The movie was shown as a
double feature with
Roger Corman's
The Oklahoma Woman in 1956 to ride on Mansfield's popularity which had risen dramatically due to her
20th Century Fox films released at the time.
Critical response In
Death on the Cheap, Arthur Lyons writes that the film, although "shoddily written, produced and directed", is significant for several reasons, including "It was American International's only foray into film noir ... The film also marked a return to the screen of noir icon Lawrence Tierney, whose off-screen bar brawls and numerous arrests during the 1940s had made him
persona non grata in Hollywood." Film critic Dennis Schwartz, gave the film a mixed review and discussed the film's problems. He wrote, "A muddled but diverting
B film noir melodrama from cheapie American International Pictures. Future sex queen Jayne Mansfield, known as the
blonde bombshell, made her acting debut, costarring as a
nymphomaniac. Its attempts to be hard-boiled fall apart when it becomes apparent that writer Burt Kaiser couldn't get a handle on the plot line, and instead lets the narrative get mired in too much silliness. It also suffers from a weak directing effort by Bruno Ve Sota and cheesy production values." ==See also==