In literature and art Fleas have appeared in poetry, literature, music and art; these include
Robert Hooke's drawing of a flea under the
microscope in his pioneering book
Micrographia published in 1665, poems by Donne and
Jonathan Swift, works of music by
Giorgio Federico Ghedini and
Modest Mussorgsky, a play by
Georges Feydeau, a film by
Charlie Chaplin, and paintings by artists such as
Giuseppe Crespi,
Giovanni Battista Piazzetta, and
Georges de La Tour. John Donne's erotic metaphysical poem "
The Flea", published in 1633 after his death, uses the
conceit of a flea, which has sucked blood from the male speaker and his female lover, as an extended
metaphor for their sexual relationship. The speaker tries to convince a lady to sleep with him, arguing that if the mingling of their blood in the flea is innocent, then sex would be also. The comic poem
Siphonaptera, written in 1915 by the mathematician
Augustus De Morgan, describes an infinite chain of parasitism made of ever larger and ever smaller fleas. File:HookeFlea01.jpg|
Robert Hooke's drawing of a flea in
Micrographia, 1665 File:The development of the flea from egg to adult Wellcome M0016633.jpg|Development of the flea from egg to adult.
Antonie van Leeuwenhoek, c. 1680
Flea circuses Flea circuses provided entertainment to nineteenth century audiences. These circuses, extremely popular in Europe from 1830 onwards, featured fleas dressed as humans or towing miniature carts,
chariots,
rollers or
cannon. These devices were originally made by
watchmakers or
jewellers to show off their skill at miniaturization. A ringmaster called a "professor" accompanied their performance with a rapid circus patter. : "The Go-As-You-Please Race, as seen through a Magnifying Glass", engraved by J. G. Francis, from an article by
C. F. Holder in
St. Nicholas Magazine, 1886
Carriers of plague , in 1665, killed up to 100,000 people.
Oriental rat fleas,
Xenopsylla cheopis, can carry the
coccobacillus Yersinia pestis. The infected fleas feed on rodent vectors of this bacterium, such as the
black rat,
Rattus rattus, and then infect human populations with the
plague, as has happened repeatedly from ancient times, as in the
Plague of Justinian in 541–542. Outbreaks killed up to 200 million people across Europe between 1346 and 1671. The
Black Death pandemic between 1346 and 1353 likely killed over a third of the population of Europe. Because fleas carry plague, they have seen service as a
biological weapon. During
World War II, the
Japanese army dropped fleas infested with
Y. pestis in China. The
bubonic and
septicaemic plagues are the most probable form of the plague that would spread as a result of a
bioterrorism attack that used fleas as a vector.
The Rothschild Collection The banker
Charles Rothschild devoted much of his time to
entomology, creating a large collection of fleas now in the Rothschild Collection at the
Natural History Museum, London. He discovered and named the
plague vector flea,
Xenopsylla cheopis, also known as the oriental rat flea, in 1903. Using what was probably the world's most complete collection of fleas of about 260,000 specimens (representing some 73% of the 2,587 species and subspecies so far described), he described around 500 species and subspecies of Siphonaptera. He was followed in this interest by his daughter
Miriam Rothschild, who helped to catalogue his enormous collection of the insects in seven volumes.
Flea treatments Fleas have a significant economic impact. In America alone, approximately $2.8 billion is spent annually on flea-related veterinary bills and another $1.6 billion annually for flea treatment with pet groomers. Four billion dollars is spent annually for prescription flea treatment and $348 million for flea pest control. == See also ==