Andreotti did not shine at his school and started work in a tax office while studying law at the
University of Rome. Andreotti became director of its magazine
Azione Fucina. In 1942, when Moro was enrolled in the Italian Army, Andreotti succeeded him as president of FUCI, a position he held until 1944. During his early years, Andreotti suffered violent
migraines that forced him to make use of psychoactive drugs sporadically and
opiates. During
World War II, Andreotti wrote for the
Rivista del Lavoro, a fascist propaganda publication, but was also a member of the then-clandestine newspaper
Il Popolo. In July 1943, Andreotti contributed, along with Mario Ferrari Aggradi,
Paolo Emilio Taviani, Guido Gonella,
Giuseppe Capogrossi, Ferruccio Pergolesi,
Vittore Branca,
Giorgio La Pira,
Giuseppe Medici and Moro, to the creation of the
Code of Camaldoli, a document planning of economic policy drawn up by members of the Italian Catholic forces. The Code served as inspiration and guideline for economic policy of the future Christian Democrats. In 1944, he became a member of the National Council of the newborn Christian Democracy party. After the end of the conflict, he became responsible for the party's youth organisation. Andreotti's main undertaking was representing the interests of
Frosinone in the province of
Lazio.
Lazio would continue to serve as Andreotti's geographical base of power later in his political career.
Influence on culture As the state undersecretary in charge of entertainment in 1949, Andreotti established import limits and screen quotas, and provided loans to Italian production firms. The measures aimed to prevent American productions from dominating the market against
Neorealist films, a genre that exhibitors complained lacked stars and was held in low esteem by the public. As he phrased it, there were to be 'Less rags, more legs'. Raunchy comedies and historical dramas with voluptuous toga-clad actresses became the staple of the Italian film industry. The screenplays were vetted to ensure that state funds were not used to prop up commercially unsustainable films, thereby creating a form of preproduction censorship. It was intended that Italian studios use part of their profits for high-quality films; However,
Vittorio De Sica's
Umberto D., which depicted the lonely life of a retired man, could only strike government officials as a dangerous throwback, due to the opening scene featuring police breaking up a demonstration of old pensioners and the ending scene featuring Umberto's aborted suicide attempt. In a public letter to De Sica, Andreotti castigated him for his "wretched service to his fatherland".
1950s and 1960s In 1952, ahead of local elections in the municipality of Rome, Andreotti gave proof of his diplomatic skills and gained credibility. Andreotti persuaded De Gasperi not to establish a political alliance with the neo-fascist
Italian Social Movement, as
Pope Pius XII asked, to prevent a Communist victory. As Secretary, Andreotti contributed to the re-formation of the
Italian Olympic Committee, which had been disbanded after the fall of the Fascist regime. In 1953, among other things, he promoted the so-called "Andreotti's veto" against foreign football players in
Italian Serie A. After De Gasperi's resignation and retirement in August 1953, Andreotti remained Secretary of the Council under the short-lived premiership of
Giuseppe Pella. In 1954, Andreotti became
Minister of the Interior in the first government of
Amintore Fanfani. From July 1956 to July 1958, he was appointed Finance Minister in the cabinets of
Antonio Segni and
Adone Zoli. In the same period, Andreotti started forming a
corrente (unofficial political association, or a faction) within the Christian Democracy party, the largest party in Italy. His
corrente was supported by the Roman Catholic right wing. It started its activity with a press campaign accusing
Piero Piccioni, son of the deputy national secretary of the DC,
Attilio Piccioni, of the murder of fashion model
Wilma Montesi at
Torvaianica. After the defeat of De Gasperi's old followers in the DC National Council, Andreotti helped another newly formed
corrente, the
Dorotei, to oust Amintore Fanfani, who was the leader of the left wing of the party, as Prime Minister of Italy and National Secretary of the DC. On 20 November 1958 Andreotti, then Minister of Treasury, was appointed president of the organizing committee of the
1960 Summer Olympics to be held in Rome. In the early 1960s, Andreotti was
Minister of Defence, and was widely considered the
de facto leader of the right-wing Christian Democratic opposition to Fanfani and Moro's strategy. In this period, the revelation that the Secret Service had compiled dossiers on virtually every public figure in the country resulted in the
SIFAR affair. Andreotti ordered the destruction of the dossiers; but before the destruction, Andreotti provided the documents to
Licio Gelli, the
Venerable Master of the clandestine lodge
Propaganda Due (P2). Andreotti was also involved in the
Piano Solo scandal, an envisaged plot for an Italian coup in 1964 requested by the then-President of the Italian Republic
Antonio Segni. It was prepared by the commander of the Carabinieri, Giovanni de Lorenzo, at the beginning of 1964 in close collaboration with the Italian secret service (SIFAR), CIA secret warfare expert
Vernon Walters,
William Harvey, then-chief of the CIA station in Rome, and Renzo Rocca, director of the
Gladio units within the military secret service SID. In 1968, Andreotti was appointed leader of the parliamentary group of Christian Democracy, a position he held until 1972. ==First term as prime minister==