In the dramatist
Ben Jonson's
masque The Gypsies Metamorphosed (1621), the Second Gypsy addresses Lady Purbeck (who was among the original audience) as follows: Help me wonder; here's a Book Where I would for ever look; Never yet did Gypsy trace Smoother lines in Hand or Face; Venus here doth Saturn move That you should be Queen of Love … You shall turn all hearts to tinder, And shall make the world one cinder. During her exile in Paris,
Kenelm Digby wrote of her: "I have not seen more prudence, sweetnesse, goodnesse, honor and bravery shewed by any woman that I know, than this unfortunate lady sheweth she hath a rich stock of. Besides her natural endowments, doubtless her afflictions add much; or rather have polished, refined and heightened what nature gave her."
Arthur Wilson, the early historian of the reign of King James I, wrote in 1653 that she was "a Lady of transcending beauty, but accused for wantonness". The first biography of Lady Purbeck was published by an Edwardian gentleman-scholar, Thomas Longueville, in 1909. However, it omits important facts since Longueville was unaware of legal documents in the
Public Record Office discovered later by the author Laura Norsworthy and published in her biography of Frances' mother Lady Hatton,
The Lady of Bleeding Heart Yard (1935). The well-known British author
Antonia Fraser devotes part of a chapter of her
The Weaker Vessel (1984) to a modern summary of Frances' life. A new biography by American historian Johanna Luthman,
Love, Madness, and Scandal: The Life of Frances Coke Villiers, Viscountess Purbeck, was published by
Oxford University Press in 2017. The only known portrait of Lady Purbeck, painted by the Dutch artist
Michiel Jansz. van Mierevelt of
Delft and dated 1623, is on view to the public as part of the guided stairway tour at
Ashdown House, Oxfordshire, a
National Trust property. ==See also==