Impact in pop culture The show has been referred to in many series, such as
ABC Family's
GREEK,
CBS's
The Big Bang Theory, and
Fox's
Family Guy. It also had its own
E! True Hollywood Story episode, featuring past contestants Ebony Haith, Giselle Samson,
Elyse Sewell (all cycle 1),
Adrianne Curry (cycle 1 winner), Camille McDonald (cycles 2 & 17), April Wilkner,
Mercedes Scelba-Shorte (both cycle 2),
Toccara Jones, Ann Markley, Amanda Swafford (all cycle 3),
Eva Pigford (cycle 3 winner), Michelle Deighton (cycle 4), Brittany Brower (cycles 4 & 17),
Naima Mora (cycle 4 winner), Ebony Taylor (cycle 5),
Lisa D'Amato (cycle 5 & cycle 17 winner),
Kim Stolz (cycle 5) and
Bre Scullark (cycles 5 & 17) as well as judges & personals
Janice Dickinson,
Tyra Banks,
Nigel Barker,
J. Alexander,
Jay Manuel,
Ken Mok and Michelle Mock-Falcon. It covered the first five cycles and recently re-aired with a few added minutes of footage which cover cycles 6 to 10 and
Stylista. In 2009,
Oxygen Network aired a series based on the show called
Top Model Obsessed, featuring past contestants
Lisa D'Amato (cycle 5 & cycle 17 winner),
CariDee English (cycle 7 winner) and Bianca Golden (cycles 9 & 17). Many credit ''America's Next Top Model
for inspiring later reality television shows, most notably RuPaul's Drag Race''. Kevin O'Keefe and Mathew Rodriguez noted that ''America's Next Top Model
served as "the biggest inspiration" for the show and that season 1 of RuPaul's Drag Race
was "a parody of a couple different reality shows ... but more so (of) America's Next Top Model
". They explain that "Top Model
was a groundbreaking reality show" and that "it crawled so that Drag Race'' could walk". They drew parallels between
Tyra Banks and
RuPaul as black people "who (have) been at the top of their field" and "play a persona" on their respective shows. They also compared the judging panels, comparing
Michelle Visage to
Nigel Barker as an "anchor main judge" who is "harsher in their critiques", although contrasted RuPaul's judges with Tyra's, stating that "RuPaul has never allowed a
drag queen to sit on the panel the way Tyra would bring in either
Janice Dickinson then
Twiggy." Moreover, the "first mini challenge of the first several seasons of
Drag Race used to always be a photoshoot" and
season 6's photoshoot of jumping off a platform was "directly taken from a photoshoot in
season 6 of
ANTM, where they had to play fairy tale characters and jump" off a platform. Another "artefact" of Top Model's influence on the show comes from
Drag Race's focus on runway, with
season 8 contestant
Kim Chi being "criticised for not having a model walk". Most importantly, ''America's Next Top Model
"was one of the most queer shows on TV" with regard to the inclusion of Jay Manuel, J. Alexander and Benny Ninja on the judging panel and numerous openly LGBTQ+ contestants, most notably Isis King. It was "covertly queer enough to make the space on TV for something as queer as Drag Race''."
U.S. television ratings For the 2006–2009 and 2010–2011 television seasons, ''America's Next Top Model'' was the No.1 show in average viewers on The CW. :
Each U.S. network television season starts in late September and ends in late May, which coincides with the completion of May sweeps. ;Notes
Criticism Yahoo!'s Shine lifestyle website said the show contained cruelty and elements of humiliation, and that some critiques from the judges are "really cruel and cringe-inducing", claiming that the show "humiliates and degrades young women." The site created the list "10 reasons why 'America's Next Top Model' is bad for women, humans", citing such things as giving the contestants and women viewers unrealistic visions of life as a model, and "always espousing empowerment and female strength and then forcing the contestants into embarrassing scenarios far outside the realm of real-life modeling". One such scenario highlighted was when cycle 12's final two contestants "were made to wear bikinis so skimpy that the producers had to blur out
Allison Harvard's butt cheeks", and performed a "creepily sexual mud fight," after which contestant and winner Teyona Anderson was "commended for taking her weave in her hand and whipping it around on the runway like a sexy feather boa."
Ken Mok and Banks noticed that most of cycle 8's contestants were unusually heavy smokers. "Tyra and I understand the influence 'Top Model' has on a generation of young people, and we want to make sure we get the right message to our audience," Mok said, which then prompted the "
green" theme of cycle 9. The winner of cycle 9,
Saleisha Stowers, was discovered to have been in a
Wendy's commercial, on a catwalk in the cycle 6 show and an episode of Tyra Banks Show prior to her participation. The rules of the competition stated that a contestant must not have appeared as a model in a national campaign during the five years prior to the production of the cycle in which they participate. The CW network said she had revealed her role in the Wendy's commercial, and "after reviewing the commercial, it was determined that her appearance did not amount to 'modeling' experience, and therefore did not exclude her from participating in the show." After filming cycle 10, the producers of ''America's Next Top Model'' were served with a lawsuit from Michael Marvisi, the owner of the
loft used as the Top Model house. The lawsuit claimed that the contestants as well as the production crew caused an estimated $500,000 in damages to the loft. Marvisi claims the contestants engaged in food fights, made holes in the walls, caused water damage to the bathroom, damaged a $15,000
chandelier beyond repair, and caused $90,000 worth of damage to an electrical store. Also, the production crew was accused of damaging the flooring and making holes in the ceiling for lighting equipment.
''Reality Check: Inside America's Next Top Model'' In February 2026, Netflix released a three-part documentary series, ''Reality Check: Inside America's Next Top Model'', which revisits the show's history and controversies through new interviews with former contestants, judges and producers, including Tyra Banks, Jay Manuel, J. Alexander, Nigel Barker and executive producer Ken Mok. The filmmakers have said that Banks participated as an interview subject but did not have editorial control over the final cut. The series revisits a number of storylines that had already attracted criticism during the show's run. These include crime-scene themed photo shoots in which contestants posed as murder victims, "race-swap" shoots that darkened or lightened models' skin tones to portray different ethnicities, and challenges in which contestants were styled as people experiencing homelessness or eating disorders. Former contestants also recount being criticised for their weight, and some say they restricted their eating or felt pressure to change their appearance, while the documentary highlights footage of judges and producers commenting on contestants' bodies and suggesting cosmetic dental work. A major focus of
Reality Check is a storyline from the show's second cycle involving contestant Shandi Sullivan. On the original programme, her night out in Milan with a male model was framed as infidelity and led to an episode titled "The Girl Who Cheated". In the documentary, Sullivan says she had been drinking heavily, recalls only fragments of events in a hot tub, shower and bed, and describes herself as having been "blacked out", stating that she now believes she was unable to consent while cameras continued to film. In the same segment, Mok says the production approached the show as a documentary and describes the incident as a "story point", while Banks is shown discussing how the scene was edited for broadcast. The docuseries also addresses other incidents discussed by former contestants, including Keenyah Hill's account of being groped by a male model during a shoot and of being repeatedly criticised for her weight, and Dionne Walters' claim that she was cast as a shooting victim in a crime-scene shoot despite the production being aware that her mother had been shot and paralysed when Walters was a child. Mok says in the series that using Walters in that way was "a mistake" and that he takes responsibility for it. These segments appear alongside discussions of other shoots and judging decisions from across the series. Several interviewees in
Reality Check say that appearing on the show did not translate into long-term modelling careers and that some agencies were reluctant to work with reality television contestants. One segment contrasts reported contestant pay and working conditions with estimates of Banks' earnings from the franchise. Other former contestants and former panelist Kelly Cutrone have publicly defended Banks in the wake of the documentary, emphasising the opportunities they gained from the show and expressing opposition to calls for her to be "cancelled". Reviews of the series have noted both its exploration of early-2000s reality television and differing views on how far it goes in assigning responsibility for past harms.
The Guardian described
Reality Check as "a gripping, queasy watch" that shows Banks "confronting her legacy without quite reckoning with it", while
ABC News wrote that the docuseries "feigns accountability" by foregrounding contestants' accounts but allowing Banks and producers to frame controversial decisions as products of their time. A
Time magazine essay argued that the handling of Sullivan's storyline is the documentary's "most powerful indictment of reality TV" because of the way responsibility for her treatment remains diffuse two decades later. Trade publications reported that the documentary was also commercially successful.
Variety wrote that
Reality Check recorded about 14.2 million views globally in its first week on Netflix and ranked as the platform's most-watched series worldwide during that period. ==Broadcast history==