Palazzo Strozzi is an example of civil architecture with its
rusticated stone, inspired by the
Palazzo Medici, but with more harmonious proportions. Unlike the Medici Palace, which was sited on a corner lot, and thus has only two sides, this building, surrounded on all four sides by streets, is a free-standing structure. This introduced a problem new in Renaissance architecture, which, given the newly felt desire for internal symmetry of planning symmetry: how to integrate the cross-axis. The ground plan of Palazzo Strozzi is rigorously symmetrical on its two axes, with clearly differentiated scales of its principal rooms. The
palazzo has
mullioned paired windows (
bifore); the radiating
voussoirs of the arches increase in length as they rise to the keystone, a detail that was much copied for arched windows set in rustication in the Renaissance revival. Its dominating cornice is typical of the Florentine palaces of the time. The palace was left incomplete by
Simone del Pollaiolo (
il Cronaca), who was in charge of the construction of the palace until 1504. Also by
Cronaca is the
cortile or central courtyard surrounded by an
arcade, inspired by
Michelozzo. Wrought-iron objects known as
ferro that adorn the building are famous. Many of these appointments to the building, such as flagpole and torch stands, hitches, lanterns, and sconces decorate the palace exterior and its corners as well as filling functional needs of the day. The ferro on the building were created by an ironsmith,
Niccolo Grosso, known as Il Caparra. The palazzo remained the seat of the Strozzi family until 1937. Great changes were made to the building when the
Istituto Nazionale delle Assicurazioni occupied Palazzo Strozzi. The palazzo, granted by the Istituto Nazionale delle Assicurazioni to the Italian State in 1999, is now home to the Institute of Humanist Studies and to the
Fondazione Palazzo Strozzi. The Gabinetto G.P. Viesseux and the Renaissance Studies Institute have both also occupied the building since 1940. Today the palace is used for international expositions like fashion shows and other cultural and artistic events, such as "Cézanne in Florence. Two Collectors and the 1910 Exhibition of Impressionism". Here also is the seat of the
Istituto Nazionale del Rinascimento and the noted
Gabinetto Vieusseux, with the library and reading room. ==See also==