Feng Boyi

Feng Boyi was born in 1960 in Beijing, China, where he is still living today. During 1980 to 1984, he attended and graduated from the Department of History at Beijing Teachers' College (now Capital Normal University) in Beijing. After his graduation in 1984, he was assigned to work as an editor of ''The Artists' Bulletin'', which was an internal publication for the Chinese Artists' Association. His interest in art led him to study in the Art History Department at the Central Academy of Fine Arts in 1991. == Early career ==

Feng Boyi joined art visionaries in the early 1990s in Beijing as an independent art curator. This was also around the time he was learning at the Central Academy of Fine Arts. Despite being a curator, he admitted it was a difficult job: "'Nobody wants to curate shows, it's gruelling work,' he mumbles, tossing his ever-ringing cell phone from hand to hand." He co-published a series of three books about the new generation of artists with Chinese artist Ai Weiwei: Black Cover Book (1994), White Cover Book (1995), and Gray Cover Book (1997). This series not only dealt with the topic of modern, contemporary art but also reflected the political ideas of Ai Weiwei. Feng Boyi worked in Japan in 1994, where he played a role in a couple of exhibitions organized by the Fukuoka Art Museum, one of which being the 4th Asian Art Show. He was also part of a contemporary art exhibition in the Saitama Modern Art Museum. In 1996, Feng Boyi was one of five organizers of one of the first contemporary art shows that was associated with the auction market. This show was called "Reality: Present and Future." It attracted much attention and led the way to more and more contemporary art shows and exhibits, which were not popular or open to the public. == Current career ==

Currently Feng Boyi is the art director and curator of the He Xiangning Art Museum in Shenzhen. Feng Boyi has also edited and published catalogues and articles about art, and established an online art forum called The Artists' Alliance, which discusses contemporary art, which has become very well known and popular with netizens. == Notable exhibitions ==

Traces of Existence: A Private Show of Contemporary Chinese Art Feng Boyi claimed that his most successful show was in 1998, titled "Traces of Existence: A Private Show of Contemporary Chinese Art", which helped him become more well known in the art world. Feng felt as though Chinese artists were just working for foreigners because the early Chinese contemporary art shows were being held in foreign countries. In co-curating the exhibition, Feng said, "We wanted to show the 'fuck off' style, not working for the government or in the style of western countries, but a third way." Its name was a loose and questionable translation of the exhibition's corresponding Chinese title: "The Uncooperative Attitude". Beijing Afloat "Beijing Afloat" was the opening exhibition of the 2002 Beijing Tokyo Art Projects (BTAP, 北京东京艺术工程) inside a m² division of Factory 798's main area. This was the first renovated space featuring the high arched ceilings that would become synonymous with Beijing's 798 Art Zone. The show drew a crowd of over 1,000 people and marked the beginning of the popular infatuation with the area. Guangzhou Triennial In 2002 Feng was one of the organizers for The 1st Guangzhou Triennial in Guangzhou. == References ==