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Fletcher Henderson

James Fletcher Hamilton Henderson was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson.

Early life, family and education
in Cuthbert, Georgia, where Henderson was born in 1897. The house was added to the National Register of Historic Places on June 17, 1982 James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He was raised in a middle-class African-American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. Their home is a historic site. Henderson's mother, a teacher, taught him and his brother Horace to play the piano. He began lessons by age six. His father would occasionally lock Fletcher in his room to practice for hours. By age 13, Henderson possessed a keen ability to read music and sense pitch. Although a talented musician, Henderson initially dedicated himself to mathematics and science. At age 18, he moved to Atlanta, Georgia, and changed his name to Fletcher Henderson, giving up James, his grandfather's name. He attended Atlanta University (where he was a member of the fraternity Alpha Phi Alpha) and graduated in 1920 with a bachelor's degree in chemistry and mathematics. ==Career==
Career
After graduation, Henderson moved to New York City with the intention of attending Columbia University for a master's degree in chemistry. However, there is no evidence that he actually enrolled. He did land a part-time job as a lab assistant in a downtown Manhattan chemistry firm, but this only lasted a year. In New York City, Henderson shared an apartment with a pianist who worked as a musician in a riverboat orchestra. When his roommate was too sick to perform, Henderson substituted, and this soon led to a job as a full-time replacement. In late 1920, he found work as a song demonstrator with the Pace and Handy Music Co. Henderson toured with the Black Swan Troubadours featuring Ethel Waters from October 1921 to July 1922. After hearing cornetist Louis Armstrong (then around 20 years old) in New Orleans while on tour in April 1922, Henderson sent him an offer, but Armstrong refused because Henderson would not hire Zutty Singleton as well. Henderson's activities up to the end of 1923 were mainly recording dates for Black Swan and other labels. is sitting on the floor to the extreme left with Louis Armstrong above him to the right. Don Redman is at the extreme right. In July 1924, the band began a brief engagement at the Roseland Ballroom. Although only meant to stay for a few months, Armstrong played in the band for only a year, Henderson's band boasted the formidable arranging talents of Don Redman. Henderson developed his arranging skills from 1931 to the mid-1930s. During the 1930s, he recorded for Columbia, Crown (as "Connie's Inn Orchestra"), ARC (Melotone, Perfect, Oriole, Vocalion), Bluebird, Victor, and Decca. Starting in the early 1920s, he recorded popular hits and jazz tunes. In 1924, he and his band recorded 80 sides. His version of the pop tune "I Can't Get the One I Want", recorded about June 19, 1924, was issued on at least 23 labels. In addition to Armstrong, lead trumpeters included Henry "Red" Allen, Joe Smith, Rex Stewart, Tommy Ladnier, Doc Cheatham and Roy Eldridge. Lead saxophonists included Coleman Hawkins, Buster Bailey, Benny Carter and Chu Berry. Sun Ra also worked as an arranger during the 1940s, during Henderson's engagement at the Club DeLisa in Chicago. Other jazz musicians who also played with Henderson included trumpeter Cootie Williams and trombonist Benny Morton. Benny Goodman In 1935, Goodman's Orchestra was selected as a house band for the NBC radio program ''Let's Dance''. Since Goodman needed new charts every week for the show, his brother-in-law John Hammond suggested that he purchase some from Henderson. The singer Helen Ward also stated that Henderson was delighted to hear the Goodman Orchestra realize his creations with such impeccable musicianship. In 1939, Henderson disbanded his band and joined Goodman's, He died in New York City in 1952, 11 days after his 55th birthday. Henderson created a band that was capable of playing dance music and complex arrangements. Louis Metcalf said: "The sight of Fletcher Henderson's men playing behind music stands brought on a learning-to-read-music kick in Harlem which hadn't cared before it. There were two years of real concentration. Everybody greeted you with 'How's studying? A museum was established in Henderson's memory in his native Cuthbert, Georgia. ==Discography==
Discography
CD Compilations ====Mastered by John R. T. Davies==== • 1924–25 The Complete Louis Armstrong With Fletcher Henderson 1924–1925 (3CD) (Forte Records F 38001/2/3) • 1925–29 Fletcher Henderson 1925–29 (JSP Records 311) Columbia singles • 1925–26 The Harmony & Vocalion Sessions Volume 1 1925–1926 (Timeless Records CBC ) • 1927–28 The Harmony & Vocalion Sessions Volume 2 1927–1928 (Timeless Records CBC ) • 1931–33 Yeah Man! (Hep Records CD 1016) • 1934-00 Wild Party! (Hep Records CD 1009) • 1924–37 ''Wrappin' It Up'' (Marshall Cavendish, Jazz Greats CD 031) ====Mosaic Records Box Sets==== • 1923–1934 Classic Coleman Hawkins Sessions 1922-1947 (MD8-251) [Contains 59 performances by Fletcher Henderson and His Orchestra under various pseudonyms] • 1936–7 Classic Chu Berry Columbia And Victor Sessions (MD7-236) [Contains 24 performances by Fletcher Henderson and His Orchestra] ====Chronological Classics Series==== • 1921–23 - The Chronological F H & His Orchestra (Classics 794) • 1923–00 - The Chronological F H & His Orchestra (Classics 697) • 1923–24 - The Chronological F H & His Orchestra (Classics 683) • 1924–01 - The Chronological F H & His Orchestra (Classics 673) • 1924–02 - The Chronological F H & His Orchestra (Classics 657) • 1924–03 - The Chronological F H & His Orchestra (Classics 647) • 1924–25 - The Chronological F H & His Orchestra (Classics 633) • 1925–26 - The Chronological F H & His Orchestra (Classics 610) • 1926–27 - The Chronological F H & His Orchestra (Classics 597) • 1927–00 - The Chronological F H & His Orchestra (Classics 580) • 1927–31 - The Chronological F H & His Orchestra (Classics 572) • 1931–00 - The Chronological F H & His Orchestra (Classics 555) • 1931–32 - The Chronological F H & His Orchestra (Classics 546) • 1932–34 - The Chronological F H & His Orchestra (Classics 535) • 1934–37 - The Chronological F H & His Orchestra (Classics 527) • 1937–38 - The Chronological F H & His Orchestra (Classics 519) • 1941-00 - The Chronological Horace Henderson 1940/F H & His Orchestra 1941 (Classics 648) Other • 1924–1925 Do That Thing (Frog, DGF87) pre-electric recordings for Vocalion and Pathé • 1927–1936 The Indispensable Fletcher Henderson (RCA, Jazz Tribune – N° 30) [Victor recordings] • 1931–1934 Tidal Wave (The Original Decca Recordings), GRP, 1994 • Ken Burns Jazz: Fletcher Henderson, Columbia/Legacy, 2000 LP Compilations A Study in Frustration, Columbia, 1961 [4xLP box set] • Hocus Pocus, Bluebird Records, 1992 • First Impressions 1924–1931 Vol. 1, Decca Jazz Heritage Series, DL 9227 • ''Swing's the Thing 1931–1934 Vol. 2'', Decca Jazz Heritage Series, DL 79228 As arranger for Benny Goodman OrchestraSing, Sing, Sing (1992) (Bluebird/RCA) • The Harry James Years, Vol. 1 (1993) (Bluebird/RCA) • The Best of the Big Bands [under Goodman's name] (1933–1946/1989) (Columbia) • Genius of the Electric Guitar (Recorded under Goodman sextet's name, released under Charlie Christian's name) (1939–1941/1990) (Columbia) ==References==
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