Sturges and Ophüls The saga of the making of
Vendetta, which had the working titles of "Colomba" and "Our Lady of the Doves", is extensive. In 1944, after ten years, writer/director
Preston Sturges left
Paramount Pictures, where he made his most popular and successful films, including the runaway hit
The Lady Eve (1941), and joined in a partnership with eccentric millionaire aviator
Howard Hughes to create California Pictures. By September 1945, work has already begun on the new company's first picture,
The Sin of Harold Diddlebock, written and directed by Sturges, and it was announced that Sturges had completed the first draft of an adaptation of Prosper Mérimée's 1840 novella
Colomba, the first time it had been used as the basis for a sound film. (It was adapted in 1920 in France as a
silent film.) Sturges began the project at the request of Hughes, who was looking for a vehicle for his protégée,
Faith Domergue. By July 1946, German director
Max Ophüls had been announced as the director, in what would be his American debut. Ophüls had been trying for four years to get a directing job in
Hollywood, and Sturges hired him so that he could concentrate on completing
...Harold Diddlebock. Ophüls' first choices to play opposite Domergue were
James Mason and
Madeleine Carroll, but Hughes refused to pay star salaries, and worried that Domergue, who had little acting experience, would be outshone by powerful and better-known actors. The cast that was eventually assembled under Ophüls had Domergue,
Robert Ryan,
J. Carrol Naish, Gregory Marshall, George Renevant, and
Fortunio Bonanova. After only a week of shooting, Hughes, who was recuperating from the
crash of an experimental reconnaissance plane, complained to Sturges about the slowness of Ophüls' shooting pace and the way he handled Domergue. Saying that he did not want "foreigners" working for California Pictures, he forced Sturges to fire Ophüls; the German director later made the film
Caught (1949) about his experience with Hughes. Sturges took over the remainder of allotted filming, and principal photography wrapped on 29 October, with the film over both its shooting schedule and its budget.
Mel Ferrer Hughes was dissatisfied with the result of Heisler's work and wanted a new ending for the film. He and Heisler were unable to agree, and Heisler departed in May 1947. Hughes then brought in actor/director
Mel Ferrer, who he borrowed from
David O. Selznick's production company in June, to finish the film, with the expectation that his assignment would last about 30 days and cost about $200,000. Hughes also hired Wells Root to do re-writes, and replaced the director of photography. ==Release and reception==