Development In May 2024, Hulu confirmed that the tenth and final episode of the season would be titled "Forever", and was to be written and directed by series creator
Christopher Storer. It was Storer's 14th writing credit and 19th directing credit.
Casting The episode features numerous cameos by several real-life chefs portraying themselves, including
Christina Tosi and
Grant Achatz. Tosi became involved through her friendship with showrunner Storer, as well as her husband
Will Guidara, who is a producer on the show and also cameos in the episode. Achatz was a fan of the show and was interested in being involved after earlier plans to film at
Alinea fell through. The Achatz appearance was brokered by chef
Dave Beran, who did the culinary and restaurant line training for Jeremy Allen White and Will Poulter; Achatz told Michelin.com: "Dave Beran (of
Pasjoli) who was with me for 10 years flew into Chicago to be on-set with them and was speaking to the director. So Dave texted me and was like, 'Come down to set. They want to talk to you about possibly writing you in.'" As Achatz retold it on a podcast in November 2024 ahead of a planned culinary tribute to Chicago's own
Charlie Trotter, "[Storer] knew I wasn't an actor...The questions that Will was asking me—they were annoying! They were weird. And I hear them all the time. So I
was a little bit annoyed. The other thing they did was I didn't know that we were rolling...I thought we were practicing...So that was very real."
Writing and filming Jeremy Allen White filmed scenes at
the French Laundry in
Yountville, California, United States, during the last week of May 2024. Chef
Thomas Keller talked to Carmy about making roast chicken, Keller's real-life favorite. According to
The Bear cinematographer Andrew Wehde, "At the beginning of the episode, when Carmy's with Thomas Keller at the French Laundry, that was 50mm. [Camera operator Gary Malouf] was handheld, riding a
butt-dolly so he could roll. The movement's beautiful. To brag about Gary, he's been with me forever, since eighth grade. He was nominated for a
Society of Camera Operators award three years in a row for this show. He gets
Steadicam operators who send him messages like, 'What's your rig?' And he's like, 'It's all handheld.' He's just that guy...Put the camera on your shoulder and move it."
Gillian Jacobs told
The Hollywood Reporter how much she admired the acting choices of her former
Community costar Joel McHale in the scene where Carmy confronts Chef Fields: "I can't stop thinking about his scene with Carmy in the last episode of the season. The restraint Joel uses, and to play that figure that has loomed so large in someone's imagination, and now they're having that conversation Carmy always imagined having. He probably pictured it four million times in the shower, on walks, and now it's happening in real life. You can see how it reminded him of what that dynamic gave him. It was like a fuel, although I don't know how healthy that fuel was." McHale told
GQ of the Berzatto–Fields scene: "The fact that David's like, 'Hey, man, what are you so worried about? Unclutch your pearls. You shouldn't be so upset about all this stuff. You did it. You got there' is deeply unfair on David's part. He approves of him because it worked out. But there are probably so many chefs that didn't achieve the same thing. Obviously, Jeremy's character is extremely skilled, and has worked his ass off, but he's just like everybody in every profession—he had to have some luck. So the piles of other sous chefs and line cooks that worked for David who didn't make it? You forget about those people. So I think it's unfair, because he didn't have to be a dick, but he was, and that's how he is, and that's what worked for him." A Catholic magazine wrote of the scene, "Receiving no indication of remorse or regret, Carmy seems completely bewildered and hurt, forced to reckon with a question he is not prepared to answer: How do you forgive someone who does not think they need forgiveness?" Regarding the episode-and-season-concluding party at Sydney's tiny new apartment,
Lionel Boyce told
The Hollywood Reporter, "I had a lot of fun filming the party in the finale. We made that a real party environment. Even though we were still in the middle of filming, it felt like the last day of school. There was a relief and release. It was late at night, and it was very loose, and there was music playing. I didn't even know that song ['Laid' by James]. They told us, 'OK, yell out the song and everyone starts singing,' and I'm like, 'What is this song that everyone knows except me?'"
Costuming and props As described by
InStyle, Syd's "funeral" outfit is a "sleek satin shell top with a matching skirt, accessorized with a funky silver necklace, pearl drop earrings, and a black
Ganni Bou bag with a braided handle...her most striking yet." Like her Shapiro-meeting outfit in "
Legacy," this outfit is something a "public-facing
chef would wear," and shows her continuing character growth. Her top was a Warehouse satin twill shell.
Luca wears an
Omega SA Seamaster Aqua Terra watch.
Chef Terry wears a men's model
Rolex Submariner specially fitted to
Olivia Colman's "so small" wrists. That song once appeared on a list of "top 15 most Chicago songs ever recorded."
Music Songs featured on the soundtrack of the episode include "
Together" by
Nine Inch Nails, "
In the Garage" by
Weezer, "
The Big Country" by
Talking Heads, "
Joy" by
The Sundays, "
Within Your Reach" by
The Replacements, "
Can You Hear Me?" by
David Bowie, "
Diamond Diary" by
Tangerine Dream, "Just One More Day" by
Otis Redding, "We Close Our Eyes" by
Susanna Hoffs, "Big White Cloud" by
John Cale, "
Laid" by
James, and "
Disarm" by
The Smashing Pumpkins. Consequence.net commented that Olivia Colman getting down to "Laid" by James was "an impossible-to-top moment of television."
Color key: • = lyrics
captioned • = diagetic (music audible to characters in-universe) • = closing credits Also, as he enters the kitchen at Ever, Richie sings the
baritone aria "" from
The Barber of Seville, an 1832 opera with an Italian libretto by
Cesare Sterbini, music composed by
Gioachino Rossini (ahem, which is to say, he sings the music conducted by Bugs Bunny when he brings down the house at the
Hollywood Bowl in
Long-Haired Hare). == Food ==