MarketPropaganda in Fascist Italy
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Propaganda in Fascist Italy

Propaganda in Fascist Italy was used by the National Fascist Party in the years leading up to and during Benito Mussolini's leadership of the Kingdom of Italy during the Fascist era and was a crucial instrument for acquiring and maintaining power and the implementation of Fascist policies.

History
Early Fascist Party (1919–1922) poster published by the National Fascist Party (1924) From the formation of the Italian Fasces of Combat ("Fasci Italiani di Combattimento") in 1919, the Fascists made heavy use of propaganda, including pageantry and rhetoric, to inspire the nation into the unity that would obey. The party's main propaganda tool was ''Il Popolo d'Italia'' ("The People of Italy"), a pro-war political newspaper founded and directed by Benito Mussolini himself in 1914, which advocated for militarism, Italian irredentism, and the Italian intervention in the First World War. During those years, Fascist propaganda was mostly targeted at opposing the Italian Socialist Party (PSI), the largest political movement in the country and the Italian Fascists' main antagonist to power. The PSI was accused of being a sock puppet of the Communist Party of the Soviet Union and was often labelled as a "Russian army". Those sentiments were often shared by the Italian liberal establishment, which condemned Fascist violence but was more afraid of a Bolshevik Revolution. In addition to attacking the Italian socialists through the pro-war Fascist newspaper ''Il Popolo d'Italia'' ("The People of Italy"), Mussolini often also attacked the liberal establishment of the Kingdom of Italy, which he regarded as responsible for the so-called "mutilated victory", a term used to describe Italian nationalists' dissatisfaction on the territorial rewards at the end of the Great War. In power (1922–1943) Once Mussolini came in power, all propaganda efforts were grouped together under the press office;, and propaganda efforts were slowly organized until a Ministry of Popular Culture was created in 1937. A special propaganda ministry was created in 1935 and claimed that its purpose was to tell the truth about Fascism, refute the lies of its enemies and clear up ambiguities that were only to be expected in so large and dynamic a movement. ==Themes==
Themes
Personality cult in Tripoli, Italian-occupied Libya (Bundesarchiv Bild, March 1941) Benito Mussolini was the central figure of Italian Fascism and portrayed as such. The personality cult of Mussolini was in many respects the unifying force of the Fascist regime by acting as a common denominator of various political groups and social classes in the National Fascist Party and Italian society. A basic slogan in Fascist Italy proclaimed that Mussolini was "always right" (). Endless publicity revolved about Mussolini with newspapers being instructed on exactly what to report about him. He was generally portrayed in a macho manner, but he could also appear as a Renaissance man or as a military, family, or even common man. Mussolini, as a practitioner of various sports such as fencing, auto racing, skiing, horse riding, lion taming, and swimming, was promoted to create an image of a valiant and fearless hero. Mussolini's prestige as a hero aviator in the manner of Charles Lindbergh was especially important, as for Italian Fascism the aeroplane embodied qualities such as dynamism, energy, and courage. Mussolini's youthfulness (when he took office, he became the youngest prime minister in Italian history), and his virile and energetic appearance were promoted. In Fascist symbolism, youth constituted a metaphor for action and vitality, which emphasizsed the nature of Italian fascism as a revolutionary ideology in contrast to the stasis of liberal democracy. Legends of Mussolini defying death during the First World War and surviving assassination attempts were circulated to give the dictator a mythical and immortal aura. Mussolini's humble origin was described with explicit parallels with the life of Christ. when writing about Mussolini's blacksmith father and mother, Fascist propaganda presented them symbolically as the Holy Family ("They are but Mary and Joseph in relation to Christ"). His hometown of Predappio was developed as a place of mass tourism and symbolic pilgrimage. Mussolini's melodramatic style of oratory was both pantomimic and liturgical, with exaggerated poses and hand movements, and prominent variations in the pitch and tone of his voice. Mussolini intended his speeches to be faith-inspiring theatrical performances and stated that "the crowd does not have to know; it must believe". Fascist newspapers implied even that Mussolini had performed miracles, such as stopping the lava flow of Mount Etna in Sicily and invoking rain in the drought-suffering Italian-occupied Libya during his visit to the region in March 1937. A story of a deaf-mute boy being cured after listening in a crowd to a speech of Mussolini was told in an elementary school manual. His overtly-belligerent image did not prevent Fascist newspapers from declaring he had done more for peace than anyone else, on the principle that Mussolini always did better than everyone else. Fascist propaganda proclaimed that he had improved the Italian people morally, materially, and spiritually. Mussolini was "Il Duce" and as such he had been proclaimed in song even before the seizure of power. In order to improve the image of Fascist Italy in North Africa and the Levant and to gain support from the Arabs, Mussolini had himself declared the "Protector of Islam" during an official visit to Italian-occupied Libya in 1937. He also got the Sword of Islam. Action legend. Italian Fascism was among the most visible of the contemporary political movements that had emerged following World War I; it emphasised action and violence over talk and reason. Italian Fascism was used to justify taking up notions and dropping them again. disarmament was seen as impossible. drawing upon older themes of suffering being necessary for greatness which had been promoted during World War I. World War I was often cited in Fascist propaganda, with many prominent Italian Fascists displaying many medals from the conflict. Afterwards, there was a prolonged period during which the absence of military action did not prevent the government from many belligerent statements. The Italian invasion of Albania in 1939 was presented as a splendid act of aggression. The Italians were called to be like Roman legionaries, and their opponents were depicted as weak and enthralled by money. The United Kingdom was denounced in particular, Futurism was a useful part of the cultural scene because of its militaristic elements. A Fascist doctrine was first set forth in The Manifesto of the Fasci of Combat. Years later, a different set of ideas were enumerated in The Doctrine of Fascism, which was purportedly written entirely by Benito Mussolini although he wrote only the second part, and the first part was actually also written by Giovanni Gentile. Fascism's internal contradictions, such as its changing official doctrines, were justified by Mussolini as a product of its nature: a doctrine of action and a revolt against the conformity and alienation of bourgeois society: National and social unity was symbolized by the Fascist appropriation of the ancient Roman fasces themselves, That drew on military themes from World War I, during which Italians were called to pull together into a unity. Mussolini openly proclaimed that Fascists were willing to kill or die when it was a question of the fatherland while the March on Rome was being prepared. Similarly, he declared that the State did not weaken the individual any more than a soldier was weakened by the rest of the regiment. That was part of an explicit rejection of liberal individualism; the punitive aspect of the fasces, containing an axe, not being omitted. Furthermore, Fascism was meant to be a totalitarian or total experience, since it was impossible to a Fascist only in politics, and it therefore overtly rejected liberalism's private and public spheres. Fascism was not a party but a way of life. The corporatist State was offered as a unifying form of politics, as opposed to liberal democracy. Fascism and the state were identified, and everything was to be encompassed in the state. Work was presented as a social duty of every citizen, because Italy was greater than any individual purpose. Beehives were presented as a model of industry and harmony. Furthermore, the unity would allow the entire nation to throw itself into support of military necessity. The sanctions imposed by the League of Nations while Fascist Italy invaded Ethiopia were used to unite the country against the "aggression". Empire '' depicting the Italian victory in the Second Italo-Ethiopian War Reviving the glories of the Roman Empire in modern Italy was a common theme. That called for the control of Mare Nostrum (" Our Sea", as the Mediterranean Sea was called in ancient Rome). France, the United Kingdom, and other powers were denounced as having kept Italy immured. Concerted efforts were made to drum up enthusiasm for colonialism in the 1930s. Besides its symbolic aspects, the fasces had been carried by the lictors of ancient Rome as a representation of authority. April 21, the anniversary of the founding of Rome, was proclaimed a Fascist holiday that was intended to replace the socialist Labour Day as a celebration of the Roman virtues of "work" and "discipline". Rome's role in establishing Christianity as a universal religion was also exalted. In the city of Rome, archaeological and propagandist projects involving the clearing, isolation (often by deliberately destroying surrounding medieval buildings) and restoration of key monuments such as the Ara Pacis and the Mausoleum of Augustus received strong support from the fascist regime. There, the symbolic connection between Caesarean leadership of Augustus and Mussolini's dictatorship was stressed. At the exhibition entrance was inscribed a quote from Mussolini: "Italians, you must ensure that the glories of the past are surpassed by the triumphs of the future". Rome thus constituted a point of reference in Fascism's dream of building an aggressive and forward-looking Italy of the future. Spazio vitale , 1941. Spazio vitale, living space, or vital space, was presented as needing conquest. It would strengthen the country by drawing off its surplus population and send landless peasants and the unemployed to work the earth, buy Italian goods and act as a garrison. Millions of Italians could live in Ethiopia, and exaggerated claims were made of its resources. That would amend the situation after World War I in which Fascists alleged that the Allies had cheated Italy of expansion into the former Austro-Hungarian and Ottoman Empires. Fertility Even while arguing that the population had to be drained off, propaganda urged greater fertility and derided men who failed to produce children and women whose Parisian fashions did not fit them for bearing children. Slogans urged maternity as the female form of patriotism. Mussolini instructed the heads of fascist women's organisations to go home and tell the women that they needed many births. To help the "battle of births", assistance had to be given to mothers and newborns, and the founding of an organisation to do so was trumpeted. Contraception was decried as producing medical problems. Mussolini also called for a more rural Italy to increase births. The "battles" to reclaim land and increase grain production, Mussolini trumpeted, had produced enough that Italy could hold 10 million more people. Civilisation Fascist rhetoric portrayed the attack on Ethiopia as advancing the cause of civilisation. Economics A series of calculated lies was propagated to win support for the Ethiopian venture by claiming that Italy was self-sufficient in food, and enough oil had been stockpiled. Bolshevism Socialism was resisted, particularly in its internationalist forms. Socialist forces were denounced as a "Russian army". Foreign culture The influx of foreign culture was attacked. "Americanism" was the object of an organised propaganda campaign that attacked as a "grease stain which is spreading through the whole of European life". French and Russian novels and H. G. Wells's Outline of History were also attacked as contaminating youth. British literature was used to show them as decadent as the French, their low birth rate was decried and it was proclaimed that Italy had saved Britain and France during World War I. Italianization of street names and monuments in linguistically-Slavic and -German regions of Italy was mandated by legislation, and teachers instructing in languages other than Italian were persecuted (See Katakombenschule). In 1926, new legislation was introduced decreeing the Italianization of Slavic surnames. Democracy Democracy and liberalism were pronounced moribund, with praise cited that Fascism received everywhere and claims that the workers of North America wished they had a Mussolini. In 1934, Mussolini declared both democracy and liberalism dead. Bourgeois culture and morality were seen as integral parts of liberalism and were thus attacked. The bourgeoisie supposedly valued utilitarianism, materialism, well-being and maintaining the status quo instead of the fascist virtues of dynamism, courage, discipline and self-sacrifice. An anti-bourgeois exhibition was opened on 29 November 1937. The attack on Ethiopia was framed as Italy's vigour and idealism easily crushing the decadent, bloodless and cowardly democracies, especially as they supported barbarians over the "mother of civilizations". Plutocracies The United States was particularly resented for its wealth and position. The powers were also claimed to have prevented Italian imperialism. ==Media==
Media
Newspapers Authorities were allowed to confiscate newspapers on the grounds of publishing false information likely to incite class hatred or to bring the government into contempt. Slogans Slogans were widely used and especially inscribed on walls. Posters Many of Italy's leading graphic artists produced Fascist posters. During World War II, to counter British pamphlets that proclaimed bombs the curse of Garibaldi, posters proclaimed that a British victory meant worse than bombs, barbarism, would befall them. Americans were depicted as ready to plunder Italy's treasures. Song Songs were widely used for propaganda purposes. Even prior to coming to power, Mussolini had been praised in song. Its anthem was Giovinezza ("Youth"). Radio With the spread of ownership of radio units during the Fascist regime, radio became the major tool for propagandising the population. It was used to broadcast Mussolini's open-air speeches and as an instrument for propagandizing youth. The American author Ezra Pound broadcast on short-wave radio to propagandize the United States. Film 's new headquarters In 1924, the Istituto Luce was set up by the fascist government to oversee cinema operations in Italy. The organisation's main role was the creation of newsreels shown before films. From 1934 to 1935, more efforts were made by the governments to control the Italian film industry. In 1934, Luigi Freddi headed the Direzione Generale per la Cinema, whose purpose was to censor films made that could be harmful for the Fascist government. That caused many American films to be banned and many Italian scripts to be modified. In 1935, the Ente Nazionale Industrie Cinematografiche (ENIC) was set up to make films after it had bought up a movie theatre chain, and it expanded in 1938 to regulate the number of foreign films coming into Italy. The Fascist regime was never successful at making propagandist films show a political message. Film was not widely used for propaganda, as the Italian public was not interested in "serious" films that the government produced but wanted realistic films. However, censorship was heavily used to avoid unwanted material, and a governmental body was set up to produce documentaries on Fascist achievements. Schools textbook: "''Kids, love Benito Mussolini. Benito Mussolini has worked and works always for the good of the Homeland and of the Italian people. You've overheard this many times from daddy, from mom, from the teacher: If Italy is now far more powerful than before, we owe it to Him. Let's all greet him together: To us!''" Curriculums for schools were immediately overhauled for Fascist purposes in a manner that the Nazis later admitted to imitating, and elementary schools soon spent twenty percent of their time teaching children to be good Fascists. Teachers were removed if they did not conform, and textbooks were required to emphasize the "Fascist soul". Students soon learned they had to join the university groups to advance. Mussolini proclaimed their purpose to be inspiring the youth for power and conquests as Fascists. Up to the age of fourteen, the groups were mainly sports for physical fitness, but at fourteen, militaristic drills were added. They were given songs and commandments to mold their views. Everything from cultural institutes to camps was deployed to consolidate activities on Fascism. Dopolavoro Clothing Italy implemented fashion standards to enforce certain political behavior. Attempting to strive women away from individuality, and bring them towards fascist conformity. ==See also==
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