Early theatre work Ferrer began acting in
summer stock as a teenager and in 1937 won the Theatre Intime award for best new play by a Princeton undergraduate; the play was called
Awhile to Work and co-starred another college student, Frances Pilchard, who would become Ferrer's first wife later the same year. At 21, he was appearing on the Broadway stage as a chorus dancer, making his debut there as an actor two years later. He appeared as a chorus dancer in two unsuccessful musicals,
Cole Porter's
You Never Know and
Everywhere I Roam. After a bout with
polio, Ferrer worked as a disc jockey in Texas and Arkansas and moved to Mexico to work on the novel ''Tito's Hat'' (published 1940). His first acting roles were in a revival of
Kind Lady (1940) and
Cue for Passion (1940).
Columbia Pictures Ferrer was contracted to
Columbia Pictures as a director, along with several other "potentials" who began as dialogue directors:
Fred Sears,
William Castle,
Henry Levin and
Robert Gordon. Among the films he worked on were
Louisiana Hayride (1944),
They Live in Fear (1944),
Sergeant Mike (1944),
Together Again (1944),
Meet Miss Bobby Socks (1944), ''
Let's Go Steady (1944), Ten Cents a Dance (1945), and A Thousand and One Nights (1945). Some were "B" movies but others (Thousand and One Nights
) were more prestigious. Ferrer directed The Girl of the Limberlost'' (1945), starring
Ruth Nelson.
Broadway Eventually, he returned to Broadway, where he starred in
Strange Fruit (1945–46), a play based on the novel by
Lillian Smith. It was directed by
José Ferrer (no relation). He then directed José Ferrer in the 1946 stage production of
Cyrano de Bergerac.
Screen actor Ferrer made his screen acting debut with a starring role in
Lost Boundaries (1949), playing a black person who
passes for white. The film was controversial and much acclaimed.
Howard Hughes's RKO Studios in
The Brave Bulls (1951) Ferrer had a supporting role in
Born to Be Bad (1950) at
RKO, directed by
Nicholas Ray. At that studio, he directed
Claudette Colbert in
The Secret Fury (1950) and directed or co-directed
Vendetta (1950),
The Racket (1951), and
Macao (1952). He starred as a bullfighter in
The Brave Bulls (1951) for
Robert Rossen at Columbia. Ferrer fought with
Arthur Kennedy over
Marlene Dietrich in
Rancho Notorious (1952), directed by
Fritz Lang at RKO.
MGM Ferrer went to MGM, replacing
Fernando Lamas as the villain in
Scaramouche (1952). The film, particularly notable for a long, climactic sword fight between Ferrer and
Stewart Granger, was a huge hit. The studio kept him on for
Lili (1953) as the title character (played by
Leslie Caron)'s love interest. It was another big success; Ferrer and Caron also got a hit single out of it, "Hi-Lili-Hi-Lo".
Saadia (1953), which Ferrer made with
Cornel Wilde, was a flop, but
Knights of the Round Table (1954), in which Ferrer played King Arthur, was another hit. Ferrer met actress
Audrey Hepburn at a party; she wanted to do a play together. They appeared in
Ondine (1954) on Broadway, and married in Switzerland in September 1954.
Europe Ferrer went to Italy to make
Proibito (1954) and to England for
Oh... Rosalinda!! (1955), directed by
Powell and Pressburger. Neither film was widely seen, but
War and Peace (1956) was a big success; Ferrer played Prince Andrei, co-starring with then-wife Audrey Hepburn. In France, he co-starred with
Ingrid Bergman in
Elena and Her Men (1956), directed by
Jean Renoir.
United States Ferrer and Hepburn made
Mayerling (1957) for American television; it was released theatrically in some countries. Ferrer returned to MGM to make
The Vintage (1957) with
Pier Angeli, which was a big flop. He made two films for
20th Century Fox: an all-star adaptation of
The Sun Also Rises (1957) and
Fräulein (1958), a war story with
Dana Wynter. At MGM, he played one of the last three people on Earth in
The World, the Flesh and the Devil (1959), another flop. Ferrer went to Italy to star in
Roger Vadim's vampire movie
Blood and Roses (1960). After an English horror film,
The Hands of Orlac (1960), he starred in the Italian adventure film
Charge of the Black Lancers (1962). He was one of several stars in
The Devil and the Ten Commandments (1962) and
The Longest Day (1962). He had a cameo in his wife's
Paris When It Sizzles (1964) and was
Marcus Aurelius Cleander in
The Fall of the Roman Empire (1964).
Television Ferrer then turned to television, doing some directing for the series ''
The Farmer's Daughter (1963–66) starring Inger Stevens, William Windom, and Cathleen Nesbitt. Ferrer had a supporting role in Sex and the Single Girl'' (1964). From 1981 to 1984, he appeared opposite
Jane Wyman as Angela Channing's attorney (and briefly her husband),
Phillip Erikson, on
Falcon Crest (as well as directing several episodes). He played a blackmailing reporter in the
Columbo episode "Requiem for a Fallen Star", starring
Anne Baxter. He appeared opposite
Cyd Charisse in an episode of the long-running
Angela Lansbury series,
Murder She Wrote, and appeared in two television miniseries,
Peter the Great (1986) and
Dream West (1986). Later credits include
Eye of the Widow (1991) and
Catherine the Great (1995).
Producer Ferrer produced and starred in the biopic
El Greco (1966), playing the
famous painter. He also produced
Wait Until Dark (1967), starring his wife, another big hit. He and Hepburn divorced in 1968.
Later acting career and European films Ferrer was mostly a jobbing actor in the 1970s, working much in Italy. Among his credits were
A Time for Loving (1972);
The Antichrist (1974) in Italy;
Brannigan (1974), a crime drama set in
London that starred
John Wayne;
Silent Action (1975) and
The Suspicious Death of a Minor (1975), both for
Sergio Martino;
The Net (1975), shot in Germany;
The Black Corsair (1976), an Italian swashbuckler;
Gangbuster (1977) in Italy;
The Pyjama Girl Case (1977);
Seagulls Fly Low (1977). In the U.S., he was in
Hi-Riders (1978),
The Norseman (1978),
Guyana: Crime of the Century (1979), and
The Fifth Floor (1979). In 1979, he portrayed Dr. Brogli in an episode of
Return of the Saint. In Europe, he was in
The Visitor (1979),
Island of the Fishmen (1980),
Nightmare City (1980),
The Great Alligator River (1980) and
Eaten Alive! (1980). He went to Germany for
Lili Marleen (1981). He worked in two of Spanish actress
Marisol's film vehicles:
Cabriola and
La chica del molino rojo, being the director of the first and acting in the second. For his contributions to the motion picture industry, Mel Ferrer has a star on the
Hollywood Walk of Fame at 6268 Hollywood Blvd. ==Personal life==