Monument to the Dynasty

The monument was designed by the Ghent architect in a neo-Gothic style. It was built from 1878 to 1881 on the orders of King Leopold II, who had the monument erected in honour of the founding of the dynasty by his father, King Leopold I, whom he had succeeded as King of the Belgians in 1865. For the memorial, De Curte drew inspiration from the Scott Monument in Edinburgh and, more vaguely, from the Albert Memorial in London. The monument was inaugurated in July 1880, during the opening of Laeken Park, to mark the fiftieth anniversary of Belgian independence. The monument was renovated in 2001 on the occasion of the Belgian presidency of the European Union. It remains closed to the public for fear of vandalism. File:Inauguration du monument du roi Léopold Ier au parc de Laeken le 21 juillet 1880.jpg|Inauguration of the Monument to the Dynasty in Laeken Park, 21 July 1880, etching by Armand Heins from ''L'Illustration nationale'' File:Monument du roi Léopold Ier au parc de Laeken en 1880.jpg|The Monument to the Dynasty in 1880, etching by Armand Heins from ''L'Illustration nationale'' File:Statue du roi Léopold Ier au parc de Laeken.jpg|Statue of King Leopold I in 1880, etching by Joseph Smeeton and Auguste Tilly from ''L'Illustration nationale'' ==Iconography==

Leopold I At the centre of a nine-bay gallery, each symbolising one of the nine original Belgian Provinces, is a sculpture of King Leopold I by Guillaume Geefs, who also created the statue of Leopold I on the Congress Column. On this substructure rests an almost spire, topped with a golden crown. Above the statues of the nine Belgian Provinces, a Leo Belgicus holds the coat of arms of the province in question. At the rear of the monument, on the north side, a staircase gives access to a walk above the peristyle. This walk passes under flying buttresses adorned with small gargoyles. Nine provinces The statue of the king is protected by a canopy in the shape of a perfect enneagon resting on a stepped plinth. This unusual shape made it possible to represent the nine provinces that made up Belgium at the time. The allegories representing them were entrusted to a collection of artists who were inspired by the drawings of : the Province of Namur is symbolised by Metallurgy (Thomas Vinçotte), the Province of Luxembourg by Hunting (Albert Desenfans), the Province of Liège by Armoury (), the Province of Limburg by Agriculture (), the Province of Antwerp by Trade and Navigation (Frans Deckers), the Province of Brabant by the Royal sceptre (Charles van der Stappen), the Province of East Flanders by Spinning mills and Horticulture (), the Province of West Flanders by Fishing (), and the Province of Hainaut by Coal (). It was originally topped by a standing statue in chased copper and bronze, The Genius of Grateful Belgium waving the national flag, by the sculptor . In November 1880, however, unbalanced by the pressure of the wind, it was removed and stored. In June 1882, the Minister of Public Works proposed replacing the flag originally held by the genius with a torch and mounting the work on the roof of the Royal Museums of Fine Arts in the Royal Quarter of Brussels. The sculpture was thus renamed The Genius of the Arts. File:Monument Léopold I 1003.jpg|Statue of King Leopold I by Guillaume Geefs File:Monument Léopold I 1007.jpg|Province of Liège (left) and Province of Limburg (right) by and File:Monument Léopold I 1006.jpg|Province of Brabant by Charles van der Stappen ==See also==