The Legend presented in the Manifestos has been interpreted through centuries as texts full of symbolism. Rosicrucians clearly adopted through the Manifestos the
Pythagorean tradition of envisioning objects and ideas in terms of their numeric aspects, and, on the other hand, they directly state in the
Confessio Fraternitatis: "We speak unto you by parables, but would willingly bring you to the right, simple, easy and ingenuous exposition, understanding, declaration, and knowledge of all secrets."
In the narrative • C.R. • I. A. • G.V. • R.C. (C.R.C.'s deceased father's brother's son): (see also description in the vault below). • B. (a skillful painter) • I.O. (P.A. was his successor) • P.D. (A. was his successor, and N.N. was in turn A's successor) • R. (successor to C.R.C.) • G.G. The sentence "C.R.C.'s deceased father's brother's son" has always been a deeply enigmatic one. There is the possibility that it may refer to the
rebirth process, a central tenet teaching of groups having, or claiming to have, a Rosicrucian philosophy. This would imply that "Father C.R.", possibly of the 13th and 14th centuries, would have been reborn to "R.C.", becoming the 14th and 15th century C.R.C. in the Manifestos. This appears to confirm what several later sources wrote about the Rosicrucian movement: • According to the founder of
Anthroposophy,
Rudolf Steiner, the Mystery of the foundation of the Rosicrucian Order in the early 14th century relates to the birth of
Christian Rosenkreuz in the 13th century, and his later rebirth in the 14th century. • According to Maurice Magre, in
Magicians, Seers, and Mystics, derived from local oral tradition, Christian Rosenkreuz was the last descendant of the Germelschausen, a German family that flourished in the 13th century. Their Castle stood in the Thuringian Forest on the Border of Hesse and they had embraced Albigense's doctrines, combining pagan superstitions and Christian beliefs. • According to the Rosicrucian Initiate
Max Heindel, the foundation of the Order of the Rose Cross occurred in 1313, early 14th century. • According to
Freemason Albert Pike, and later metaphysician
René Guénon and the scholar
Manly Palmer Hall, the "Adepts of the Rose-Croix" are for the first time expounded in
Dante's
Divine Comedy (1308–1321).
In C.R.C.'s vault • Fra. I.A. Fra. Ch. electione Fraternitatis caput. [elected head of Fraternity]: possibly
Iohann Andreae (1586–1654)? • Fra. G.V. M.P.G. • Fra. F.R.C. Junior haeres S. Spiritus [younger heir of the house of the holy spirit]: • Fra. F.B. M.P.A. Pictor et Architectus [painter and architect]: possibly
Francis Bacon (1561–1626)? "Secundi Circuli" • Fra. P.A. Successor to Fra. I.O., Mathematicus • Fra. A. Successor to Fra. P.D. • Fra. R. Successor to Patris C.R.C., cum Christo Triumphantis [with Christ Triumphant] The enigmatic "Fra. F.R.C." in the vault (the "R.C." in the narrative,
see above) is mentioned as "heir"; this statement "younger heir of the house of the holy spirit" seems to provide evidence of the intimate relation to "Father C.R.", possibly meaning "Father R.C." [forming the C.R.C. initials]: • The poet
Fernando Pessoa — known defender of
Masonic and
Rosicrucian ideals and possible Rosicrucian Initiate, as he states "Initiated from Master to Disciple in the three minor degrees of the (apparently extinct) Portuguese Templar Order" (Rosicrucians seem to have had a deep presence in Portugal, intermixed with Templar tradition, and with evidence in monuments and literature, from medieval times into the 20th century) — wrote an
hermetic poem titled "
No Túmulo de Christian Rosenkreutz" [In the Tomb of C.R.C], which states in the final line/verse: "Our Father Rose-n-c[k]reuz [Rosaecruz] knows and keeps silent", which may attribute the whole key to the understanding of the "Fama" to the enigmatic character described as "R.C." or "F.R.C". • The sentence "
cum Christo Triumphantis" [with Christ Triumphant] may imply that the central meaning of the "Fama" is to give an account of the final achievement into the "Great Work" (the
Philosopher's Stone of the alchemists, or the
Holy Grail of the Templars) by C.R.C.,
Christian Rosenkreuz. This seems to describe that the symbolism of the unification of the "Rose" and the "Cross" (Christian Rose Cross), in the Legend, implies the existence of a
Christic state (Christ,
the Light of the World), which includes liberation from the cycle of
births and deaths, comparable and higher than the
Buddhic state (Buddha,
the Light of Asia) described in the eastern sacred literature. This "Christic" process and state is pointed by major
occultists as being described in some major Western literary works as the 14th-century
Divine Comedy or the 16th-century
The Lusiads, and, it is also, to some extent, explained in the Rosicrucian literature known as
Western Wisdom Teachings. ==Origin==