat major. The lyrics, which touch upon themes of paranoia, are also juxtaposed with an interpolation of the 19th century
nursery rhyme "
Monday's Child". Buckingham changed the words from "Monday's child is fair of face/Tuesdays's child is full grace" to "Monday's children are filled with face/Tuesday's children are filled with grace." Buckingham overdubbed multiple guitars on "Eyes of the World", including a
Gibson Les Paul and a
Fender Stratocaster, many of which were recorded in December 1981 and January 1982. He used a variable speed oscillator (VSO) to make some of the guitars resemble a
twelve string, which he achieved by recording his parts at half-speed and then speeding up the track using the VSO, resulting in a
phasing effect with the guitars. The song was recorded at 15
inches per second on a
Studer 24-track machine. ==Critical reception==