Square de l'Île de la Cité and Memorial to the Martyrs of the Deportation File:F1126 Paris IV ile de la Cite rwk.jpg|The east end of the island, and wall of the Memorial to the Martyrs of the Deportation File:Square IDF & Memorial.jpg|Square of l'Île de la Cité and entrance to the Memorial to the Martyrs of the Deportation File:Mémorial des Martyrs de la Déportation @ Ile de la Cité @ Paris (26558253140).jpg|Courtyard of Memorial File:Mémorial des Martyrs de la Déportation @ Ile de la Cité @ Paris (26225699524).jpg|Interior of the Memorial The Place de l'Île de la Cité is a small park located at the extreme eastern tip of the island, behind the cathedral. It originally was a separate island, called La Motte-aux-Papelards, made up in part of debris from the construction of the cathedral. In 1864,
Baron Haussmann chose it as the new site for the Paris morgue, which remained there for fifty years. Next to the square is the
Memorial to the Martyrs of the Deportation, a memorial to the two hundred thousand people who were sent to Nazi concentration camps during World War II. It was dedicated in 1962 by then-President
Charles de Gaulle. The monument is at a lower level than the park, reached by a narrow stairway. It is extremely stark and simple, composed of a triangular courtyard giving access to a crypt and corridor. The walls of the crypt are inscribed with the names of concentration camps and with quotations by writers; the corridor is lined with two hundred thousand small glass crystals, each representing a victim of the deportations.
The Cathedral and Parvis of Notre-Dame File:Rue Neuve-Notre-Dame.jpg|The cathedral andPlace Jean-Paul II File:Parvis Notre-Dame - Place Jean-Paul II. March 25, 2012.jpg|Place Jean-Paul II, the parvis of Notre-Dame de Paris, seen from the cathedral tower File:Crypt of the Notre-Dame, Paris 5 March 2015 003.jpg|Vestiges of Gallo-Roman baths under the parvis(4th c.) File:Charlemagne-parvisNotreDame.jpg|Statue of
Charlemagne by the Parvis of Notre Dame The Cathedral of
Notre-Dame de Paris is among the most visible and celebrated landmarks of Paris. Construction began in 1163, next to the older Romanesque
Cathedral of Saint-Étienne, and was largely completed by 1345. It is among the largest Gothic cathedrals in Europe, with a seating capacity of six-and-a-half thousand. The
flèche, or
Spire of Notre-Dame de Paris, originally built in 1220–1230, was removed in the 17th century, then rebuilt by
Eugène Viollet-le-Duc in the mid-19th century. At high, it was the tallest structure in Paris until the construction of the
Eiffel Tower. The spire and much of the roof were destroyed by the
Notre-Dame de Paris fire on 15 April 2019 and the cathedral has been closed for restoration ever since. It re-opened on 7 December 2024. The parvis or square in front of the cathedral – now officially known as Place Jean-Paul-II – is long and wide, six times larger than the original medieval square. The area in front of the church was packed with narrow houses and streets until Paris was rebuilt in a more expansive style by
Napoleon III and
Baron Haussmann in the mid-19th century. Excavations for a car park under the square in 1965 uncovered vestiges of the original Gallo-Roman walls of the city and the Roman baths, dating to the 4th century. They are now open to the public. A plaque on the parvis thirty meters in front of the central portal marks the point from which distances by road to other cities in France are measured. This same area, in medieval times, was the location of the stocks, where notorious prisoners were displayed in chains. The statue of Emperor
Charlemagne on horseback, by the river in front of the cathedral, is the largest monument on the Parvis. The
bronze sculpture was made in 1878 by the brothers Louis and Charles Rochet in the romantic style. The legendary knights
Roland and Olivier are portrayed walking alongside the emperor.
Place Louis-Lepine, the Flower Market and the Tribunal of Commerce File:Paris-marcheauxfleurs-04.jpg|The Flower Market File:DSF2128 (47600503881).jpg|Place Louis-Lépine, facing the
Palais de Justice File:Metro - Paris - Ligne 4 - station Cite.jpg|Metro station Cité on Place Louis-Lépine File:Parigi - Tribunal de Commerce, 2009.jpg|The
Tribunal de commerce de Paris A large square – Place Louis-Lepine – is located in the centre of the island, in front of the Prefecture of Police. It hosts a famous flower market, which was created by an ordinance of Napoleon in January 1808. It occupies the space between Place-Louis Lepine and the Seine. In 2016 the market was renamed the Marché aux fleurs Reine-Elizabeth-II, during the visit of
Queen Elizabeth II to Paris. On Sundays, it also becomes a large market for live birds and other pets. The square is the location of the only metro station on the island, with an Art Nouveau portal designed by
Hector Guimard. The metro station is unusually deep — underground — because the tunnel carrying the trains must pass underneath the River Seine. The
Caserne de la Cité was built under Napoleon III as a barracks of the
Republican Guard. It was gradually expanded into a police headquarters with authority over the twenty districts of Paris and the departments surrounding Paris. During the
liberation of Paris in August 1944, the building was the scene of fierce fighting. When the French police went on strike, the occupying German forces attacked the building with tanks. One hundred and sixty-seven policemen were killed. Alongside the Quai de la Corse, at the
Pont au Change, is the
Tribunal de commerce de Paris, which contains the courts of business and commerce. The judges of this court are not lawyers, but business people elected for 2–4 year terms. The building was constructed between 1860 and 1865 in the extremely ornate
Louis XIII style – like the
Palais Garnier opera house, built at about the same time. Its dome was inspired by the
New Cathedral, Brescia in Italy, begun in 1604 but not finished until 1825. Napoleon III had admired it in 1859 during his military campaign which liberated Italy from Austrian rule.
The Hôtel-Dieu File:Hôtel-Dieu from Notre-Dame de Paris, 12 June 2010.jpg|The Hôtel-Dieu seen from the tower of Notre-Dame File:Hôtel-Dieu de Paris (36225162451).jpg|Hôtel-Dieu side facing the Seine File:P1260252 Paris IV hotel Dieu rwk.jpg|Inner court of the Hôtel-Dieu The
Hôtel-Dieu, located between the Parvis of Notre-Dame on the south and the Quai de la Corse on the north, is the oldest hospital in Paris. It is reputed to be the oldest still-functioning hospital in the world. Tradition says it was founded in 651 by
Saint Landry, Bishop of Paris. It was originally located on the other side of the Parvis, along the river, with a second building on the left Bank of the Seine. The old hospital was famous for its overcrowding, with several patients in each bed. It was rebuilt several times. During the French Revolution it was renamed the "House of Humanity", in keeping with the secular principles of the revolution. The present hospital was begun by Napoleon III in 1863 and completed in 1877. The design, in an Italian Renaissance style, was by the architect
Arthur-Stanislas Diet. It has several buildings, connected by porticos. Until 1908, care in the hospital was provided by nuns; now it is part of the network of Paris public hospitals. Historical buildings close to the same site included the Hospice of Found Children, built in 1670, where new-born babies could be abandoned without explanation at any hour of the day or night. It received up to eight thousand children a year before the French Revolution.
The Canons' Quarter File:Rue Chanoinesse, Paris, april 2011.jpg|A canon's house at 24 Rue Chanoinesse, built in 1512 File:P1160467 Paris IV rue Chanoinesse n°12 rwk.jpg|A canon's house from 16th c. at no. 12 rue Chanoinesse File:P1030910 Paris IV quai aux Fleurs immeubles n°9 et 11 rwk.JPG|9 Quai aux Fleurs, Site of the home of Heloise in the tragic love story of
Peter Abelard and
Héloïse Most of the very old residential quarters on the island were destroyed by Napoleon III and Baron Haussmann in the 19th century. Only one small area remains: the Canons' Quarter (Quartier des Chainoines), located between the Quai aux Fleurs, the rue d'Arcole and the rue du Cloitre-Notre Dame. In the 16th century it was the residence of many of the canons of the cathedral. It was closed to the outside world by gates, no commerce was permitted, and no women were allowed except those of "respectable age". Several residences remain from this period; the house at 24 rue Chanoinesse, from about 1512, has large doors leading to an interior courtyard and dormer windows jutting up from the roof. It is now covered with
wisteria. Another good example is found at 12 Rue Chanoinesse. One celebrated inhabitant of the neighborhood was the playwright
Jean Racine, who lived on the second floor in the courtyard of the house at 7 rue des Ursines between 1672 and 1677. Another famous resident was
Héloïse, the daughter of a canon named Fulbert, who lived at 9 Quai aux Fleurs. She was seduced by her philosophy teacher,
Peter Abelard, in 1418. In what became one of the most celebrated romantic tragedies in French history, she secretly married Abelard; her furious father had him arrested and castrated. Both Abelard and Heloise finished their lives living in monasteries. The original house of Héloïse was demolished in 1849, but the present house has a plaque commemorating its role in the tragic story.
Quai de l'Horloge and the Palace of Justice File:La conciergerie.JPG|The tower of the Horloge with its belfry File:Charles V clock, Palais de la Cité, Paris 22 September 2012 - panoramio.jpg|Clock of the Tower of the Horloge File:Palais de Justice (Paris) June 2010.jpg|Court of Honor of the Palace of Justice The old royal palace lay along the , on the northeast side of the island. With the departure of the kings of France to the Louvre and then to Versailles, the palace gradually was transformed into the judicial centre of the Kingdom, containing the courts, administrative offices and a prison. The Quai de l'Horloge takes its name from the clock in the tower on the northeastern corner of the palace. The tower was built between 1350 and 1353 as a watchtower. When it was constructed, it was directly on the Seine. The stone walls of the Quai de l'Horloge, built beginning in 1611, created space for a road. The first clock was ordered by
Charles V, and faced the interior of the palace. In 1418 it was given an outside face, toward the city, and became the first municipal clock of Paris. In the 16th century,
Henry III had the clock redecorated with sculpture by the French Renaissance sculptor
Germain Pilon. The tower was originally topped by a silver bell, rung only to announce he death of the king or the birth of his heir. It was also rung on 24 August 1572, at the beginning of the
St. Bartholomew's Day Massacre, to signal the beginning of the attack on the Protestants of Paris. The original bell was melted down during the French Revolution, but was replaced in 1848. The gilding of the clock was restored in 2012. During the French Revolution, the attic on the top floor between the Silver Tower and Bonbec Tower was the home of
Antoine Quentin Fouquier-Tinville, the chief prosecutor of the Revolutionary Tribunal. He lived there with his wife and twins while conducting the trials in the lower courtroom which sent more than two thousand prisoners to the guillotine. Most of the facade along the Seine on the Quai de l'Horloge was rebuilt in the Neo-Gothic style in the 19th century. The exceptions are the three towers that follow the tower of the Horloge, which date to about 1300, in the reign of
Philip IV. The Tower of Caesar and the Silver Tower flank the gateway. The Tower of Caesar was built on a Gallo-Roman foundation, while the Silver Tower served as the royal treasury. The third and oldest tower - the only one with tooth-like crenellations around the top - is the Tower Bonbec. It was built by
Louis IX, at the same time as the
Sainte-Chapelle. Beginning in the 15th century it contained the torture chamber of the palace. For this reason its name was reputed to come from the expression "Bon Bec", or "To quickly untie the tongue". The parts of the palace further west were constructed under
Napoleon III in the neo-classical style, with Corinthian pillars. The buildings were gradually taken over entirely by the judicial function. They now house the highest court in France: the Court of Appeals, created in 1790. The various buildings of the Palais de Justice cover about a third of the island, and at their peak employed about four thousand employees. They are still occupied largely by the courts and offices of the justice system, though some functions have moved to a new building on the outskirts of Paris. The main entrance is located on the Boulevard du Palais, behind a very elaborate wrought-iron gate. The main entrance dates to 1783–87, and features a grand staircase and classical peristyle. Until the 1840s, the entry courtyard was also occupied by the stalls of merchants, making it extremely lively. The older portion of the building, the Conciergerie, was turned into a state prison from about 1370, as the Kings moved out to live elsewhere. The original entrance to the building was on what is now the first floor, since the street level was gradually raised. Within the entrance is a very large Gothic hall, with four naves divided by rows massive pillars, which was originally known as the Hall of the Men-at-Arms. It was used primarily as a dining hall for the two thousand employees in the King's service. Four stairways originally reached upward to the grand ceremonial hall on the first floor, where the Parliament met and court festivities were held. Most of this floor was destroyed by fire in 1618, but some vestiges remain, including pieces of the enormous black marble table that was a centrepiece of the hall. They now hang on the south wall of the lower chamber. File:Salle des gens darmes conciergerie.jpg|The Gothic Hall of the Men at Arms File:Marie Antoinette's Cell at Conciergerie.jpg|The recreated cell of Marie-Antoinette File:Salle des gens d'armes de la Conciergerie (9251238574).jpg|Gateways of the Hall of the Men at Arms The residence of the king originally adjoined this part of the Palace, but its last remains were destroyed in the fires set by the
Paris Commune in 1871. All that remains of his residence is the Guards' Hall: originally, an antechamber to the residence. From the west side of the back wall runs a passage known as the "Rue de Paris"; it was used by the royal executioner, nicknamed "Monsieur de Paris". A few portions of the old prison, which was in use from 1370 to 1914, still exist. The Revolutionary Tribunal was established on the first floor of the Palace of Justice from September 1793 until the
fall of Maximilien Robespierre in 1794. The prisoners were crowded into common cells, and were not told of the specific charge against them until the day before the trial. The public prosecutor,
Fouquier-Tinville, prepared execution sentences in advance with the names left blank - to speed the court procedure. After very rapid trials with little opportunity for defence, the tribune sent thousands of prisoners to the guillotine. Convicted prisoners were usually executed the day after their trial. They had their necks shaved and their collars widened, and were taken in cartloads of ten or twelve prisoners to the Place de la Revolution (today's
Place de la Concorde) for execution. In all, two thousand, seven hundred and eighty people were convicted and executed in this manner. Reconstructions of some of the cells can be seen today. The best-known victim of this process was Queen
Marie Antoinette, who was held at the Conciergerie for seventy-six days: from 2 August until 16 October 1793. She was confined to a small cell where she was watched day and night by two guards until her trial. The following day, she was taken on a cart to her execution, along a street lined with thirty thousand soldiers and crowds of jeering Parisians. After the Restoration of the monarchy, in 1816, her original cell was transformed into a chapel. Another cell nearby, very similar to her original cell, gives visitors an idea of her final days.
The Sainte-Chapelle File:Sainte Chapelle Interior Stained Glass.jpg|Upper chapel of the Sainte-Chapelle File:Church of Sainte-Chapelle Paris France 003.JPG|The lower chapel File:Sainte-Chapelle (30208696441).jpg|The ceiling of the lower chapel The
Sainte-Chapelle was the royal chapel, located in the courtyard of the palace. It was created by
Louis IX (later Saint Louis) to display sacred relics of the Crucifixion; particularly the
Crown of Thorns that he purchased in 1239 from the Emperor of Constantinople. He later added what was believed to be a fragment of the true cross. Work was already underway by 1241, and it was consecrated in 1248. The Sainte-Chapelle measured high – not counting the spire – which ranked it with the major cathedrals of the time. By comparison, the nave of
Notre-Dame de Paris is high. The current spire is high, but it is not original. In fact, it is the fifth spire to adorn the Sainte-Chapelle. It was made in 1852–53, following the model of the 15th-century spire. The 19th-century sculpture, inspired by medieval models, was cast in lead by Geoffrey-Dechaume. The great treasure of The Sainte-Chapelle is the 13th century
stained glass windows; the glass was thicker than later windows, and consequently the colors were deeper and richer, with reds and blues predominant. There are more than thirteen hundred small panels of stained glass, each containing a biblical scene. More than two-thirds of the original stained glass survived, including fifteen Early Gothic windows from the 13th century and the later Gothic rose window from the 15th century. The upper portion of the chapel, where the relics were displayed, was reserved for the royal family, while the ground floor was used by the courtiers and servants of the court. The chapel suffered major damage during the French Revolution. Afterwards, it was turned into a storehouse of documents for the neighbouring Ministry of Justice.
Quai des Orfèvres The Quai des Orfèvres, "The Quay of the Goldmsiths and Silversmiths", is on the southwestern side of the island, alongside the Palace of Justice and the Place Dauphine. In its earlier days, a poultry market was held here; as a result policemen were referred to by the slang term "poulets" or "chickens". Its current name dates from the 17th and 18th centuries, when many celebrated Paris jewellers had their shops here; including Boehmer and Bassenge - who made a famous necklace for Marie-Antoinette - and
Georg Friedrich Strass, who invented both the
rhinestone and the
simulated diamond. The jewellers' shops have since disappeared, but the street is notable for the imposing office building at 36 Quai de Orfèvres. Constructed between 1875 et 1880 by architects Émile Jacques Gilbert and Arthur-Stanislas Diet, it replaced an earlier building of the President of the Court of Appeals of Paris, which was destroyed by the
Paris Commune in 1871. As the home of the
Direction régionale de la police judiciaire de la préfecture de police de Paris (Directorate of the Judicial Police of the Paris Prefecture), its address featured in the titles of several very popular French films and detective novels. The fictional detective Inspector
Jules Maigret, created by
Georges Simenon, had his office here. The police moved out, to the rue Bastion in the 17th Arrondissement, in 2017.
The Rue de Harlay and the Cour de Cassation of the Palais de Justice File:Palais Justice Paris.jpg|The Cour de Cassation of the Palais de Justice, on the Rue de Harlay File:Vestibule de Harlay du Palais de justice de Paris.JPG|Hall of the Pas Perdu, Vestibule of the Palais de Justice, Rue de Harlay Rue de Harlay runs across the island on the northwest side, separating the Palais de Justice from the Place Dauphine. It is named for Achille de Harlay, the first president of the Parlement of Paris in the early 17th century; his house stood in that location until it was demolished for the enlargement of the Palace of Justice. The building of the
Cour de Cassation, a kind of French Supreme Court, looks over the
Place Dauphine. Its highly theatrical facade was designed by
Joseph-Louis Duc, whose other famous Paris work is the
July Column in the
Place de la Bastille. It features marble classical columns, pediments and bas-reliefs; there are sculpted lions on the grand stairways, eagles on the roof and statues of famous jurists in togas along the facade. Like the Paris Opera of the same period, it is in the style of Napoleon III. It was nearly completed in 1871 when Napoleon III was deposed. The Paris Commune set fire to the unfinished palace, partially destroying it; but it was later restored and completed. One famous feature is the Hall of the "Pas Perdus", or "Last steps", where prisoners would be taken between the courtrooms and the prison.
Place Dauphine The triangular
Place Dauphine, at the downstream end of the island, was originally the garden of the royal palace. Known as "The King's Orchard", it was filled with vegetable gardens, fruit trees and flower beds. Beginning in 1609 King Henry IV turned it into a residential square, facing the palace, similar to the square he began at the
Place des Vosges a few years earlier. It was named for his son, the
Dauphin of France (the future
Louis XIII). He asked the president of the Parliament, to develop it. Twelve lots were sold, and forty-five irregularly sized houses were constructed behind a standardised façade. The houses were built of brick, with limestone quoins supported on arcaded stone ground floors and capped by steep slate roofs with dormers - similar to the façades of Place des Vosges. Each house had a ground floor of arcades occupied by shops; two floors of living space; and an attic with skylights. There were originally two entrances to the Place Dauphine. One was at the downstream end, entering through a kind of gateway centred on paired
pavilions facing the equestrian statue of Henry IV on the far side of the Pont Neuf. The second was in the centre of the eastern row of houses, which were badly damaged during the
Paris Commune of 1871. Nearly all the buildings have been raised in height, given new façades, or replaced with modified versions of the originals. Notable residents of the Place included the film stars
Yves Montand and
Simone Signoret, who occupied 15 Place Dauphin - above a bookstore - from their wedding in 1952 until the death of Signoret in 1985. File:PA180267 Paris Ier Place Dauphine entrée ouest reductwk.JPG|The entry to
Place Dauphine File:Buildings on Place Dauphine, Paris 5 March 2015.jpg|17th-century residences of
Place Dauphine File:Place Dauphine at 8am.jpg|The small park of
Place Dauphine The Pont Neuf and the Square du Vert Galant The
Pont Neuf, completed in 1606, was the first bridge in Paris to cross the entire length of the Seine, and the first that was not lined with houses. It was the project of
Henry IV. After the assassination of the king in 1610, it became the site of another innovation: the first equestrian statue in Paris. Commissioned in 1614 by
Marie de' Medici - the widow and regent of the king - it was modelled after the equestrian statues of her native Italy.
Giambologna completed the commission in 1618. The statue was destroyed in 1792 during the French Revolution, but was replaced in 1817 by the royal sculptor François Lemot, using casts of the original. At the time that the statue was installed on the bridge, it stood at the very tip of island. In 1884 the end of the island was extended over a sandbar with the construction of new quays, and planted with trees. This became the new Square of Vert-Galant. Its name comes from the king's nickname as an admirer of women. The triangular park has some of the finest views of the buildings along both sides of the Seine. and Square du Vert-Galant seen from the west, downstream
Bridges File:Paris 75001 Pont au Change Quai de l'Horloge 20170605.jpg|
Pont au Change File:Pont Saint-Michel vu du Petit-Pont-closeup-20050628.jpg|
Pont Saint-Michel File:France Paris Pont Saint Louis 01.JPG|
Pont Saint-Louis File:Pont d'Arcole Paris FRA 001.JPG|
Pont d'Arcole From early times wooden bridges linked the island to the riverbanks on either side. The Grand Pont (or Pont au Change) spanned the wider reach to the Right Bank, while the Petit Pont crossed the narrower channel to the Left Bank. The first stone bridge was built in 1378 at the site of the present Pont Saint-Michel; but ice floes carried it away, along with all the houses on it, 1408. The Grand Pont or Pont Notre-Dame - also swept away at intervals by floodwaters - and the Petit Pont were rebuilt by Fra
Giovanni Giocondo at the beginning of the 16th century. The six arches of the Pont Notre-Dame supported gabled houses, some of half-timbered construction, until all were demolished in 1786. Currently eight bridges connect the island with the rest of Paris. • The
Pont Neuf, begun by
Henry IV and completed in 1607, is the oldest still in its original form, and the only one that goes from the right bank to the left bank • The
Pont au Change, from the
Place du Châtelet on the right bank to the Quai de l'Horloge and the
Palais de Justice • The
Pont Notre-Dame, across the centre of the island • The
Pont d'Arcole, from the
Hôtel de Ville to the
Hôtel-Dieu and
Notre-Dame de Paris • The
Pont Saint-Louis, from Notre-Dame de Paris to
Île Saint-Louis • The
Pont de l'Archevêché, from the southeast end of the island to the Quai de Montebello on the Left Bank • The
Pont au Double, from the Quai de Montebello on Left Bank to the front of Notre-Dame de Paris • The
Pont Saint-Michel, from
Place Saint-Michel across the centre of the island to
Châtelet ==Transport==