• Two stanzas in
Alexander Blok's poem "Ravenna" (May–June 1909) focus on her tomb; Olga Matich writes: "For Blok, Galla Placidia represented a synthetic historical figure that linked different cultural histories." •
Ezra Pound uses her tomb as an exemplar of the "gold" remaining from the past, for example in
Canto XXI: "Gold fades in the gloom,/ Under the blue-black roof, Placidia's..." •
Louis Zukofsky refers to it in his poem "4 Other Countries", reproduced in
"A" 17: "The gold that shines/ in the dark/ of Galla Placidia,/ the gold in the// Round vault rug of stone/ that shows its pattern as well as the stars/ my love might want on her floor..." •
Carl Jung refers to Galla Placidia in his autobiography
Memories, Dreams, Reflections, (Chapter IX, Section 'Ravenna and Rome'). He reports a vision of "four great mosaic frescoes of incredible beauty" he experienced in the
Neonian Baptistery right after visiting Galla's tomb at Ravenna. He had been, he says, "personally affected by the figure of Galla Placidia" and goes on to say: "Her tomb seemed to me a final legacy through which I might reach her personality. Her fate and her whole being were vivid presences to me". Jung was later surprised to discover that the mosaics he and an acquaintance remembered had actually never existed. • Galla Placidia is a major supporting character in
R. A. Lafferty's semi-historical work
The Fall of Rome, which introduces her as "the goblin child and sister of the two young emperors who, at the age of seventeen, and when all the rest of them were cowed, seized control of the Roman Senate and the City and represented the defiance in the last one hundred days of the world." ==In popular culture==